Classical temples constructed by an entire class are considered as a democratic artifact that symbolizes social and communal beliefs and embodies religious significance. In contrast with these meanings that existing s...Classical temples constructed by an entire class are considered as a democratic artifact that symbolizes social and communal beliefs and embodies religious significance. In contrast with these meanings that existing scholars have addressed, this paper investigates the extent to which architecture, as both shelter and artwork, serve as a medium of spatial-textile storytelling, providing a rich sensory context that represents and mediates culture. This study is drawn from a case study of the Ionic frieze in Parthenon, Athens, considered both a textile and spatial storytelling device. The research method applied in this paper consists of a literature review of references on the ideas on the links between textile- making and architectural ornament by Gottfried Semper, as well as the historical develop- ment of the frieze in both textile weaving and classical architecture. The paper concludes that the significance of the religious Panathenaia festival is not merely depicted by the peplos identified on the central east Ionic frieze, but is also expressed in the entire representational scheme of the Ionic frieze, along with the overall spatial configuration of the Parthenon. Architecture, instantiated by the Parthenon, is regarded as spatial-textile storytelling to communicate meanings.展开更多
Traditional Lao textiles are wealth in religious motifs, the motifs and patterns on the textiles reflect traditions, beliefs and livelihood of people. The structure of Lao motifs and patterns are complicated, but weav...Traditional Lao textiles are wealth in religious motifs, the motifs and patterns on the textiles reflect traditions, beliefs and livelihood of people. The structure of Lao motifs and patterns are complicated, but weaving processes still use traditional techniques and simple floor-loom. Therefore, it takes a lot of time for making a weave-draft on the loom and percentage of losing weave-drafts is very high. In contrast, industrial textiles use electronic loom and digital weave-drafts to produce fabrics, which are suitable for fast production but lack complicated traditional patterns. As a result, this paper introduces scientific approaches for digitizing motifs, patterns, and weave-drafts of traditional Lao textiles. Mathematical principles of Frieze and Wallpaper groups are investigated for digital design. The paper presents two standard files, image file format and WIF file as digital weave-draft in order to fill the gap between traditional and modem weave techniques. The standard files are understandable and usable for both hand-weavers and weaving machines. Our study shows that a modern electronic TC2 loom is a suitable loom to connect between traditional Lao weave technique and modem weave technique.展开更多
文摘Classical temples constructed by an entire class are considered as a democratic artifact that symbolizes social and communal beliefs and embodies religious significance. In contrast with these meanings that existing scholars have addressed, this paper investigates the extent to which architecture, as both shelter and artwork, serve as a medium of spatial-textile storytelling, providing a rich sensory context that represents and mediates culture. This study is drawn from a case study of the Ionic frieze in Parthenon, Athens, considered both a textile and spatial storytelling device. The research method applied in this paper consists of a literature review of references on the ideas on the links between textile- making and architectural ornament by Gottfried Semper, as well as the historical develop- ment of the frieze in both textile weaving and classical architecture. The paper concludes that the significance of the religious Panathenaia festival is not merely depicted by the peplos identified on the central east Ionic frieze, but is also expressed in the entire representational scheme of the Ionic frieze, along with the overall spatial configuration of the Parthenon. Architecture, instantiated by the Parthenon, is regarded as spatial-textile storytelling to communicate meanings.
文摘Traditional Lao textiles are wealth in religious motifs, the motifs and patterns on the textiles reflect traditions, beliefs and livelihood of people. The structure of Lao motifs and patterns are complicated, but weaving processes still use traditional techniques and simple floor-loom. Therefore, it takes a lot of time for making a weave-draft on the loom and percentage of losing weave-drafts is very high. In contrast, industrial textiles use electronic loom and digital weave-drafts to produce fabrics, which are suitable for fast production but lack complicated traditional patterns. As a result, this paper introduces scientific approaches for digitizing motifs, patterns, and weave-drafts of traditional Lao textiles. Mathematical principles of Frieze and Wallpaper groups are investigated for digital design. The paper presents two standard files, image file format and WIF file as digital weave-draft in order to fill the gap between traditional and modem weave techniques. The standard files are understandable and usable for both hand-weavers and weaving machines. Our study shows that a modern electronic TC2 loom is a suitable loom to connect between traditional Lao weave technique and modem weave technique.
