DM642 is a DSP chip specially used for video processing that offered by TI company,it adds a lot of peripheral devices and inter faces based on C6000 series of chips,with the high speed computing ability,it has a wide...DM642 is a DSP chip specially used for video processing that offered by TI company,it adds a lot of peripheral devices and inter faces based on C6000 series of chips,with the high speed computing ability,it has a wide range of applications in multimedia field.This pa per analyzes and describes the works and the main functional modules of two-way video synthesis hardware system based on DM642.展开更多
Free-viewpoint video allows the user to view objects from any virtual perspective,creating an immersive visual experience.This technology enhances the interactivity and freedom of multimedia performances.However,many ...Free-viewpoint video allows the user to view objects from any virtual perspective,creating an immersive visual experience.This technology enhances the interactivity and freedom of multimedia performances.However,many free-viewpoint video synthesis methods hardly satisfy the requirement to work in real time with high precision,particularly for sports fields having large areas and numerous moving objects.To address these issues,we propose a freeviewpoint video synthesis method based on distance field acceleration.The central idea is to fuse multiview distance field information and use it to adjust the search step size adaptively.Adaptive step size search is used in two ways:for fast estimation of multiobject three-dimensional surfaces,and synthetic view rendering based on global occlusion judgement.We have implemented our ideas using parallel computing for interactive display,using CUDA and OpenGL frameworks,and have used real-world and simulated experimental datasets for evaluation.The results show that the proposed method can render free-viewpoint videos with multiple objects on large sports fields at 25 fps.Furthermore,the visual quality of our synthetic novel viewpoint images exceeds that of state-of-the-art neural-rendering-based methods.展开更多
Depth maps are used for synthesis virtual view in free-viewpoint television （FTV） systems. When depth maps are derived using existing depth estimation methods, the depth distortions will cause undesirable artifacts ...Depth maps are used for synthesis virtual view in free-viewpoint television （FTV） systems. When depth maps are derived using existing depth estimation methods, the depth distortions will cause undesirable artifacts in the synthesized views. To solve this problem, a 3D video quality model base depth maps （D-3DV） for virtual view synthesis and depth map coding in the FTV applications is proposed. First, the relationships between distortions in coded depth map and rendered view are derived. Then, a precisely 3DV quality model based depth characteristics is develop for the synthesized virtual views. Finally, based on D-3DV model, a multilateral filtering is applied as a pre-processed filter to reduce rendering artifacts. The experimental results evaluated by objective and subjective methods indicate that the proposed D-3DV model can reduce bit-rate of depth coding and achieve better rendering quality.展开更多
In this paper, we summarize 3D perception-oriented algorithms for perceptually driven 3D video coding. Several perceptual ef- fects have been exploited for 2D video viewing; however, this is not yet the case for 3D vi...In this paper, we summarize 3D perception-oriented algorithms for perceptually driven 3D video coding. Several perceptual ef- fects have been exploited for 2D video viewing; however, this is not yet the case for 3D video viewing. 3D video requires depth perception, which implies binocular effects such as con fl icts, fusion, and rivalry. A better understanding of these effects is necessary for 3D perceptual compression, which provides users with a more comfortable visual experience for video that is de- livered over a channel with limited bandwidth. We present state-of-the-art of 3D visual attention models, 3D just-notice- able difference models, and 3D texture-synthesis models that address 3D human vision issues in 3D video coding and trans-mission.展开更多
Multiview video can provide more immersive perception than traditional single 2-D video. It enables both interactive free navigation applications as well as high-end autostereoscopic displays on which multiple users c...Multiview video can provide more immersive perception than traditional single 2-D video. It enables both interactive free navigation applications as well as high-end autostereoscopic displays on which multiple users can perceive genuine 3-D content without glasses. The multiview format also comprises much more visual information than classical 2-D or stereo 3-D content, which makes it possible to perform various interesting editing operations both on pixel-level and object-level. This survey provides a comprehensive review of existing multiview video synthesis and editing algorithms and applications. For each topic, the related technologies in classical 2-D image and video processing are reviewed. We then continue to the discussion of recent advanced techniques for multiview video virtual view synthesis and various interactive editing applications. Due to the ongoing progress on multiview video synthesis and editing, we can foresee more and more immersive 3-D video applications will appear in the future.展开更多
文摘DM642 is a DSP chip specially used for video processing that offered by TI company,it adds a lot of peripheral devices and inter faces based on C6000 series of chips,with the high speed computing ability,it has a wide range of applications in multimedia field.This pa per analyzes and describes the works and the main functional modules of two-way video synthesis hardware system based on DM642.
基金supported by the National Natural Science Foundation of China(Nos.62172315,62073262,and 61672429)the Fundamental Research Funds for the Central Universities,the Innovation Fund of Xidian University(No.20109205456)the Key Research and Development Program of Shaanxi(No.S2021-YF-ZDCXL-ZDLGY-0127),and HUAWEI.
文摘Free-viewpoint video allows the user to view objects from any virtual perspective,creating an immersive visual experience.This technology enhances the interactivity and freedom of multimedia performances.However,many free-viewpoint video synthesis methods hardly satisfy the requirement to work in real time with high precision,particularly for sports fields having large areas and numerous moving objects.To address these issues,we propose a freeviewpoint video synthesis method based on distance field acceleration.The central idea is to fuse multiview distance field information and use it to adjust the search step size adaptively.Adaptive step size search is used in two ways:for fast estimation of multiobject three-dimensional surfaces,and synthetic view rendering based on global occlusion judgement.We have implemented our ideas using parallel computing for interactive display,using CUDA and OpenGL frameworks,and have used real-world and simulated experimental datasets for evaluation.The results show that the proposed method can render free-viewpoint videos with multiple objects on large sports fields at 25 fps.Furthermore,the visual quality of our synthetic novel viewpoint images exceeds that of state-of-the-art neural-rendering-based methods.
基金supported by the National Natural Science Foundation of China(Grant No.60832003)Key Laboratory of Advanced Display and System Application(Shanghai University),Ministry of Education,China(Grant No.P200902)the Key Project of Science and Technology Commission of Shanghai Municipality(Grant No.10510500500)
文摘Depth maps are used for synthesis virtual view in free-viewpoint television （FTV） systems. When depth maps are derived using existing depth estimation methods, the depth distortions will cause undesirable artifacts in the synthesized views. To solve this problem, a 3D video quality model base depth maps （D-3DV） for virtual view synthesis and depth map coding in the FTV applications is proposed. First, the relationships between distortions in coded depth map and rendered view are derived. Then, a precisely 3DV quality model based depth characteristics is develop for the synthesized virtual views. Finally, based on D-3DV model, a multilateral filtering is applied as a pre-processed filter to reduce rendering artifacts. The experimental results evaluated by objective and subjective methods indicate that the proposed D-3DV model can reduce bit-rate of depth coding and achieve better rendering quality.
文摘In this paper, we summarize 3D perception-oriented algorithms for perceptually driven 3D video coding. Several perceptual ef- fects have been exploited for 2D video viewing; however, this is not yet the case for 3D video viewing. 3D video requires depth perception, which implies binocular effects such as con fl icts, fusion, and rivalry. A better understanding of these effects is necessary for 3D perceptual compression, which provides users with a more comfortable visual experience for video that is de- livered over a channel with limited bandwidth. We present state-of-the-art of 3D visual attention models, 3D just-notice- able difference models, and 3D texture-synthesis models that address 3D human vision issues in 3D video coding and trans-mission.
基金partially supported by Innoviris(3-DLicornea project)FWO(project G.0256.15)+3 种基金supported by the National Natural Science Foundation of China(Nos.61272226 and 61373069)Research Grant of Beijing Higher Institution Engineering Research CenterTsinghua-Tencent Joint Laboratory for Internet Innovation TechnologyTsinghua University Initiative Scientific Research Program
文摘Multiview video can provide more immersive perception than traditional single 2-D video. It enables both interactive free navigation applications as well as high-end autostereoscopic displays on which multiple users can perceive genuine 3-D content without glasses. The multiview format also comprises much more visual information than classical 2-D or stereo 3-D content, which makes it possible to perform various interesting editing operations both on pixel-level and object-level. This survey provides a comprehensive review of existing multiview video synthesis and editing algorithms and applications. For each topic, the related technologies in classical 2-D image and video processing are reviewed. We then continue to the discussion of recent advanced techniques for multiview video virtual view synthesis and various interactive editing applications. Due to the ongoing progress on multiview video synthesis and editing, we can foresee more and more immersive 3-D video applications will appear in the future.
