The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through bac...The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.展开更多
正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid ...正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery展开更多
基金the 2020 National Social Science Fund Art Project“History of Chinese Film Thought(1905-1949)”(Project No.:20BC035).
文摘The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.
文摘正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery
