Cultural Duplicity:The Social Poetic Nature of Folk Songs and Their Discourse

There is a close relationship between the folk songs and the earth bound society in China,bearing functions of load transfer,expression,dissemination of information,and beauty aspiration,etc.Folk songs are mainly presented through voice and thus possess powerful cultural duplicity,which rightly represents the social poetic quality that both the local residents and the nation-state need to take advantage of.A flexible space of co-existence is thus provided with for both of them.

Realism of Movie Arts and Ecology folk cultural heritage in Southern Shaanxi Province --Taking the real movie ＂Lang singing folk songs in the door＂ for example

The real movie ＂Lang singing folk songs in the door＂ is the triangle love story among Xiao Yang, Feng Gang and Zhang Xuefeng. the three characters are the main line. folk songs in Nan Kang Ziyang of Shaanxi are the carrier, full of musical charm and cultural values. Folk songs, and love reveal the tragic loss and suffering in modern youth life-changing period, and reflect the gap between ideal and reality. Movie inspires people, developing and upholding heritage of folk music and cultural needs the whole community＇ s concern and support, a cavity blood alone and personal ideals are not enough, only rely on social groups and cultural media, can Southern folk ecological culture be in sustainable development, and fly out of the country to the world.

On the appreciation of the beauty and the permeation of the cultural factors in the teaching of the folk songs in Shanxi

In the teaching of the folk songs in Shanxi, the effective ＂permeation＂ has an important significance to the appreciation of the beauty behind the folk songs and the explanation and revelation of the cultural factors, the teaching effect of the folk songs in the local universities in Shanxi and the inheritance and development of the actual results of the folk songs in Shauxi. In this paper, combined with the teaching practice, the author intends to explore the necessity of the appreciation of the beauty and the permeation of the cultural factors in the teaching of the folk songs in Shanxi and the related pitching-in angle and the operational approaches.

Research on aesthetic charm of Qiang folk songs

Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of Qiang people from different historical periods and cultural life. Qiang folk songs are born with a strong national consciousness, national temperament and color. Through social and cultural changes, Qiang folk song forms its unique aesthetics in the language, form, emotion, mood and other aspects. Understanding and analyzing the aesthetic charm of Qiang folk songs helps to strengthen the Qiang heritage and intangible cultural heritage protection, and benefit rich folk culture of Chinese Qiang cognition.

Love Interaction of Miao Folk Songs Records in Central Guizhou

There is a Miao nationality living on the highland in central Guizhou,where they live in a typical karst landform with an average altitude of 1500 meters and steep terrain.Since July 2018,the author has carried out a 180-day field research in Gaopo Township and other places.Through the research,it is found that there are four different types of Miao songs,which are divided into:Wine song,ancient song,love song,sad song.The structure of the four kinds of songs is to sing different lyrics repeatedly with only one melody.For example,wine songs are the most common kind of songs in Miao people's life.Unmarried men and women learn about each other's thoughts through singing.This not only tests their singing ability,but also shows that each other's mind is good at adapting to changes.

The Inheritance Status of Miao Folk Songs in Central Guizhou

More than 20,000 people of Miao minority are living in a 500-meter-altitude area,which is located 40 kilometers away to the southeast of Guiyang City,Guizhou province.In June 2019,Miao folk song Banglang Song was added in the provincial intangible cultural heritage list.In addition to Banglang Song,many traditional folk songs were prevailing in this area in the past.However,the inheritance of such historical and cultural treasures is not satisfying.Based on the field research of folk songs in this region,the author summarized the factors contributing to the oblivion of Miao folk songs in central Guizhou.

The Impact of Contextual Teaching Method on Sichuan Folk Song Education and Students’Musical Expressiveness

This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,this research investigates the effectiveness of this approach in enhancing students’understanding of Sichuan folk songs and improving their musical expressiveness and emotional expression.A mixed-method research approach is employed,utilizing classroom observations,questionnaires,interviews,and statistical analysis to assess the practical outcomes of contextual teaching in folk song education.

Representing Islam in China： A Case Study on the Religious Motifs of Uyghur Sermon Poems

As a unique local convention of Islamic proselytizing, Uyghur religious specialists in the present Turpan Basin are using a kind of folk songs ＂qoshaq＂ to organize motifs and materials for their religious sermons. Though the poems are particularly used as religious texts at mosque preaching and other chances of Islamic proselytizing, their contents give insights into the ways of local Uyghurs to understand various daily happenings through the lens of Islamic doctrines. This issue can be taken as a process of the localization of Islamic culture among Uyghurs, therefore, it provides comprehensive pictures on the Islamic ways of local Uyghurs to accommodate their social realities. Through undertaking analyses on the structure, style, contents of the poems, this paper makes efforts to unfold the symbolic landscape of the poems implied, making clear the logic bases of those religious motifs and the attitudes Uyghur preachers had toward social realities.

On the Use of Music in Paul Green's In Abraham's Bosom

This essay analyses Paul Green's use of music in his first long play In Abraham's Bosom and finds that music,especially the folk songs not only created authentic background for the story,but also strengthened the play's themes—black people's different attitudes toward tradition and the great difficulties for a black man to change his own and his people's fate.

The Crisis of the ＂First Republic＂ in the Lyrics of Italian Singers-Songwriters

In the mid- 1980s, in Italy the first symptoms of a crisis in the traditional party system, later known as the prima repubblica or ＂first republic＂, began to emerge. The ＂Tangentopoli＂ scandal was still to come, but the seed of anti-politics started to grow in collective mentality. Italian singers-songwriters, the so-called ＂cantautori＂ （a portmanteau of cantare, to sing, and autori, authors）, were interested in these developments; their songs commented on elements that played a crucial role, few years later, in the irreversible crisis of the ＂prima repubblica＂： the overwhelming power of political parties, the ＂consociativismo＂ （secret power agreements between the government and the opposition）, the corruption, the growing and pervasive role of mass media Through the songs of singers-songwriters, the present essay traces the season of the scandal of ＂Tangentopoli＂, stopping at 1994, the year of the victory of＂Forza Italia＂, the new political party founded by Silvio Berlusconi

The Song of a Folk Artist

Zhao Chengxiang learned papercutting when she was a child from her grandmother. As she grew up. she hit upon the idea of cutting paper with her accumulation of knowledge and experience. The shapes and conceptions have a modern flair but retain a traditional sense. Because she only cuts what