Cultural Conflicts and Fusion in the Process of Christianity Disseminating in China

This paper focuses on cultural conflicts,mainly conflicts of God oriented and people oriented world view,different view towards human nature- virtue culture and guilt culture,the theology that all are equal before God and hierarchical order tradition,monotheism and polytheism,conflict between the doctrine and the concept of clan,briefly,that between Chinese traditional culture and Christian doctrine in the process of the religion disseminating in China.It also touches upon the beneficial attributes of Chinese culture for the fusion of the two culture patterns.

A Study of the Reason of Failure in Resolving Cultural Conflicts in Daisy Miller

Daisy Miller,written by esteemed novelist Henry James,focuses on typical theme—culture conflicts between American and European.There are three types of people in this novel representing three parties,which involves cultural conflicts:Daisy as American culture representative,Winterbourne as mediator,Mrs.Costello and Mrs.Walker as European cultural representatives.The analysis of these three types of characters in the novel will enable us to find the reason why dealing with the cultural clashes an inevitable failure.

Studies on the Avoidance of Cultural Conflicts from the Aspect of Relationship between Non-verbal Communication and Culture

Nowadays,communication with foreign people isbecoming closer.While,misunderstandings occur frequently inthis process.The main purpose of this essay is to offer some pro-posals on the problem of misunderstandings and conflicts in inter-cultural communication from the aspect of relationship betweenculture and non-verbal communication.

Interpretation on Cultural Conflicts between America and China and the Conflict Root Cause Reflected in The Joy Luck Club

This paper is mainly written to explore how cultural differences and clashes between America and China give rise to mother-daughter discords and conflicts. The paper was conducted based on the definition of culture in order to make clear of cultural conflicts. It is written to analyze the two groups of women immigrants unavoidably encountering the clash between their ancestral culture—Chinese culture and the dominant culture--American culture. Furthermore, the paper demonstrates that the mothers' Chinese roots are the root cause of misunderstandings and conflicts between their American-born daughters and themselves.Besides, the writer analyzes that different standpoints towards education value between mothers and American- born daughters cause their misunderstanding and conflicts. The conclusion is that the diversities between Chinese culture and American culture are the root cause for the mother-daughter discords and conflicts.

Cultural Conflicts and Reconciliation—A Study on Amy Tan’s Multicul⁃ tural View in The Bonesetter’s Daughter

The Bonesetter’s Daughter,carries on Amy Tan’s constant theme of daughter-mother relationship,but it further casts light into Tan’s multicultural view.This article is to study Amy Tan’s effort of exploring ways for cultural reconciliation in a multi⁃cultural society.It points out that the novel reveals her multicultural view and appeal that people from different cultural back⁃grounds can understand,respect and tolerate each other.

Cultural study on trade disputes between China and the West

In recent years, China＇s international trade has made great actuevements, However, when carefully reviewing its performance in the international market, we have to admit a fact that ＂Chinese businessmen＂ and ＂Made in China＂ are encountering great challenges, even aversion in many foreign markets. The so-called ＂Yellow peril theory＂ and ＂China threat theory＂ have caught on once again. Faced with such frequent trade conflicts, we fall into contemplation. Why did trade conflicts so frequently happen？ Do these conflicts merely remain at the commercial level？ Or, are there any deep-seated conflicts leading to trade conflicts？ What are the root causes of these conflicts？ How to overcome and avoid these conflicts in the future？ With these questions, this paper is designed to inquire into the root cause of trade conflicts and the constructive suggestions to settle trade conflicts from a cultural perspective.

Variation, Conflict and Integration--A Study of the Movie The Guasha Treatment from the Perspective of Cultural Identity

The movie The Guasha Treatment tells a story about the cultural conflict an immigrant family encounters in America caused by Guasha,a traditional Chinese medical treatment.The essay studies the movie from the perspective of cultural identity,elaborates the cultural conflicts,and suggests that different cultural identities can be coordinated in efforts of people of different cultures.

The Influences of Cultural Conflict On Business Administration

With the global economic integration, companies from different countries are involved in increasingly close interchange and unavoidably run into the problem of culture difference in management, and properly handling the resulting culture conflict is of positive practical significance. The enterprise culture is the coexistence of culture and management. Different cultural background decides totally different business philosophy and management style.？Chinese culture belongs to the humanistic culture, while western culture is a culture of science. The difference between two kinds of culture mainly lies in four aspects which are decision making, management philosophy, governance structure and the judgment criterion of the management effect. Enterprise management culture in the west has both advantages and disadvantages. China enterprises should foster strengths and circumvent weaknesses, and combine the excellent traditional culture and the western advanced scientific management culture organically.

Theatrical Hybridity, Thy Name Is Conflict： A Case Study on Holo Taiwan Residents Opera Troupe＇s Tai Tzu Fu Chou （The Prince＇s Vengeful Plan）

Holo Taiwan Residents Opera Troupe has produced a series of intercultural performances in Taiwan Residents Opera since the troupe adapted Nikolai Vasilievich Gogol＇s （1809-1852） The Government Inspector in 1996. In fact, there is a huge controversy over these intercultural performances which fuse western drama with traditional Taiwan Residents performing art because such a kind of theatrical hybridity lacks the spirit of the original and damages the aesthetics of native performing art practice. In 2002, Holo adapted William Shakespeare＇s Hamlet into a six-hour-long performance, Tai Tzu Fu Chou （The Prince＇s Vengeful Plan）, which the troupe tried to explore new source for traditional Taiwan Residents Opera and expected to bring something new to Taiwan Residents audience. However, The Prince＇s Vengeful Plan is considered ＂cultural collage＂ as well as an unsuccessful intercultural performance. Besides, The Prince＇s Vengeful Plan is accused to blaspheme Shakespeare because the performance merely maintains the frame of the original and distorts the spirit of the original. According to Rustom Bharucha, the most problematic aspect of intercultural performance is ＂de-historicizing tendency＂, and such a condition explains why Holo＇s The Prince＇s Vengeful Plan cannot transcend the original. In order to detect the problems of intercultural adaptation in Holo＇s The Prince Vengeful Plan, we cover the related issues in three aspects： （1） to discuss the development of Taiwan Residents Opera in Taiwan; （2） to explore the cultural conflicts when the text of the source culture is adapted into the performance of the target culture; and （3） to see how and why the spirit and aesthetics of Shakespeare＇s verses in Hamlet are distorted in Holo＇s theatrical adaptation. After that, we expect to conclude the impossibility of adapting Shakespeare＇s play into traditional Taiwan Residents Opera in the case of Holo＇s The Prince＇s Vengeful Plan.

Expounding Neo-Confucianism:Choice of Tradition at a Time of Dynastic Change——Cultural Conflict and the Social Reconstruction of Early Qing

During the Ming-Qing dynastic transition, the contradictions and conflicts arising from the different political systems, ways of rule, living styles and organization modes of economic life between the Manchu and the Han constituted a central part of Manchu-Han cultural conflicts, and intensified the social contradiction during the earlier years of emperors Shunzhi and Kangxi. Against this background, the early-Qing Neo-Confucianism neither criticized the reality nor rejected the tradition, but attempted to reestablish the moral and ethical order of the Chinese society in accordance with orthodox Confucianism. With its introduction into the imperial court by famous Neo-Confueianists such as Xiong Cilii, Neo-Confucianism began to enjoy increasing influence in Qing politics, and became the dominant official ideology in the Qing society. With this, the Qing dynasty gradually completed its historical transition from traditional Manchu politics to Central-plains politics. Moreover, the emperor＇s turnto Confucianism also put a good end to the decade-long cultural conflict within the Qing dynasty, thus making possible the ethnic intermingling between the Manchu and the Han. Accordingly, the change in Ming loyalists＇ political attitude was a political and cultural indicator of the disorder-order transition of the early-Qing Chinese society.

SPECIAL ISSUE： IMPORTANT ISSUES IN MARXIST PHILOSOPHICAL STUDIES IN CONTEMPORARY CHINA：Conflict between globalization and localization and cultural options： from the perspective of Marxist philosophy

Marx and Engels foresaw the approach of globalization and world history, and addressed the issue of cultural conflicts in a globalized era quite a long time ago. From the perspective of Marxist philosophy of culture, globalization, as the integration, interconnection and interdependence of human societies, will exert a twofold impact on culture. Contradictions between globalism and nationalism, idealism and utilitarianism, elitism and populism lie at the heart of the conflict between globalization and localization. It is the right strategy and stance in a globalized era to give full consideration to the role of cultural communication and understanding.