Just as the cliff serves as a demarcation between two different worlds, there seems to the protagonist in The Catcher in the Rye the dichotomies between innocence and corruption, children and adults. While these duali...Just as the cliff serves as a demarcation between two different worlds, there seems to the protagonist in The Catcher in the Rye the dichotomies between innocence and corruption, children and adults. While these dualisms are projected in the story, they are also deconstructed and the characterization of Holden clearly shows the instability of those dualisms.展开更多
Snowed Up:A Mistletoe Story,a previously unpublished short story of Richard Jefferies,has been studied from many different approaches,but few papers discuss it from the perspective of Deconstruction.This paper will de...Snowed Up:A Mistletoe Story,a previously unpublished short story of Richard Jefferies,has been studied from many different approaches,but few papers discuss it from the perspective of Deconstruction.This paper will deconstruct Snowed Up:A Mistletoe Story from three binary oppositions:1) the upper class and the lower class;2) nature and civilization;3) Edie' s inner voice and her actual behavior.Besides,this paper will also try to deconstruct the traditional patriarchy through Edie ' s papa.Analyzing this novel from deconstructive approach will provide readers a deep insight into Richard Jefferies work.展开更多
When normal, Lear can not even distinguish flattery and pat answers from sincerity and true love. While considered as insane, he learns to take care of the wretched and is able to discover the truth in life. The key c...When normal, Lear can not even distinguish flattery and pat answers from sincerity and true love. While considered as insane, he learns to take care of the wretched and is able to discover the truth in life. The key concept of anti-logo-centrism in deconstructive criticism provokes us to reconsider the boundary between madness and reason, and traditional Western philosophical ideas, thus enabling us to appreciate the despised madness in King Lear from the perspective of philosophy.展开更多
Contextualizing his Foe(1986) in the backdrop of South African post- apartheid, Coetzee manipulates multifarious postmodern narrative ploys to purloin, rewrite and widen the canon Robinson Crusoe. In plural demonstrat...Contextualizing his Foe(1986) in the backdrop of South African post- apartheid, Coetzee manipulates multifarious postmodern narrative ploys to purloin, rewrite and widen the canon Robinson Crusoe. In plural demonstrations of dualistic patterns, this novel emphatically unravels Coetzee's textual subversion of the traditional overarching"western logocentrism"or"metaphysics of presence"via catechizing and debilitating the orthodoxy of the white supremacy as well as the male superiority.This detailed analysis, giving a Derridean reading, purports to anatomize and deconstruct the binary oppositions of Self/ Other,White/Black, and Man/Woman among Cruso, Friday and Susan Barton, and reach Coetzee's veritable concerns: to dissolve the Imperialist hierarchy and hegemony, to waive racial enclosure, and to build a dialogue that open up a real respect and coexistence for both the centered and the marginalized.展开更多
Francis Scott Fitzgerald(1896-1940)is universally recognized as one of the greatest American writers of the 20th century.He is also considered a member of the“Lost Generation”of the 1920s,and with the publication of...Francis Scott Fitzgerald(1896-1940)is universally recognized as one of the greatest American writers of the 20th century.He is also considered a member of the“Lost Generation”of the 1920s,and with the publication of The Great Gatsby he was catapulted to fame by a night which gives a concrete illustration to the Jazz Age.Taking the novel as a case in point,this paper,based on the theory of deconstruction,seeks to undertake a deconstructive interpretation towards the binary oppositions on which the projects rest—dream and reality,and the past and the present,in order to subvert logos-centrism represented by Gatsby’s disillusionment with his American dream.展开更多
The present study constitutes a critical appraisal of the deconstructive reading of Rousseau's Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first lis...The present study constitutes a critical appraisal of the deconstructive reading of Rousseau's Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first list some of the significations into which Derrida disperses (forced, as he asserts himself, by an "inassimilable residue" in the text itself) the meaning that he has already construed as apparently simple during the first moment of deconstructive reading (i.e., "the doubling commentary"); the author will then go on to enquire into the operations which enable Derrida to arrive at these self-conflicting significations. The main aim of this essay is to demonstrate that it is not language alone that disables the philosophy of Rousseau and enables the philosophy of Derrida. When Derrida attempts to support his philosophy through an analysis of Rousseau's theory of language and the alleged contradictions in Rousseau's texts, he misinterprets basic tenets of these texts in order to make them conform to the presuppositions of the deconstructive approach. The "reversal" and "displacement" of metaphysical conceptuality in the text of the Confessions is made possible after the text has had meanings transposed into it from a plurality of other texts. Derrida attributes to the text significations he discovers by construing, explicating and over-reading passages that occur elsewhere in Rousseau's total oeuvre (especially in the Essay on the Origin of Languages).展开更多
By analyzing An Enemy of the People in a deconstructive approach,this thesis endeavors to dismantle the binary oppositions long established in the text:minority privileging over majority,morality over authority and ve...By analyzing An Enemy of the People in a deconstructive approach,this thesis endeavors to dismantle the binary oppositions long established in the text:minority privileging over majority,morality over authority and verity over falsity.It comes to the conclusion that the meaning of the drama is undecidable,which helps to arrive at new findings in literary studies.展开更多
Since 1995,Derrida's deconstructive translation thought has always been a hot topic in China.Some results have been achieved on Derrida's translation thought research;but there are still some misunderstandings...Since 1995,Derrida's deconstructive translation thought has always been a hot topic in China.Some results have been achieved on Derrida's translation thought research;but there are still some misunderstandings about his thought on translation.This paper intends to employ some words in his works or interview to clarify some misunderstandings about Derrida's translation thought.展开更多
Celeste Ng is a contemporary Chinese-American female writer.Her novel Everything I Never Told You won the first place in Amazon.com’s No.1 Best Book of 2014.Her gentle and delicate style of writing,precise and restra...Celeste Ng is a contemporary Chinese-American female writer.Her novel Everything I Never Told You won the first place in Amazon.com’s No.1 Best Book of 2014.Her gentle and delicate style of writing,precise and restrained diction and serious themes aroused strong repercussions.This paper is proposed to analyze the deconstruction tendencies of the novel from the perspective of deconstruction,showing absurdities and harm of monism incisively and vividly through the analysis of the following three parts of binary oppositions in the novel:males and females,strong cultures and weak cultures,parents and children,which illustrate the reconstruction rather than destruction and provide the possibility of rebuilding the identity and culture of the Asian-American.展开更多
Deconstruction,holding a view that there is no single explanation of the meaning,started to be applied in translation practices in the 1980s.It challenges the faithfulness of traditional translation standard,but creat...Deconstruction,holding a view that there is no single explanation of the meaning,started to be applied in translation practices in the 1980s.It challenges the faithfulness of traditional translation standard,but creates a new framework for translation studies,by rejecting the determinacy of meaning and emphasizing the subjectivity of translators.This research aims to take a decon⁃structive reading on E.E.Cummings’s l(a and its Chinese version,in order to explore the translation strategies of visual poetry like l(a and prove the availability of translation studies from the perspective of deconstruction translation theory.After the illustration on the uncertainty of meaning and the subjectivity of the translator in analysis sections,the chosen Chinese version of l(a can be proved to reflect the original ideas and put forward the reborn concepts.The case study also states the practicability of deconstruc⁃tion translation theory for translation studies.It is hoped that this research can act as an inspiration for further studies on literary translation,especially for visual poetry.展开更多
Jacques Derrida's engagement with Jean-Jacques Rousseau in the second part of Of Grammatology constitutes the most systematic, extensive example of deconstructive reading. Nevertheless, the problem of whether Derrida...Jacques Derrida's engagement with Jean-Jacques Rousseau in the second part of Of Grammatology constitutes the most systematic, extensive example of deconstructive reading. Nevertheless, the problem of whether Derrida reproduces Rousseau's basic claims adequately has remained a peripheral concern. This has meant that this may constitute a misreading and the consequences that this would have for the deconstructive operation itself have not adequately examined. Hence, this enquiry into Derrida's reading of Rousseau centers upon the extent to which Derrida distorts Rousseau's text in order to be able to confirm deconstruction's radical theoretical positions.展开更多
Translation does not take place in a vacuum and translation activities are affected and manipulated by the historical and social contexts,and neither the translator nor the translation is ever neutral.For deconstructi...Translation does not take place in a vacuum and translation activities are affected and manipulated by the historical and social contexts,and neither the translator nor the translation is ever neutral.For deconstructionists,translations can never be identi⁃cal replicas of the source text,and translation augments and modifies the original.This paper aims to make a deconstructive analy⁃sis of the four Chinese versions of The Old Man and the Sea so as to probe into the rationality and necessity of the multi-versions of one same literary work.展开更多
HIV/AIDS has been one of the most serious health concerns in South Africa over the past 30 years.Novels such as Welcome to Our Hillbrow,Dog Eat Dog,and After Tears are literary responses to the profound shame and fear...HIV/AIDS has been one of the most serious health concerns in South Africa over the past 30 years.Novels such as Welcome to Our Hillbrow,Dog Eat Dog,and After Tears are literary responses to the profound shame and fear inflicted by the epidemic on individuals and society.These AIDS narratives serve as a means to deconstruct politicized discourses about the disease.They scrutinize the stereotype that the voracious sexuality of black men is the primary cause of AIDS and challenges the xenophobic notion of contagious foreigners prevalent in post-apartheid South Africa.Additionally,the novels critically examine and satirize the denialist discourse propagated by incompetent politicians who have failed to contain the virus in post-apartheid South Africa.By representing the conflicting voices surrounding HIV/AIDS,these writings vividly depict the social and political landscape of the era.展开更多
Joseph Conrad's Lord Jim ranks among the modern novels not for its story,but for its unconventional narrative strategies of the comparatively simple plot,especially its employment of multiple point of view as a de...Joseph Conrad's Lord Jim ranks among the modern novels not for its story,but for its unconventional narrative strategies of the comparatively simple plot,especially its employment of multiple point of view as a deconstructing strategy,rendering the text incapable of unambiguous interpretation.The only possible way for the reader to understand it is by active participation,finding out the thread of logic in the chaotic psyche of the multiple narrators.展开更多
The essay uses the methods of deconstruction to demonstrate the reversing strength of the poem itself, and to invert the binary oppositions of rationality and sensibility, the hierarchy of which is conventionally acce...The essay uses the methods of deconstruction to demonstrate the reversing strength of the poem itself, and to invert the binary oppositions of rationality and sensibility, the hierarchy of which is conventionally accepted.展开更多
"Deconstruction",coined by French philosopher Jacques Derrida in the 1960s,attempts to subvert the tradition of Western philosophy with "logo centrism" as its primary target.Deconstruction's co..."Deconstruction",coined by French philosopher Jacques Derrida in the 1960s,attempts to subvert the tradition of Western philosophy with "logo centrism" as its primary target.Deconstruction's concern on binary oppositions inspires the feminists and provides them with the philosophical ground to understand gender inequality and rebel against the classic dualities of Western "phallocentrism".However,the noticeable political orientation of feminism and its firm humanitarian position compose a fundamental disagreement with the negativism and nihilism of deconstructive philosophy.This essay aims to trace the development of Western feminism at the same time identify some of the agreements and conflicts between the two theoretical trends in postmodernism;moreover,it intends to propose an idealistic attitude in the reconstruction of a harmonious society with gender equality and understanding.展开更多
Deconstruction is a philosophical or literary theory gradually formed and developed in 1960s.It is viewed as a philosophical trend against structuralism's logocentrism.Although deconstruction theory brings us a ne...Deconstruction is a philosophical or literary theory gradually formed and developed in 1960s.It is viewed as a philosophical trend against structuralism's logocentrism.Although deconstruction theory brings us a new way of thinking toward translation,there exists some "fragments" of deconstruction theories which have caused an enormous amount of controversy.The author will list these "fragments" as to deconstruct deconstruction theory.展开更多
Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorn...Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorne's The Minister's Black Veil,with the obscurity and uncertainty in its disclosure, offers the feasibility for a deconstruction study. The binary oppositions and its deconstruction of the "black veil" in perspective of persona, idea and existence contribute to the void perception and activities of Mr.Hooper, the protagonist as well as the author's literary practice.展开更多
文摘Just as the cliff serves as a demarcation between two different worlds, there seems to the protagonist in The Catcher in the Rye the dichotomies between innocence and corruption, children and adults. While these dualisms are projected in the story, they are also deconstructed and the characterization of Holden clearly shows the instability of those dualisms.
文摘Snowed Up:A Mistletoe Story,a previously unpublished short story of Richard Jefferies,has been studied from many different approaches,but few papers discuss it from the perspective of Deconstruction.This paper will deconstruct Snowed Up:A Mistletoe Story from three binary oppositions:1) the upper class and the lower class;2) nature and civilization;3) Edie' s inner voice and her actual behavior.Besides,this paper will also try to deconstruct the traditional patriarchy through Edie ' s papa.Analyzing this novel from deconstructive approach will provide readers a deep insight into Richard Jefferies work.
文摘When normal, Lear can not even distinguish flattery and pat answers from sincerity and true love. While considered as insane, he learns to take care of the wretched and is able to discover the truth in life. The key concept of anti-logo-centrism in deconstructive criticism provokes us to reconsider the boundary between madness and reason, and traditional Western philosophical ideas, thus enabling us to appreciate the despised madness in King Lear from the perspective of philosophy.
文摘Contextualizing his Foe(1986) in the backdrop of South African post- apartheid, Coetzee manipulates multifarious postmodern narrative ploys to purloin, rewrite and widen the canon Robinson Crusoe. In plural demonstrations of dualistic patterns, this novel emphatically unravels Coetzee's textual subversion of the traditional overarching"western logocentrism"or"metaphysics of presence"via catechizing and debilitating the orthodoxy of the white supremacy as well as the male superiority.This detailed analysis, giving a Derridean reading, purports to anatomize and deconstruct the binary oppositions of Self/ Other,White/Black, and Man/Woman among Cruso, Friday and Susan Barton, and reach Coetzee's veritable concerns: to dissolve the Imperialist hierarchy and hegemony, to waive racial enclosure, and to build a dialogue that open up a real respect and coexistence for both the centered and the marginalized.
文摘Francis Scott Fitzgerald(1896-1940)is universally recognized as one of the greatest American writers of the 20th century.He is also considered a member of the“Lost Generation”of the 1920s,and with the publication of The Great Gatsby he was catapulted to fame by a night which gives a concrete illustration to the Jazz Age.Taking the novel as a case in point,this paper,based on the theory of deconstruction,seeks to undertake a deconstructive interpretation towards the binary oppositions on which the projects rest—dream and reality,and the past and the present,in order to subvert logos-centrism represented by Gatsby’s disillusionment with his American dream.
文摘The present study constitutes a critical appraisal of the deconstructive reading of Rousseau's Confessions that Derrida undertakes in the second part of Of Grammatology. In this examination, the author will first list some of the significations into which Derrida disperses (forced, as he asserts himself, by an "inassimilable residue" in the text itself) the meaning that he has already construed as apparently simple during the first moment of deconstructive reading (i.e., "the doubling commentary"); the author will then go on to enquire into the operations which enable Derrida to arrive at these self-conflicting significations. The main aim of this essay is to demonstrate that it is not language alone that disables the philosophy of Rousseau and enables the philosophy of Derrida. When Derrida attempts to support his philosophy through an analysis of Rousseau's theory of language and the alleged contradictions in Rousseau's texts, he misinterprets basic tenets of these texts in order to make them conform to the presuppositions of the deconstructive approach. The "reversal" and "displacement" of metaphysical conceptuality in the text of the Confessions is made possible after the text has had meanings transposed into it from a plurality of other texts. Derrida attributes to the text significations he discovers by construing, explicating and over-reading passages that occur elsewhere in Rousseau's total oeuvre (especially in the Essay on the Origin of Languages).
文摘By analyzing An Enemy of the People in a deconstructive approach,this thesis endeavors to dismantle the binary oppositions long established in the text:minority privileging over majority,morality over authority and verity over falsity.It comes to the conclusion that the meaning of the drama is undecidable,which helps to arrive at new findings in literary studies.
文摘Since 1995,Derrida's deconstructive translation thought has always been a hot topic in China.Some results have been achieved on Derrida's translation thought research;but there are still some misunderstandings about his thought on translation.This paper intends to employ some words in his works or interview to clarify some misunderstandings about Derrida's translation thought.
基金Research for the above paper has been supported by Project of Humanities and Social Sciences,Ministry of Education of the People’s Republic of China:“A Study of Chinese Culture and its Images in US-American Newspapers in the New Media Era”(Project No.19YJCZH162)University-Industry Collaborative Education Program,Ministry of Education of the People’s Republic of China(Project No.20190215002)Fundamental Research Funds for the Central Universities(Project No.2020MS056).
文摘Celeste Ng is a contemporary Chinese-American female writer.Her novel Everything I Never Told You won the first place in Amazon.com’s No.1 Best Book of 2014.Her gentle and delicate style of writing,precise and restrained diction and serious themes aroused strong repercussions.This paper is proposed to analyze the deconstruction tendencies of the novel from the perspective of deconstruction,showing absurdities and harm of monism incisively and vividly through the analysis of the following three parts of binary oppositions in the novel:males and females,strong cultures and weak cultures,parents and children,which illustrate the reconstruction rather than destruction and provide the possibility of rebuilding the identity and culture of the Asian-American.
文摘Deconstruction,holding a view that there is no single explanation of the meaning,started to be applied in translation practices in the 1980s.It challenges the faithfulness of traditional translation standard,but creates a new framework for translation studies,by rejecting the determinacy of meaning and emphasizing the subjectivity of translators.This research aims to take a decon⁃structive reading on E.E.Cummings’s l(a and its Chinese version,in order to explore the translation strategies of visual poetry like l(a and prove the availability of translation studies from the perspective of deconstruction translation theory.After the illustration on the uncertainty of meaning and the subjectivity of the translator in analysis sections,the chosen Chinese version of l(a can be proved to reflect the original ideas and put forward the reborn concepts.The case study also states the practicability of deconstruc⁃tion translation theory for translation studies.It is hoped that this research can act as an inspiration for further studies on literary translation,especially for visual poetry.
文摘Jacques Derrida's engagement with Jean-Jacques Rousseau in the second part of Of Grammatology constitutes the most systematic, extensive example of deconstructive reading. Nevertheless, the problem of whether Derrida reproduces Rousseau's basic claims adequately has remained a peripheral concern. This has meant that this may constitute a misreading and the consequences that this would have for the deconstructive operation itself have not adequately examined. Hence, this enquiry into Derrida's reading of Rousseau centers upon the extent to which Derrida distorts Rousseau's text in order to be able to confirm deconstruction's radical theoretical positions.
文摘Translation does not take place in a vacuum and translation activities are affected and manipulated by the historical and social contexts,and neither the translator nor the translation is ever neutral.For deconstructionists,translations can never be identi⁃cal replicas of the source text,and translation augments and modifies the original.This paper aims to make a deconstructive analy⁃sis of the four Chinese versions of The Old Man and the Sea so as to probe into the rationality and necessity of the multi-versions of one same literary work.
基金supported by Humanities and Social Sciences Fund of Ministry of Education of China(No.19XJA7520012020)by National Social Science Fund of China(No.20BWW069).
文摘HIV/AIDS has been one of the most serious health concerns in South Africa over the past 30 years.Novels such as Welcome to Our Hillbrow,Dog Eat Dog,and After Tears are literary responses to the profound shame and fear inflicted by the epidemic on individuals and society.These AIDS narratives serve as a means to deconstruct politicized discourses about the disease.They scrutinize the stereotype that the voracious sexuality of black men is the primary cause of AIDS and challenges the xenophobic notion of contagious foreigners prevalent in post-apartheid South Africa.Additionally,the novels critically examine and satirize the denialist discourse propagated by incompetent politicians who have failed to contain the virus in post-apartheid South Africa.By representing the conflicting voices surrounding HIV/AIDS,these writings vividly depict the social and political landscape of the era.
文摘Joseph Conrad's Lord Jim ranks among the modern novels not for its story,but for its unconventional narrative strategies of the comparatively simple plot,especially its employment of multiple point of view as a deconstructing strategy,rendering the text incapable of unambiguous interpretation.The only possible way for the reader to understand it is by active participation,finding out the thread of logic in the chaotic psyche of the multiple narrators.
文摘The essay uses the methods of deconstruction to demonstrate the reversing strength of the poem itself, and to invert the binary oppositions of rationality and sensibility, the hierarchy of which is conventionally accepted.
文摘"Deconstruction",coined by French philosopher Jacques Derrida in the 1960s,attempts to subvert the tradition of Western philosophy with "logo centrism" as its primary target.Deconstruction's concern on binary oppositions inspires the feminists and provides them with the philosophical ground to understand gender inequality and rebel against the classic dualities of Western "phallocentrism".However,the noticeable political orientation of feminism and its firm humanitarian position compose a fundamental disagreement with the negativism and nihilism of deconstructive philosophy.This essay aims to trace the development of Western feminism at the same time identify some of the agreements and conflicts between the two theoretical trends in postmodernism;moreover,it intends to propose an idealistic attitude in the reconstruction of a harmonious society with gender equality and understanding.
文摘Deconstruction is a philosophical or literary theory gradually formed and developed in 1960s.It is viewed as a philosophical trend against structuralism's logocentrism.Although deconstruction theory brings us a new way of thinking toward translation,there exists some "fragments" of deconstruction theories which have caused an enormous amount of controversy.The author will list these "fragments" as to deconstruct deconstruction theory.
文摘Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorne's The Minister's Black Veil,with the obscurity and uncertainty in its disclosure, offers the feasibility for a deconstruction study. The binary oppositions and its deconstruction of the "black veil" in perspective of persona, idea and existence contribute to the void perception and activities of Mr.Hooper, the protagonist as well as the author's literary practice.