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康德崇高美学思想对网络文化审美主体建构的意义 被引量:1
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作者 付丽 《学习与探索》 CSSCI 北大核心 2013年第9期33-36,共4页
随着人类科学技术的进步,网络文化迅速发展起来。然而,网络不但承载优秀进步作品,也展现并传播低俗、有害的内容,这造成了网络文化主体的审美困境。康德关于崇高的美学思想独具内蕴,具有许多合理成分,因而应该重返康德,借助其崇高美学... 随着人类科学技术的进步,网络文化迅速发展起来。然而,网络不但承载优秀进步作品,也展现并传播低俗、有害的内容,这造成了网络文化主体的审美困境。康德关于崇高的美学思想独具内蕴,具有许多合理成分,因而应该重返康德,借助其崇高美学思想进行新的祛魅,从而使网络文化审美主体成功实现自身理性审美主体的建构。面对网络文化,审美主体应该充分发挥自身的主体作用;应该充分发挥自身的"心意能力";应该充分借鉴康德认为崇高感的根源在道德的思想,发挥道德在审美活动中的重要作用;应该真正把人作为目的,高扬人文精神。 展开更多
关键词 网络文化 网络文化审美主体 康德崇高美学思想 祛魅(disenchantment)
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From Goodfellas to The Irishman:Exploring the Aesthetic Transmutation of Martin Scorsese’s Gangster Films
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作者 CHEN Zhi-fei 《Journal of Literature and Art Studies》 2021年第6期425-430,共6页
Martin Scorsese is best known for his gangster films,especially biographical gangster epics based on real people or events.It can be said that Scorsese’s attempts in the gangster genre both inherited the traditional ... Martin Scorsese is best known for his gangster films,especially biographical gangster epics based on real people or events.It can be said that Scorsese’s attempts in the gangster genre both inherited the traditional American gangster films and enriched them with his unique artistic style,and made an indelible contribution to the expansion of this genre by offering criticism.In 2019,Martin Scorsese returns to the gangster genre with his masterpiece The Irishman.Although The Irishman is a profound film on its own,the only way to bring out its full charm is to link it to Scorsese’s earlier works.By comparing the similar camera design and filming techniques in the two films,as well as the cultural changes behind them,this paper focuses on the inherent connection between The Irishman and Goodfellas,and tries to explore how The Irishman draws on the elements in Goodfellas to finally accomplish thematic sublimation and reach new heights in the aesthetics of gangster films. 展开更多
关键词 Martin Scorsese gangster films disenchantment
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