In this study, three kinds of spaces with different marketplace atmospheres, namely, the tea-drinking space, the commercial space and the courtyard space, are created with the aid of the marketplace culture characteri...In this study, three kinds of spaces with different marketplace atmospheres, namely, the tea-drinking space, the commercial space and the courtyard space, are created with the aid of the marketplace culture characteristics of the local blocks in Pengzhen Town and the catalyst theory, so as to achieve the purpose of activating the traditional blocks in Pengzhen Town. The design takes the marketplace culture as the entry point and the most vigorous points as the catalyst points to create a living space with strong marketplace flavor, thereby activating the economic and social activities of the traditional block and promotes the sustainable renewal of the cultural space.展开更多
By analyzing the courses of graphic design major, the author points out that it is necessary to put Chinese traditional culture into courses of graphic design, which can open up students' design ideas, optimize their...By analyzing the courses of graphic design major, the author points out that it is necessary to put Chinese traditional culture into courses of graphic design, which can open up students' design ideas, optimize their design styles and awareness, as well as improve their moral cultivation. The paper elaborates the influences and realistic significance of Chinese traditional culture on graphic design from perspectives of national cultural development, design communication and teaching application. It emphasizes the specific impacts and penetration of the traditional culture in the teaching of graphic design, including teaching content, teaching concepts, and basic teaching practices, etc. With multi- level elaboration, multi-angle exposition and multi-instance citation, it shows the methods to involve Chinese traditional culture in graphic design展开更多
Along with the continuous development of the society, there are increasingly more marketing tools, but the role of posters in advertisement should be never ignored in any marketing methods. Regardless of all marketing...Along with the continuous development of the society, there are increasingly more marketing tools, but the role of posters in advertisement should be never ignored in any marketing methods. Regardless of all marketing methods changes, the role of posters has been contained in all sorts of marketing ideas, an also posters play a very important role in marketing ideas. Along with the progress of the times, the forms and contents of posters are in constant changes. In this paper, the application of traditional culture elements to poster design is mainly discussed.展开更多
From the perspective of landscape design culture, the paper discussed the significance to integrate traditional culture and modern culture in order to create modern landscape with distinctive charm and eternal vitalit...From the perspective of landscape design culture, the paper discussed the significance to integrate traditional culture and modern culture in order to create modern landscape with distinctive charm and eternal vitality. Finally, the paper analyzed how to integrate modern culture and traditional culture in landscape design.展开更多
Although rural landscape design brings convenience to farmers,there are many problems such as severe homogenization,lack of local culture and lack of comprehensive planning.The distant points of planning are refl ecte...Although rural landscape design brings convenience to farmers,there are many problems such as severe homogenization,lack of local culture and lack of comprehensive planning.The distant points of planning are refl ected by highlighting distinctive regional culture,advocating construction of ecological culture,and encouraging protection of traditional architecture.The problems in rural landscape design are settled by solving three agricultural problems and promoting the development of rural tourism,so as to achieve the coordinated development of rural economy and culture.展开更多
In recent years,China’s urban construction has been gradually influenced by Western culture and ideologies.The planning of urban development has been carried out in accordance with Western ideologies.As a result,this...In recent years,China’s urban construction has been gradually influenced by Western culture and ideologies.The planning of urban development has been carried out in accordance with Western ideologies.As a result,this has prevented our local buildings and architectures to showcase unique local style and characteristics.Even under the influence of global urbanization,the development trend has prevented the construction of global cities from displaying the characteristics of their respective cities.Therefore,it is highly important for a nation not to lose the direction in the design of the urban landscape,and not to blindly imitating the architectural style of other countries or other cities.In addition,the nation and its cities should show their respective unique cultural charm and cultural characteristics and present their best to the whole world in order to promote the popularity of the cities,expand their influence and get onto a better development path.This article mainly introduces the application of the decoration culture of the traditional Manchu residence in the architectural landscape design.展开更多
With the persistent efforts of the emerging concepts as well as new types of decoration materials, modem interior design concepts usher in a new round of innovation. Facing the impact of the new innovative ideas, the ...With the persistent efforts of the emerging concepts as well as new types of decoration materials, modem interior design concepts usher in a new round of innovation. Facing the impact of the new innovative ideas, the Chinese traditional culture and art urgently need a way to combine efficient with the modern design concept.展开更多
A symbol is an expression of meaning,while blank symbols express special meanings.By focusing on the application of blank symbols in Japanese architecture and indoor designs,we analyzed the aesthetic principles in Jap...A symbol is an expression of meaning,while blank symbols express special meanings.By focusing on the application of blank symbols in Japanese architecture and indoor designs,we analyzed the aesthetic principles in Japanese architecture and indoor designs from the perspective of semiotics,such as“Kongji,”“Emptiness,”and“Dying out,”and their minimalist and pure design concepts.Traditional Chinese culture was also further explored,especially the profound influence of the“Chan sect”and the philosophy of“unity of heaven and mankind”on Japanese architecture and designs.This study aims to facilitate the coexistence and mutual appreciation of Chinese and Japanese architectural designs.展开更多
Chinese folk art is the working people in the long life practice created by the art form of great aesthetic value and cultural connotation, because there is plenty of animation resources, mature image design experienc...Chinese folk art is the working people in the long life practice created by the art form of great aesthetic value and cultural connotation, because there is plenty of animation resources, mature image design experience and rich folk culture characteristics, animation image of the design has a very strong reference value. Folk Art in the animation image design applications outstanding performance in the shape, color and other visual elements and by giving current cultural elements and learn from foreign cultural elements and innovation. Chinese folk art is an important element of all ethnic art heritage, is one of the important art in accordance with our current development, the creation of the working people to beautify the environment, rich folk customs and daily life for the purpose of popular art. Chinese folk art is colorful, such as: pottery, stone carvings, paintings, paper-cut, have accumulated working people appreciate beauty, it re'ects our colorful folk art. The Chinese animation heritage of the art features, the integration of Chinese folk art of color, conception, composition and other characteristics, the Chinese animation in the world animation market has created one after another new situation, so that our animation a place in the world. Folk art in our possession long national culture in an important position, it is the continuation of our original art, and show a strong vitality and profound historical and cultural heritage. We analyze the characteristics and present situation of folk art, study of its application in the design of animated features for creative folk have the characteristics of modern animation propose speci'c measures and recommendations.展开更多
The Mongolian culture is part of China's traditional culture.It is a prairie culture of fusion Mongolian wisdom for nearly a thousand years.This article briefly introduces the basic concepts of mascots and Mongoli...The Mongolian culture is part of China's traditional culture.It is a prairie culture of fusion Mongolian wisdom for nearly a thousand years.This article briefly introduces the basic concepts of mascots and Mongolian cultural elements,and carries out a design practice by using the horse culture,color matching,boke clothing in the Mongolian cultural elements.The white horse mascot was designed by combining with national culture.It can be found that Mongolian traditional culture is a huge resource treasure house for mascot design through design practice,and the design of mascot is the characteristic of the era that inherits the development of Mongolian culture.The integration of Mongolian culture and mascot design can achieve mutual benefit.展开更多
Although African continent and Uganda in particular experienced the influence of the western economies which came with exploration, missionary work, and colonialism, and which put the indigenous design creativity to s...Although African continent and Uganda in particular experienced the influence of the western economies which came with exploration, missionary work, and colonialism, and which put the indigenous design creativity to sleep, communities have continued to show resilience in utilizing indigenous design processes whenever there is a shift in the cosmetic African-West relationship. This paper describes and assesses how indigenous processes become fundamental and sustained a fragile economy of Uganda after the military takeover of government by Idi Amin in 1971. It looks at how Ugandan artisans employed their long forgotten skills in designing processes that allowed communities to function. For example artisans made spare parts for the abandoned factories, made soap, and processed salt for consumption. The paper takes a pro-vocal approach and traces how this worked, how it is still working even when the country is presumably peaceful with the majority of the population engaged in agriculture production. The author carried out an ethnographic study on 90 participants in Kiruhura district in S.W. Uganda to establish how families integrate indigenous design processes in their daily activities. The author investigated why families continue to use indigenous material cultural items such as carvings, pottery, baskets, and iron work yet government policy emphases commercial agriculture. Results indicate that most families still use indigenous design processes in agriculture, housing, and treatment because of the superficial and unstructured ability by most families to use western made technologies, and that many of them do not have the necessary resources to acquire the modern technology. Results further indicate that families have a special attachment to indigenous materials which gives them an identity and ownership and that some items work better than the Western designed products. The paper concludes that those indigenous design processes are fundamentally good opportunities for entrepreneur actions that could be viable household enterprises. In addition to improving household incomes, the author theorize that re-engaging indigenous design processes, may facilitate ownership, resilience, and creativity of indigenous African creativity and design processes that could lead to sustainable development.展开更多
Chinese culture has been continuously developing for 5000 years of historical development.Its traditional culture has had an impact on social development,and this traditional culture is rooted in the development of th...Chinese culture has been continuously developing for 5000 years of historical development.Its traditional culture has had an impact on social development,and this traditional culture is rooted in the development of the society.The traditional Chinese culture also has certain significance for the design of modem cultural and creative works,which does not only inject vitality for cultural and creative products,but it also enhances the artistry of cultural and creative products.Therefore,based on this,this paper expounds the concept of traditional Chinese culture with cultural and creative products,analyzes the value of traditional culture in cultural and creative products,and explores how to refine and draw lessons from traditional Chinese cultural elements in the process of cultural and creative product design.展开更多
In order to further enhance the aesthetics,artistry and culture of interior design,this paper mainly studies and analyzes the application strategies of traditional Chinese cultural elements in interior design,in order...In order to further enhance the aesthetics,artistry and culture of interior design,this paper mainly studies and analyzes the application strategies of traditional Chinese cultural elements in interior design,in order to provide reference for future developments.展开更多
The human social development saw the formation of five unique civilizations,with the latter forming their own distinctive cultures.China’s traditional culture is its most fundamental ideological weapon for solving pr...The human social development saw the formation of five unique civilizations,with the latter forming their own distinctive cultures.China’s traditional culture is its most fundamental ideological weapon for solving problems.The Chinese are good at comprehensive thinking,dialectical thinking,and systematic analysis.These ideological weapons can solve the problems of formal science and technology and create scientific and technological achievements on par with global advanced scale.Ancient China is filled with original scientific and technological achievements,which strongly prove ancient China’s possession of its own science and technology different from that of Western Renaissance.Therefore,a comprehensive understanding of science,technology,experience,and intuition is necessary.The long-held superstition regarding the West,the lack of confidence,self-denial,blind imitation of ideas,and shackles must be thrown away.Only then can we take the road toward an authentic Chinese creative design as we learn from others.展开更多
Since the 21st century, the construction of small towns in Guangxi Zhuang Autonomous Region has been accelerated obviously and has already taken shape, but there are still some problems such as old towns not being wel...Since the 21st century, the construction of small towns in Guangxi Zhuang Autonomous Region has been accelerated obviously and has already taken shape, but there are still some problems such as old towns not being well protected, new towns constructed in unified style, regional culture not being excavated and town features without characteristics. Thus, this paper analyzed some actual cases in Guangxi which are successful in designing the overall image of small towns, including Cendou Xincun, Xing'an County and Yangshuo Dongling, found that all constructions show rich elements of traditional houses, characteristics of local houses and distinctive cultures of folk houses, and concluded that tradition was the source to construct the features of small towns, innovation was the basis to develop small towns and culture was the core to sublimate the features of small towns. It was considered that traditional architectures could only be integrated with modern architectures by fully excavating cultural characteristics of regional architectures, combining with regional tourism industry and motivating local people to participate in reconstruction, to enhance local styles and national features, and create a beautiful, comfortable and harmonious living environment, so the overall regional styles and features of small towns can be represented and proceeded, comprehensive competitiveness and strong vitality can be given to those towns.展开更多
The teaching of Packaging Design started late in China,but develops fast.After experiencing the changes of economy,politics and culture,it has entered a new era of self-publicity.The Chinese style has come out quietly...The teaching of Packaging Design started late in China,but develops fast.After experiencing the changes of economy,politics and culture,it has entered a new era of self-publicity.The Chinese style has come out quietly with a strong momentum.The contents of packaging design in the new era pay more attention to the spiritual level,and become a bridge between the society and people,forming an aesthetics concept with the spirit of the Chinese people.Based on the application of Chinese style in the course of Packaging Design,this paper discusses the characteristics of Packaging Design with Chinese style and the problems of traditional Packaging Design,and puts forward how to better apply Chinese elements in Packaging Design.展开更多
This study introduced the design process and main contents of a project called Gaobeidian Train New Town in Longhu,which won the excellence award in the 55th international competition in 2018 hosted by International F...This study introduced the design process and main contents of a project called Gaobeidian Train New Town in Longhu,which won the excellence award in the 55th international competition in 2018 hosted by International Federation of Landscape Architects (IFLA).In view of the separation of traditional cultural heritage and modern society and the disappearance of traditional culture,this study put forward the design concept and strategy of connecting traditional culture and modern landscape with Ziquan Palace as the design prototype by means of elastic landscape design,so as to continue the gene of traditional culture and arouse people’s awareness of respecting and protecting traditional culture.展开更多
In this paper, we conduct literature review and research on the Chinese traditional art style and western country' s abstract art style. Modernism art forms from concrete to abstract is a process of constant evolutio...In this paper, we conduct literature review and research on the Chinese traditional art style and western country' s abstract art style. Modernism art forms from concrete to abstract is a process of constant evolution, it is to find new pictures to present, to get rid of the bondage of traditional art concept to go on process. Any forward art could not avoid broke away from the traditional thinking, in the process of the old ideas and new concepts of conflict is inevitable. Therefore, corresponding research is urgent needed. The comparison result proves the intuition that both traditional Chinese culture and western culture based art design have their own spark points.展开更多
文摘In this study, three kinds of spaces with different marketplace atmospheres, namely, the tea-drinking space, the commercial space and the courtyard space, are created with the aid of the marketplace culture characteristics of the local blocks in Pengzhen Town and the catalyst theory, so as to achieve the purpose of activating the traditional blocks in Pengzhen Town. The design takes the marketplace culture as the entry point and the most vigorous points as the catalyst points to create a living space with strong marketplace flavor, thereby activating the economic and social activities of the traditional block and promotes the sustainable renewal of the cultural space.
文摘By analyzing the courses of graphic design major, the author points out that it is necessary to put Chinese traditional culture into courses of graphic design, which can open up students' design ideas, optimize their design styles and awareness, as well as improve their moral cultivation. The paper elaborates the influences and realistic significance of Chinese traditional culture on graphic design from perspectives of national cultural development, design communication and teaching application. It emphasizes the specific impacts and penetration of the traditional culture in the teaching of graphic design, including teaching content, teaching concepts, and basic teaching practices, etc. With multi- level elaboration, multi-angle exposition and multi-instance citation, it shows the methods to involve Chinese traditional culture in graphic design
文摘Along with the continuous development of the society, there are increasingly more marketing tools, but the role of posters in advertisement should be never ignored in any marketing methods. Regardless of all marketing methods changes, the role of posters has been contained in all sorts of marketing ideas, an also posters play a very important role in marketing ideas. Along with the progress of the times, the forms and contents of posters are in constant changes. In this paper, the application of traditional culture elements to poster design is mainly discussed.
文摘From the perspective of landscape design culture, the paper discussed the significance to integrate traditional culture and modern culture in order to create modern landscape with distinctive charm and eternal vitality. Finally, the paper analyzed how to integrate modern culture and traditional culture in landscape design.
文摘Although rural landscape design brings convenience to farmers,there are many problems such as severe homogenization,lack of local culture and lack of comprehensive planning.The distant points of planning are refl ected by highlighting distinctive regional culture,advocating construction of ecological culture,and encouraging protection of traditional architecture.The problems in rural landscape design are settled by solving three agricultural problems and promoting the development of rural tourism,so as to achieve the coordinated development of rural economy and culture.
文摘In recent years,China’s urban construction has been gradually influenced by Western culture and ideologies.The planning of urban development has been carried out in accordance with Western ideologies.As a result,this has prevented our local buildings and architectures to showcase unique local style and characteristics.Even under the influence of global urbanization,the development trend has prevented the construction of global cities from displaying the characteristics of their respective cities.Therefore,it is highly important for a nation not to lose the direction in the design of the urban landscape,and not to blindly imitating the architectural style of other countries or other cities.In addition,the nation and its cities should show their respective unique cultural charm and cultural characteristics and present their best to the whole world in order to promote the popularity of the cities,expand their influence and get onto a better development path.This article mainly introduces the application of the decoration culture of the traditional Manchu residence in the architectural landscape design.
文摘With the persistent efforts of the emerging concepts as well as new types of decoration materials, modem interior design concepts usher in a new round of innovation. Facing the impact of the new innovative ideas, the Chinese traditional culture and art urgently need a way to combine efficient with the modern design concept.
基金Department of Education in Yunnan Province Fund for Scientific Research,Research on the Origin Tracing of the Traditional Architectures of Limi People of Yunnan Yi Ethnic Group(No.2022Y658).
文摘A symbol is an expression of meaning,while blank symbols express special meanings.By focusing on the application of blank symbols in Japanese architecture and indoor designs,we analyzed the aesthetic principles in Japanese architecture and indoor designs from the perspective of semiotics,such as“Kongji,”“Emptiness,”and“Dying out,”and their minimalist and pure design concepts.Traditional Chinese culture was also further explored,especially the profound influence of the“Chan sect”and the philosophy of“unity of heaven and mankind”on Japanese architecture and designs.This study aims to facilitate the coexistence and mutual appreciation of Chinese and Japanese architectural designs.
文摘Chinese folk art is the working people in the long life practice created by the art form of great aesthetic value and cultural connotation, because there is plenty of animation resources, mature image design experience and rich folk culture characteristics, animation image of the design has a very strong reference value. Folk Art in the animation image design applications outstanding performance in the shape, color and other visual elements and by giving current cultural elements and learn from foreign cultural elements and innovation. Chinese folk art is an important element of all ethnic art heritage, is one of the important art in accordance with our current development, the creation of the working people to beautify the environment, rich folk customs and daily life for the purpose of popular art. Chinese folk art is colorful, such as: pottery, stone carvings, paintings, paper-cut, have accumulated working people appreciate beauty, it re'ects our colorful folk art. The Chinese animation heritage of the art features, the integration of Chinese folk art of color, conception, composition and other characteristics, the Chinese animation in the world animation market has created one after another new situation, so that our animation a place in the world. Folk art in our possession long national culture in an important position, it is the continuation of our original art, and show a strong vitality and profound historical and cultural heritage. We analyze the characteristics and present situation of folk art, study of its application in the design of animated features for creative folk have the characteristics of modern animation propose speci'c measures and recommendations.
基金Supported by major construction subjects project of Inner Mongolia Agricultural University(Project No.:RC2000000466).
文摘The Mongolian culture is part of China's traditional culture.It is a prairie culture of fusion Mongolian wisdom for nearly a thousand years.This article briefly introduces the basic concepts of mascots and Mongolian cultural elements,and carries out a design practice by using the horse culture,color matching,boke clothing in the Mongolian cultural elements.The white horse mascot was designed by combining with national culture.It can be found that Mongolian traditional culture is a huge resource treasure house for mascot design through design practice,and the design of mascot is the characteristic of the era that inherits the development of Mongolian culture.The integration of Mongolian culture and mascot design can achieve mutual benefit.
文摘Although African continent and Uganda in particular experienced the influence of the western economies which came with exploration, missionary work, and colonialism, and which put the indigenous design creativity to sleep, communities have continued to show resilience in utilizing indigenous design processes whenever there is a shift in the cosmetic African-West relationship. This paper describes and assesses how indigenous processes become fundamental and sustained a fragile economy of Uganda after the military takeover of government by Idi Amin in 1971. It looks at how Ugandan artisans employed their long forgotten skills in designing processes that allowed communities to function. For example artisans made spare parts for the abandoned factories, made soap, and processed salt for consumption. The paper takes a pro-vocal approach and traces how this worked, how it is still working even when the country is presumably peaceful with the majority of the population engaged in agriculture production. The author carried out an ethnographic study on 90 participants in Kiruhura district in S.W. Uganda to establish how families integrate indigenous design processes in their daily activities. The author investigated why families continue to use indigenous material cultural items such as carvings, pottery, baskets, and iron work yet government policy emphases commercial agriculture. Results indicate that most families still use indigenous design processes in agriculture, housing, and treatment because of the superficial and unstructured ability by most families to use western made technologies, and that many of them do not have the necessary resources to acquire the modern technology. Results further indicate that families have a special attachment to indigenous materials which gives them an identity and ownership and that some items work better than the Western designed products. The paper concludes that those indigenous design processes are fundamentally good opportunities for entrepreneur actions that could be viable household enterprises. In addition to improving household incomes, the author theorize that re-engaging indigenous design processes, may facilitate ownership, resilience, and creativity of indigenous African creativity and design processes that could lead to sustainable development.
文摘Chinese culture has been continuously developing for 5000 years of historical development.Its traditional culture has had an impact on social development,and this traditional culture is rooted in the development of the society.The traditional Chinese culture also has certain significance for the design of modem cultural and creative works,which does not only inject vitality for cultural and creative products,but it also enhances the artistry of cultural and creative products.Therefore,based on this,this paper expounds the concept of traditional Chinese culture with cultural and creative products,analyzes the value of traditional culture in cultural and creative products,and explores how to refine and draw lessons from traditional Chinese cultural elements in the process of cultural and creative product design.
文摘In order to further enhance the aesthetics,artistry and culture of interior design,this paper mainly studies and analyzes the application strategies of traditional Chinese cultural elements in interior design,in order to provide reference for future developments.
文摘The human social development saw the formation of five unique civilizations,with the latter forming their own distinctive cultures.China’s traditional culture is its most fundamental ideological weapon for solving problems.The Chinese are good at comprehensive thinking,dialectical thinking,and systematic analysis.These ideological weapons can solve the problems of formal science and technology and create scientific and technological achievements on par with global advanced scale.Ancient China is filled with original scientific and technological achievements,which strongly prove ancient China’s possession of its own science and technology different from that of Western Renaissance.Therefore,a comprehensive understanding of science,technology,experience,and intuition is necessary.The long-held superstition regarding the West,the lack of confidence,self-denial,blind imitation of ideas,and shackles must be thrown away.Only then can we take the road toward an authentic Chinese creative design as we learn from others.
文摘Since the 21st century, the construction of small towns in Guangxi Zhuang Autonomous Region has been accelerated obviously and has already taken shape, but there are still some problems such as old towns not being well protected, new towns constructed in unified style, regional culture not being excavated and town features without characteristics. Thus, this paper analyzed some actual cases in Guangxi which are successful in designing the overall image of small towns, including Cendou Xincun, Xing'an County and Yangshuo Dongling, found that all constructions show rich elements of traditional houses, characteristics of local houses and distinctive cultures of folk houses, and concluded that tradition was the source to construct the features of small towns, innovation was the basis to develop small towns and culture was the core to sublimate the features of small towns. It was considered that traditional architectures could only be integrated with modern architectures by fully excavating cultural characteristics of regional architectures, combining with regional tourism industry and motivating local people to participate in reconstruction, to enhance local styles and national features, and create a beautiful, comfortable and harmonious living environment, so the overall regional styles and features of small towns can be represented and proceeded, comprehensive competitiveness and strong vitality can be given to those towns.
文摘The teaching of Packaging Design started late in China,but develops fast.After experiencing the changes of economy,politics and culture,it has entered a new era of self-publicity.The Chinese style has come out quietly with a strong momentum.The contents of packaging design in the new era pay more attention to the spiritual level,and become a bridge between the society and people,forming an aesthetics concept with the spirit of the Chinese people.Based on the application of Chinese style in the course of Packaging Design,this paper discusses the characteristics of Packaging Design with Chinese style and the problems of traditional Packaging Design,and puts forward how to better apply Chinese elements in Packaging Design.
文摘This study introduced the design process and main contents of a project called Gaobeidian Train New Town in Longhu,which won the excellence award in the 55th international competition in 2018 hosted by International Federation of Landscape Architects (IFLA).In view of the separation of traditional cultural heritage and modern society and the disappearance of traditional culture,this study put forward the design concept and strategy of connecting traditional culture and modern landscape with Ziquan Palace as the design prototype by means of elastic landscape design,so as to continue the gene of traditional culture and arouse people’s awareness of respecting and protecting traditional culture.
文摘In this paper, we conduct literature review and research on the Chinese traditional art style and western country' s abstract art style. Modernism art forms from concrete to abstract is a process of constant evolution, it is to find new pictures to present, to get rid of the bondage of traditional art concept to go on process. Any forward art could not avoid broke away from the traditional thinking, in the process of the old ideas and new concepts of conflict is inevitable. Therefore, corresponding research is urgent needed. The comparison result proves the intuition that both traditional Chinese culture and western culture based art design have their own spark points.