In recent years,the concept"northern ethnic dynasties"has been widely used when referring to dynasties established by ethnic groups from northern China,including Liao,Jin,Yuan,and Qing dynasty.When it comes ...In recent years,the concept"northern ethnic dynasties"has been widely used when referring to dynasties established by ethnic groups from northern China,including Liao,Jin,Yuan,and Qing dynasty.When it comes to the prolonged debates on the relation between ethnic groups and state,the traditional narrative of the dynastic history of Central Plains,which holds"sinicization"as its principal line,has been challenged;and the academia has been focusing on how to elaborate features and state forms of these northern ethnic dynasties.This article argues that,only by returning to the dynasty-based narrative of the evolvement of northern ethnic regimes,can we break the shackle of western-style"nation state"narrative;can we understand the fact that dynasticity transcends ethnicity in Chinese history;and can we thereby establish the correct view of history on the Chinese nation.展开更多
By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of sou...By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.展开更多
基金the 2020 Research Base Project of National Ethnic Affairs Commission of the PRC"Historical Investigation on the Formation,Spread and Cultivation of the Sense of Community for the Chinese Nation-Centering on the Manchurian,Mongolian and Tibetan Ethnic Groups"(2020-GMG-027)it is supported by the"Interdisciplinary Platform of Renmin University of China for Building the Sense of Community for the Chinese Nation"。
文摘In recent years,the concept"northern ethnic dynasties"has been widely used when referring to dynasties established by ethnic groups from northern China,including Liao,Jin,Yuan,and Qing dynasty.When it comes to the prolonged debates on the relation between ethnic groups and state,the traditional narrative of the dynastic history of Central Plains,which holds"sinicization"as its principal line,has been challenged;and the academia has been focusing on how to elaborate features and state forms of these northern ethnic dynasties.This article argues that,only by returning to the dynasty-based narrative of the evolvement of northern ethnic regimes,can we break the shackle of western-style"nation state"narrative;can we understand the fact that dynasticity transcends ethnicity in Chinese history;and can we thereby establish the correct view of history on the Chinese nation.
基金interim result of the general project funded by the National Social Scienc eFoundation of China,titled“Compilation and Study of Book Slips Not Included in the Complete Song Prose and Research on the Compilation of Song Dynasty Book Slips”(Project No.20BZW060)。
文摘By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.
