Exploration of the Inheritance and Innovation Carrier of National Culture in the Teaching Model of Art Design Major in Higher Vocational Colleges:Integrating Lijiang Baisha Murals into Higher Vocational Art Design Curriculum System

This study aims to further promote the inheritance and innovative development of intangible cultural heritage in Yunnan Province,promote the protection,inheritance,integration,and innovation of ethnic culture in Lijiang,strengthen the protection and inheritance of Baisha murals in Lijiang,and change the teaching of art design majors in vocational colleges in Yunnan.Given the lack of traditional Chinese culture and local ethnic culture,this article focuses on the teaching of art design majors in Yunnan vocational colleges.It explores the construction model of the cultural inheritance and innovation carrier of Lijiang Baisha murals to meet the spiritual and cultural needs of the local people,and efforts will be made to promote the high-quality development of the Baisha ethnic area in Lijiang.

Chinese Contemporary Art Design from the Perspective of National Culture

The progress of social economy drives the progress of humanity art. Due to historical condition reason, the pace of art design development in China is late. Since the reform and opening up, the art design obtains a long-term development in China. In order to adapt to the trend of world economy integration, all aspects of art design fields in China are learning from the foreign countries, however, it is hard to have a breakthrough creation in itself, and it lacks of domestic art design ＂localization＂ , which can not fully reflect the national culture and national elements. At the same time, the self-innovation power is weak, and the creation ability is insufficient, which also restricts the independent development of art design field to a higher level in China. The art design, as a comprehensive subject, is affected by many factors of society, science and technology and market for its own improvement. This paper mainly discusses from national culture level for art design, thinking that if the art design in China wants to develop higher, it needs to be based on the national culture and profound cultural base, constructing the art design products with Chinese national styles.

Headwear design:Relationship between the headwear and the overall styling

This article examines the relationship between headwear design and overall clothing styling,emphasizing the importance of headwear in conveying personal style and cultural identity.It traces the evolution of Chinese and Western headwear throughout history,highlighting the interplay between headwear and the wearer's personal charac-teristics,life events,and cultural background.The article concludes by emphasizing that headwear design is not only a reflection of fashion,but also a manifestation of cultural depth and individuality.

Study on the cultural and aesthetic characters of national costume design

National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited physical space converted into a form of osvcholoical unlimited imagination!

Analysis of the Application of National Cultural Elements in the Design of Industrial Products

With the continuous development and progress of China’s industry,it has become the only country in the world that has all the industrial categories in the United Nations Industrial Classification.China’s industrial products have gradually changed from“Made in China”to“Design in China”.The integration of Chinese national cultural elements into industrial product design has also become the future development trend in the field of design.This paper will analyze the application of national culture in industrial product design,and discuss how to better integrate the two with practical cases to promote the continuous development of the industry.

Research on Teaching Method of Packaging Design Course Based on Chinese Style

The teaching of Packaging Design started late in China,but develops fast.After experiencing the changes of economy,politics and culture,it has entered a new era of self-publicity.The Chinese style has come out quietly with a strong momentum.The contents of packaging design in the new era pay more attention to the spiritual level,and become a bridge between the society and people,forming an aesthetics concept with the spirit of the Chinese people.Based on the application of Chinese style in the course of Packaging Design,this paper discusses the characteristics of Packaging Design with Chinese style and the problems of traditional Packaging Design,and puts forward how to better apply Chinese elements in Packaging Design.

Culture and Leadership in the 21 st Century

Some factors that have contributed to the need for organizational leaders to adapt, and adjust to other national cultures are the globalization of the workforce, the expansion of international companies, and exposure of many national organizations to increased business competition. The increased competition has forced organizational leaders to engage in the understanding of the cultural limitations of organizations and their leadership practices. In addition, cross-cultural leadership researchers in 21st century are cognizant of the fact that culture is a condition, and a boundary to previous leadership theories and practices. Using Gerte Hofstede＇s cultural dimension model, culture and organizational leadership as they relate to the leadership practices of participants, and National and Family Cultures are examined in this revised paper.

Comparison Research on the Chinese Traditional Art Style and Western Country＇s Abstract Art Style： A Theoretical Review

In this paper, we conduct literature review and research on the Chinese traditional art style and western country＇ s abstract art style. Modernism art forms from concrete to abstract is a process of constant evolution, it is to find new pictures to present, to get rid of the bondage of traditional art concept to go on process. Any forward art could not avoid broke away from the traditional thinking, in the process of the old ideas and new concepts of conflict is inevitable. Therefore, corresponding research is urgent needed. The comparison result proves the intuition that both traditional Chinese culture and western culture based art design have their own spark points.

基于Style3D 技术的虚拟服装设计方法

基于国家“十四五”数字经济发展规划,时尚行业加速数字化转型,虚拟服装逐渐成为服装品牌新兴的发展领域。以虚拟服装设计方法为研究对象,借助Style 3D数字技术并结合国潮时装实际设计案例,重点阐述了虚拟国潮时装的数字化设计方法及建模流程。研究表明,虚拟服装设计方法相较于传统服装设计更具有高效性、创新性、环保性及社交性,可为服装企业产品开发与革新开拓设计思路,提供理论依据。

基于Style 3D“国潮”旗袍研究与设计

旗袍本身塑造了经典的国潮元素。在“国潮风”盛行的趋势下,旗袍与其他传统元素经过文化耦合的过程形成改良旗袍,以现代时尚设计的方式延续着中国文化精神,保持了传统服装的时代气息与审美活力。文章运用个案分析、理论研究与设计实践并行的方法对“国潮”旗袍进行图案元素与款式特征的梳理与总结,并在Style 3D中进行数字化虚拟试衣,还原“国潮”旗袍设计的真实效果。根据服装品牌的调研发现,“国潮”旗袍突出艺术特征的表现形式主要集中在国潮图案元素的应用及旗袍款式的改良。“国潮”旗袍的图案题材大多取自中国传统纹样、神话故事、古建筑文化等,以独特的方式展现一个国家灿烂的文化遗产,同时表达了文化认同的强烈情感。通过对“国潮”旗袍图案元素“具象化、生活化、故事化”再设计,重塑旗袍的新时代审美与气质形象,让传统服饰更好地融入大众生活,推动旗袍的良性发展。此外,“国潮”旗袍款式的改良主要在基础廓形上进行修改,以中西联袂的典型裁剪方式探索并赋予传统旗袍独特的风格。

Style and Features of an Ancient She Village in Ningde of Eastern Fujian

Houdun Village in Ningde City of Eastern Fujian is a well-preserved traditional village with typical style and features of the She nationality.The history of Houdun Village can be traced back to the first year of the reign of Emperor Wanli of the Ming Dynasty.After hundreds of years of development,the ancient village has formed a layout that conforms to the topography,and there are a lot of traditional buildings that live in harmony with nature.Authors of this paper analyzed the style and features of the vil age in terms of the surrounding environment of the village,the characteristics of the village's traditional culture,and the construction methods of the houses,and systematically and completely showed the characteristics of building villages in accordance with local conditions,unique traditional culture,and distinctive architectural forms.The paper finally elaborated ancient village's important historical,cultural,social,and scientific values and emphasized that Houdun Village,as an important carrier of national culture,gave birth to a distinctive cultural connotation and retained colorful traditional customs of the She nationality.

以文化之名:民国时期政学两界对“中国式边疆”现代化的思考

民国时期政学两界对“边疆”的界定除了基于政治与地理意义外,更多考察其“文化”元素,普遍认为如不从“文化”着眼,无法道尽“边疆的涵义”。这是一种典型的“中国式边疆”,形成了“中国边疆”独特的“边疆性”,由此中国边政内涵也极为丰富。“边疆性”之形成,既然主要来自“文化”因素,那么边疆现代化的实质就是要消除“边疆性”,让其失去“文化上的意义”。所谓“文化”,包括物质文化和精神文化。消除“边疆性”并非抹杀文化,而是通过发展经济和增进认同,按李安宅的观点,就是要通过物质和精神的“区域分工”,也就是要实现边疆现代化及其与内地的一体化。

中国传统文化在国潮服饰的设计应用研究

文章从国潮服饰的设计角度出发,探讨了中国传统文化在服饰设计中的应用。通过分析国潮服饰的发展历程、特点以及中国传统文化的内涵,得出了中国传统文化在国潮服饰设计中的重要性,并提出了相关的设计方法和策略。国潮服饰立足于传统文化,并将传统文化传递给大众。国潮品牌的成功崛起不仅让设计者看到了传统文化与品牌设计融合的希望,也极大增强了人们对民族文化的自信。中华优秀传统文化在国潮服饰设计中具有重要的价值和意义,其独特的魅力和文化内涵为现代服饰设计注入了新的活力,提供了无限的创意灵感。

文化自信视阈下“国潮”文化元素融入文创产品设计的实证研究

随着文化自信理念的深入推广,“国潮”文化元素在文化创意产品设计中的应用成为热点。本文以实证研究方法为基础,探讨了“国潮”文化元素如何融入文创产品设计的具体策略和效果。分析了文化自信视阈下“国潮”文化的特征及其在当前社会背景下的意义。

缔造国家视觉形象——新中国国徽设计考略

国徽设计是新中国设计界最辉煌与骄傲的成就之一,其诞生经历了一段不平凡的历程。文章结合不为人们所熟知的史料,既对国徽设计背后的复杂历程进行钩沉,也对国徽设计团队多位参与者的文化归属、价值取向、方法实践等问题进行考察,揭示国徽设计蕴含的政治意象、时代精神与文化内涵以及国徽与国家形象之间的紧密关系。

关于中医药学术期刊地方医药文化特色专栏的设计思考

[目的]探讨开设有利于彰显地方中医药文化特色期刊专栏的路径。[方法]通过查阅文献,分析中医药期刊的现状,讨论中医药期刊开设地方医药文化特色专栏的必要性、可行性、着力点。[结果]只有突出中医药特色,才能充分体现中医药科技期刊的内涵。中医药期刊可以通过挖掘地方医药文化,建设优质编委团队,成立核心作者人群,组建高质审稿队伍,举办期刊学术活动等途径发展地方医药文化特色专栏。中医药期刊应当坚持中医特色,以复兴中医药文化为期刊首任;应学会守常达变,继承与创新并举;坚持百花齐放,展现地方特色医药;注重守正创新,维持栏目延续稳定,进而提升美誉度和核心竞争力。[结论]中医药文化是中华民族的宝贵财富,是中华民族传统文化的精髓。中医药期刊是传播中医药学术文化的重要阵地。中医药期刊开设地方中医药文化特色专栏既有利于期刊优质发展,又有利于中医药学术文化的传承。

建设中华民族现代文明的三重依据、使命耦合、进路落点

建设中华民族现代文明,是在马克思主义科学理论的旗帜引领、中华民族文明历史的演进积淀、中国特色社会主义的实践探索中酝酿而来的新的文化使命。它的出场,紧密关联着“两个结合”理念、“中国式现代化”愿景、“中华民族伟大复兴”使命以及“人类文明新形态”蓝图,是势之所趋、使命所向。新的历史起点,要从赓续中华文明“历史文脉”、构筑意识形态“精神家园”、谱写中华民族“文明华章”、承托全球“文明倡议”四大落点,推陈出新地实现中华文明的生命更新与现代转型,以建设中华民族现代文明。

基于民族传统文化的箱包产品设计研究

本文深入探讨了箱包产品市场需求、消费及设计趋势,提出了一系列融合民族传统文化元素于箱包设计的策略,强调设计理念的深化、功能美学的结合,以及视觉和精神内涵的表达。通过应用案例展示了民族传统文化元素与箱包产品设计的融合,为现代箱包设计注入新的活力,促进民族传统文化的现代转译与活化。

新中式品牌首饰设计策略研究

基于前期调研,在确定了首饰风格构成要素和设计特征的基础上,选择12个案例,运用实证分析之多元回归法,进行了首饰风格构成要素与新中式品牌首饰设计的相关性分析;首饰风格设计特征与新中式品牌首饰设计相关性分析;新中式品牌首饰风格构成要素对首饰风格设计特征影响分析。结果表明,新中式品牌首饰包括了视觉层要素、技术层要素、功能层要素、精神层要素四大风格构成要素与形式表现、款式呈现、审美情趣、互动体验、佩戴场合、控制成本六大设计特征。风格构成各要素均与设计特征呈正相关影响关系,不同风格构成要素对设计特征的影响存在差异。最后,将首饰风格构成要素、设计特征相结合,为新中式品牌首饰设计提供了理论依据及设计策略。

浅谈工笔画元素在古风人物插画中的应用

在互联网迅速发展的今天,插画在人们的日常生活中扮演着越来越重要的角色,插画的作用已经不仅限于对书面文字的支持和补充,它已经被广泛应用到广告、动画设计、消费品等各个行业,是各个行业中常用的元素。在这样的时代大背景下,本文希望通过工笔画元素用于古风人物插画设计中所产生的视觉装饰效果来探讨中国传统工笔画的创新应用方法以及这种融合可以带给中国插画行业的发展。笔者将以市场的需求和当代中国消费者的审美理念为依托,结合案例分别从工笔画元素在古风人物插画中的应用目的以及运用方法两个方面进行分析,将中国传统工笔画的民族性通过现代设计手法与插画设计相融合,以适应当代古风人物插画设计的需求。