Via a study of The Joy Luck Club,Amy Tan's first effort,this essay discusses the cultural conflicts and compatibility between the East and the West as manifested by the conflicts and compatibility between two gene...Via a study of The Joy Luck Club,Amy Tan's first effort,this essay discusses the cultural conflicts and compatibility between the East and the West as manifested by the conflicts and compatibility between two generations of Chinese Americans in the novel.The paper argues that different living environments,different cultural heritages of the East and the West as well as different values are the main causes of the mother-daughter conflicts in the novel.The paper concludes that these causes could also be regarded as the root of the cultural conflicts between the East and the West in general.More importantly,after a series of efforts,the two generations are in harmony,which stands for the cultural compatibility between the East and the West.展开更多
IN a vast area in Northeast Chinaand Northeast Asia live a num-ber of nationalities speaking theManchu-Tungusic language of the Ewenki,Oroqen,Hezhen,Xibe and Manchu inChina and Evenki,Even and Nanai inRussia.In the 16...IN a vast area in Northeast Chinaand Northeast Asia live a num-ber of nationalities speaking theManchu-Tungusic language of the Ewenki,Oroqen,Hezhen,Xibe and Manchu inChina and Evenki,Even and Nanai inRussia.In the 16th century these peopledid not have witten languages of theirown.In 1119,the Nuzhen,the forefath-ers of the Manchu,created the grea-ter Nuzhen script:in 1138,the lesserNuzhen script was also created.Thesescripts were created based on Chinesecharacters.展开更多
With the strengthening of globalization and closer ties between countries,all-round exchanges and cooperation have become an inevitable trend.In the new era,the cultural exchange between China and the West presents an...With the strengthening of globalization and closer ties between countries,all-round exchanges and cooperation have become an inevitable trend.In the new era,the cultural exchange between China and the West presents an unprecedented depth and breadth.Chinese traditional culture,which has made great contributions to Oriental culture and even the world culture,has been developed,in the process of constant conflict,digestion,and absorption while entering other countries in the world.The inclusiveness of Chinese traditional culture has made it survive and thrive in absorbing the quintessence of foreign culture,which makes it contain new contents.In the process of Chinese and Western cultural exchanges,some parts of the essence traditional Chinese culture which are ignored should be given certain inclination in policy and guided by strengthening the education of Chinese traditional culture.展开更多
The nineteenth century was a period when the visual arts,growing in both the West and the East,flourished.It witnessed the beginning of photography,the great innovation which posed questions of the blurred distinction...The nineteenth century was a period when the visual arts,growing in both the West and the East,flourished.It witnessed the beginning of photography,the great innovation which posed questions of the blurred distinctions between art and science.The nineteenth century was also the era of collisions of numerous technology and cultures between the West and the East.展开更多
It is universally acknowledged that cultural diversity can be showed in various aspects, and it take the music culture for example here. As the UN Sec-Gen Ban Ki Moon said:"there are no languages required in the ...It is universally acknowledged that cultural diversity can be showed in various aspects, and it take the music culture for example here. As the UN Sec-Gen Ban Ki Moon said:"there are no languages required in the musical world, That is the power of music.That is the power of heart."Through this promotion of arts we can better understand the culture and civilization of other people.展开更多
The prevailing narrative instructs us that humane treatment of captured enemy fighters is down to white knights from the western parts of the European continent with their codes of chivalry, or alternatively, the Swis...The prevailing narrative instructs us that humane treatment of captured enemy fighters is down to white knights from the western parts of the European continent with their codes of chivalry, or alternatively, the Swiss businessman Henri Dunant. This contribution challenges that narrative for overlooking, or being ignorant of, the way that societies around the world have approached the matter of the captured enemy fighter. Traces of some of the critical principles about humane treatment that we see in our present law can actually be found in much older societies from outside of Europe. A more accurate and representative way of understanding humanitarianism in the treatment of captured enemy fighters can and must be crafted, with the prevailing Euro-centric account balanced with practices, cultures and faiths from elsewhere. The quest to achieve more humane treatment in armed conflict is first and foremost a battle of the intellect. Narratives and conceptualisations that are more inclusive, recognising and appreciating of the ways of the rest of the world are likely to be more effective in communicating humanitarian ideals. This work adopts a new method of approaching the richness and diversity of the treatment of captured enemy fighters over time and space. This new framework of analysis uses six cross-cutting themes to facilitate a broader international and comparative perspective, and develop a more sophisticated level of understanding. The first theme is how older and indigenous societies approached the matter of captured enemy fighters. The second focuses on religions of the world, and what they teach or require. The third section examines the matter of martial practices and codes of ethics for combatants in certain societies. The fourth category engages with colonisation and decolonisation, and regulation (or non-regulation) of the treatment of captives of war. Fifth is the issue of modernisation and the impact it has had on armed forces and fighters, including on the treatment of captives. The final issue is the shift towards formalised agreements, beginning with the first bilateral agreements and then the multilateral codification exercise that began in the mid-19th century and continues to this day. This framework for analysis leads into a final chapter, presenting a fresh and holistic view on the evolution of prisoner of war protections in the international order. It provides a different way of looking at International Humanitarian Law, starting with this effort at a global understanding of the treatment of captured enemy fighters.展开更多
文摘Via a study of The Joy Luck Club,Amy Tan's first effort,this essay discusses the cultural conflicts and compatibility between the East and the West as manifested by the conflicts and compatibility between two generations of Chinese Americans in the novel.The paper argues that different living environments,different cultural heritages of the East and the West as well as different values are the main causes of the mother-daughter conflicts in the novel.The paper concludes that these causes could also be regarded as the root of the cultural conflicts between the East and the West in general.More importantly,after a series of efforts,the two generations are in harmony,which stands for the cultural compatibility between the East and the West.
文摘IN a vast area in Northeast Chinaand Northeast Asia live a num-ber of nationalities speaking theManchu-Tungusic language of the Ewenki,Oroqen,Hezhen,Xibe and Manchu inChina and Evenki,Even and Nanai inRussia.In the 16th century these peopledid not have witten languages of theirown.In 1119,the Nuzhen,the forefath-ers of the Manchu,created the grea-ter Nuzhen script:in 1138,the lesserNuzhen script was also created.Thesescripts were created based on Chinesecharacters.
文摘With the strengthening of globalization and closer ties between countries,all-round exchanges and cooperation have become an inevitable trend.In the new era,the cultural exchange between China and the West presents an unprecedented depth and breadth.Chinese traditional culture,which has made great contributions to Oriental culture and even the world culture,has been developed,in the process of constant conflict,digestion,and absorption while entering other countries in the world.The inclusiveness of Chinese traditional culture has made it survive and thrive in absorbing the quintessence of foreign culture,which makes it contain new contents.In the process of Chinese and Western cultural exchanges,some parts of the essence traditional Chinese culture which are ignored should be given certain inclination in policy and guided by strengthening the education of Chinese traditional culture.
文摘The nineteenth century was a period when the visual arts,growing in both the West and the East,flourished.It witnessed the beginning of photography,the great innovation which posed questions of the blurred distinctions between art and science.The nineteenth century was also the era of collisions of numerous technology and cultures between the West and the East.
文摘It is universally acknowledged that cultural diversity can be showed in various aspects, and it take the music culture for example here. As the UN Sec-Gen Ban Ki Moon said:"there are no languages required in the musical world, That is the power of music.That is the power of heart."Through this promotion of arts we can better understand the culture and civilization of other people.
文摘The prevailing narrative instructs us that humane treatment of captured enemy fighters is down to white knights from the western parts of the European continent with their codes of chivalry, or alternatively, the Swiss businessman Henri Dunant. This contribution challenges that narrative for overlooking, or being ignorant of, the way that societies around the world have approached the matter of the captured enemy fighter. Traces of some of the critical principles about humane treatment that we see in our present law can actually be found in much older societies from outside of Europe. A more accurate and representative way of understanding humanitarianism in the treatment of captured enemy fighters can and must be crafted, with the prevailing Euro-centric account balanced with practices, cultures and faiths from elsewhere. The quest to achieve more humane treatment in armed conflict is first and foremost a battle of the intellect. Narratives and conceptualisations that are more inclusive, recognising and appreciating of the ways of the rest of the world are likely to be more effective in communicating humanitarian ideals. This work adopts a new method of approaching the richness and diversity of the treatment of captured enemy fighters over time and space. This new framework of analysis uses six cross-cutting themes to facilitate a broader international and comparative perspective, and develop a more sophisticated level of understanding. The first theme is how older and indigenous societies approached the matter of captured enemy fighters. The second focuses on religions of the world, and what they teach or require. The third section examines the matter of martial practices and codes of ethics for combatants in certain societies. The fourth category engages with colonisation and decolonisation, and regulation (or non-regulation) of the treatment of captives of war. Fifth is the issue of modernisation and the impact it has had on armed forces and fighters, including on the treatment of captives. The final issue is the shift towards formalised agreements, beginning with the first bilateral agreements and then the multilateral codification exercise that began in the mid-19th century and continues to this day. This framework for analysis leads into a final chapter, presenting a fresh and holistic view on the evolution of prisoner of war protections in the international order. It provides a different way of looking at International Humanitarian Law, starting with this effort at a global understanding of the treatment of captured enemy fighters.