Writing AIDS,Deconstructing Politicized Discourses on the Body:AIDS in Post-apartheid South African Novels by Mpe and Mhlongo

HIV/AIDS has been one of the most serious health concerns in South Africa over the past 30 years.Novels such as Welcome to Our Hillbrow,Dog Eat Dog,and After Tears are literary responses to the profound shame and fear inflicted by the epidemic on individuals and society.These AIDS narratives serve as a means to deconstruct politicized discourses about the disease.They scrutinize the stereotype that the voracious sexuality of black men is the primary cause of AIDS and challenges the xenophobic notion of contagious foreigners prevalent in post-apartheid South Africa.Additionally,the novels critically examine and satirize the denialist discourse propagated by incompetent politicians who have failed to contain the virus in post-apartheid South Africa.By representing the conflicting voices surrounding HIV/AIDS,these writings vividly depict the social and political landscape of the era.

The Cliff:A Deconstructive Analysis of The Catcher in the Rye

Just as the cliff serves as a demarcation between two different worlds, there seems to the protagonist in The Catcher in the Rye the dichotomies between innocence and corruption, children and adults. While these dualisms are projected in the story, they are also deconstructed and the characterization of Holden clearly shows the instability of those dualisms.

The Deconstruction Approach to the City Shore

The essay uses the methods of deconstruction to demonstrate the reversing strength of the poem itself, and to invert the binary oppositions of rationality and sensibility, the hierarchy of which is conventionally accepted.

Multiple Point of View as a Deconstructing Strategy——A Poststructuralist Perspective on Lord Jim

Joseph Conrad's Lord Jim ranks among the modern novels not for its story,but for its unconventional narrative strategies of the comparatively simple plot,especially its employment of multiple point of view as a deconstructing strategy,rendering the text incapable of unambiguous interpretation.The only possible way for the reader to understand it is by active participation,finding out the thread of logic in the chaotic psyche of the multiple narrators.

Deconstructive Reading of Snowed Up: A Mistletoe Story

Snowed Up:A Mistletoe Story,a previously unpublished short story of Richard Jefferies,has been studied from many different approaches,but few papers discuss it from the perspective of Deconstruction.This paper will deconstruct Snowed Up:A Mistletoe Story from three binary oppositions:1) the upper class and the lower class;2) nature and civilization;3) Edie' s inner voice and her actual behavior.Besides,this paper will also try to deconstruct the traditional patriarchy through Edie ' s papa.Analyzing this novel from deconstructive approach will provide readers a deep insight into Richard Jefferies work.

Encountering Deconstructive Propensities in J.M. Coetzee's Foe: An Anatomization on Dualistic Patterns

Contextualizing his Foe(1986) in the backdrop of South African post- apartheid, Coetzee manipulates multifarious postmodern narrative ploys to purloin, rewrite and widen the canon Robinson Crusoe. In plural demonstrations of dualistic patterns, this novel emphatically unravels Coetzee's textual subversion of the traditional overarching"western logocentrism"or"metaphysics of presence"via catechizing and debilitating the orthodoxy of the white supremacy as well as the male superiority.This detailed analysis, giving a Derridean reading, purports to anatomize and deconstruct the binary oppositions of Self/ Other,White/Black, and Man/Woman among Cruso, Friday and Susan Barton, and reach Coetzee's veritable concerns: to dissolve the Imperialist hierarchy and hegemony, to waive racial enclosure, and to build a dialogue that open up a real respect and coexistence for both the centered and the marginalized.

A Brave New World:Feminism under the Influence of Deconstruction

"Deconstruction",coined by French philosopher Jacques Derrida in the 1960s,attempts to subvert the tradition of Western philosophy with "logo centrism" as its primary target.Deconstruction's concern on binary oppositions inspires the feminists and provides them with the philosophical ground to understand gender inequality and rebel against the classic dualities of Western "phallocentrism".However,the noticeable political orientation of feminism and its firm humanitarian position compose a fundamental disagreement with the negativism and nihilism of deconstructive philosophy.This essay aims to trace the development of Western feminism at the same time identify some of the agreements and conflicts between the two theoretical trends in postmodernism;moreover,it intends to propose an idealistic attitude in the reconstruction of a harmonious society with gender equality and understanding.

A Deconstruction Perspective of The Minister's Black Veil

Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorne's The Minister's Black Veil,with the obscurity and uncertainty in its disclosure, offers the feasibility for a deconstruction study. The binary oppositions and its deconstruction of the "black veil" in perspective of persona, idea and existence contribute to the void perception and activities of Mr.Hooper, the protagonist as well as the author's literary practice.

Deconstructing the Deconstruction Theory in Translation Study

Deconstruction is a philosophical or literary theory gradually formed and developed in 1960s.It is viewed as a philosophical trend against structuralism's logocentrism.Although deconstruction theory brings us a new way of thinking toward translation,there exists some "fragments" of deconstruction theories which have caused an enormous amount of controversy.The author will list these "fragments" as to deconstruct deconstruction theory.

A Deconstructive Reading of the Blurred Boundary between Madness and Reason in King Lear

When normal, Lear can not even distinguish flattery and pat answers from sincerity and true love. While considered as insane, he learns to take care of the wretched and is able to discover the truth in life. The key concept of anti-logo-centrism in deconstructive criticism provokes us to reconsider the boundary between madness and reason, and traditional Western philosophical ideas, thus enabling us to appreciate the despised madness in King Lear from the perspective of philosophy.

科技—产业—金融循环的逻辑解构与政策启示

推动科技—产业—金融良性循环是实现高水平科技自立自强和高质量发展的核心命题。在梳理科技—产业—金融循环理论源流和研究文献基础上,基于创新经济学基本原理,对科技—产业—金融循环的内在逻辑进行研究。在理论逻辑层面,研究科技—产业—金融循环的基本范畴和核心要义。在历史逻辑层面,从国际实践中提炼促进科技—产业—金融良性循环的价值匹配与互动规律,总结科技—产业—金融循环关系的新变化。在现实逻辑层面,挖掘制约我国科技—产业—金融良性循环的主要堵点与原因。基于此,面向建设金融强国,从深化改革、制度设计、资源支持、平台建设、创新服务、全球生态等方面提出启示建议。

Deconstruction of Derrida＇ s Language Philosophy from the Analysis of ＂Différance＂

"Différance"is Derrida made a word,the meaning of words for delay and spacing."Différance"from Derrida on Saussure's linguistics and deconstruction of traditional metaphysics.Saussure rules on the symbol of the arbitrary and differential principle,points out that the essence of language is different,Derrida thinks that Saussure's principle of incomplete,"différance"before"difference",and"difference"is"Différance"effect,"differences"must be on the premise of"différance"to play a role,become the source of the symbol."Différance"deconstructs the traditional metaphysical dualism not only,also reflects the deconstruction of traditional ontology Derrida language philosophy,"différance"- "imprinting"theoretical model to illustrate the essence of the traditional mark is constantly to daub off itself,it is not present or absent.

Development of Eco-Friendly Deconstruction Technologies for Recycling Construction Waste

Recently, the intended use and required performance of buildings are rapidly changing with advances in scientific technology and globalization. Furthermore, given the population growth in semi-developed and developing countries, economic growth, increasing waste, and increasing amounts of energy consumption, the industry requires the development of efficient methods to deconstruct old buildings by reducing waste and saving as much energy as possible during periods of urban redevelopment and maintenance. In general, either an ordinary breaker or a hydraulic breaker is used to deconstruct reinforced concrete buildings. This deconstruction method has the ability to shorten the construction period compared to the other methods, but it is difficult to separate the debris that gets mixed when the deconstruction is completed, as it is a rough construction method that uses large equipment. This study develops a technology that can be used to selectively heat, separate, and deconstruct the steel reinforcement inside reinforced concrete, treating the reinforcement as a conductive resistor and applying high-frequency induction heating to the reinforced concrete structure. Specifically, this study verifies the temperature characteristics of deformed bars inside reinforced concrete, the occurrence of cracks due to thermal fracture of the deformed bars, and chemical and physical weakening of concrete by thermal conduction on the surface of steel reinforcement using the high-frequency induction heating technology. Furthermore, this study considers the extent of concrete weakening in the heating range of appropriate energy and carries out a technical review of the stages that would be actually applied. This technology involves low noise and low pollution levels, and it increases the collection rate of steel reinforcement inside separated reinforced concrete members and the recycling rate of construction wastes;thus, its use is expected to reduce the energy consumption by minimizing secondary processing.

On Deconstruction of the Binary Opposition in Guests of the Nation

Guests of the N ation w ritten by the Irish w riter Frank O 'C onnor is the most magnificent short story,in w hich a tragedy about the killing betw een friends is depicted.In this story,many different pairs of binary opposition are used to present the theme and the characters vividly,w hich makes the plot more attractive.T his study attempts to analyze the phenomena of the binary opposition in the story based on the theory of deconstruction to deconstruct the individuals'feelings of the absurdity and void of the meaningless w orld.

Thirteen Ways of Looking at A Blackbird: Deconstruction of Binary Opposition Between Imagination and Reality

Wallace Stevens is one of five greatest poets in America in 20th century. The relation between imagination and reality is a major theme of his poems. He holds the view that the mission of poets is to build a bridge linking the world of imagination and of reality with the result of deconstructing the logic of binary opposition since the time of Plato. Thirteen Ways of Looking at A Blackbird is a representative poem that expresses Wallace’s thoughts of deconstruction. This article is to probe into how the poet establishes the reality dominated by imagination and then how he deconstructs the binary opposition between imagination and reality since the time of Plato.

A Deconstructive Analysis of The Great Gatsby

Francis Scott Fitzgerald(1896-1940)is universally recognized as one of the greatest American writers of the 20th century.He is also considered a member of the“Lost Generation”of the 1920s,and with the publication of The Great Gatsby he was catapulted to fame by a night which gives a concrete illustration to the Jazz Age.Taking the novel as a case in point,this paper,based on the theory of deconstruction,seeks to undertake a deconstructive interpretation towards the binary oppositions on which the projects rest—dream and reality,and the past and the present,in order to subvert logos-centrism represented by Gatsby’s disillusionment with his American dream.

To the Problem of the Deconstruction of Images of Socialist Ideals in Russian Sots Art： Psychoanalytic Aspect

The article is devoted to the psychoanalytic issues of the deconstruction of images of socialist ideals in Russian Sots Art--an ironic title of the artistic trend in which used a mixture signs of visual semiotics of ＂social realism＂ and ＂pop art＂ of the 1990-2000s. By comparing the idealization of the image of Lenin in Soviet art of the 1930-1950s with its grotesque interpretation in Sots Art works of the 1990s, it appears to be interesting to trace the functions of grotesque and caricature in the deconstruction of the canons of socialist realism. Thereupon, special interest is the role of the regression mechanism in the transformation of the ideals of socialist realism into laughable images.