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The Palace Museum Canon of Cultural Relics
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《China Today》 1996年第1期20-20,共1页
ThePalaceMuseumCanonofCulturalRelicsTHEPALACEMuseum,builtbetween1406and1420andcoveringanareaof72ha,waswheret... ThePalaceMuseumCanonofCulturalRelicsTHEPALACEMuseum,builtbetween1406and1420andcoveringanareaof72ha,waswheretheemperorsofthede... 展开更多
关键词 The palace Museum Canon of cultural Relics
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Reconstruction of the remembrance:Palace of Culture in Slantsy
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作者 Tatiana Sergeevna Reshetnikova 《Frontiers of Architectural Research》 CSCD 2019年第4期572-590,共19页
Impressive public architecture has a power to influence and imbue a space with a legend and cultural and social values and accumulate collective memories.A Palace of Culture,or Dvorets Kurtury in Russian,represents a ... Impressive public architecture has a power to influence and imbue a space with a legend and cultural and social values and accumulate collective memories.A Palace of Culture,or Dvorets Kurtury in Russian,represents a socialist belief,commonwealth,and peopled democracy.The monumental Stalinist Palace of Culture is a multifunctional public architecture that was built as a sociocultural epicenter in many Soviet cities.The case of the Palace of Culture in Slantsy,which is a mining town in Leningrad Region in Russia,may be an eloquent projection of this building type and its era.The edifice is currently under reconstruction after its abandonment for a long time,thereby entailing the reincarnation of citizens1 memories and the creation of new hopes and experiences. 展开更多
关键词 NEOCLASSICISM palace of culture Collective memory Sociocultural values RECONSTRUCTION Slantsy town
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The Palace of Chinese Traditional Culture—Rongbao Zhai
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作者 ZHENG MAODA LINDA LEE 《Women of China》 1995年第9期64-65,共2页
AT the western end of Liuli Chang, the famous Beijing Cultural Street, there is a two-story classical building. By the door are two boards with three big golden characters, "Rongbao Zhai" (Study of Glorious ... AT the western end of Liuli Chang, the famous Beijing Cultural Street, there is a two-story classical building. By the door are two boards with three big golden characters, "Rongbao Zhai" (Study of Glorious Treasures), one wriuen by Lu Runxiang, Number One Scholar in Qing Dynasty, and the other by Guo Momo. one of the founders of modern Chinese literature, and a great calligrapher. The elegant building, and vigorous, bold and flowing calligraphy reflect China’s brilliant traditional culture. This is 展开更多
关键词 In The palace of Chinese Traditional Culture Rongbao Zhai
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