A Set of Acupuncture Needles in the Late Qing Dynasty Collected by George Souliéde Morant

In the early 20th century,French vice-consul George Souliéde Morant encountered acupuncture during his visit to China,and then brought it back to France.After more than a century,his collection was transported from Paris,France to Kunming,China,and later recognized as a Chinese national third-class precious cultural heritage.Currently housed in the Museum of Western Studies on Chinese Medicine at Yunnan University of Chinese Medicine,this set of instruments includes one needle holder converted from a fan-shaped holder,ten acupuncture needles,and eleven paper tags handwritten in English with names of diseases and body parts.This article attempts to present the foundational information and historical significance of this collection of this set of late Qing dynasty acupuncture instruments by reviewing the collection and related research on acupuncture instruments,consulting acupuncture professionals,measuring the detailed information of the set of instruments,and employing a method of translating and summarizing the content of the attached tags.

Functions of Karez to Xinjiang Agriculture in the Qing Dynasty from the Perspective of Historical Documents

Desertification is increasingly serious in Xinjiang,and the construction of water conservancy is a precondition for the development of agriculture.The main project for the development of agriculture and water conservancy in Xinjiang is to build Karez,which played a vital role in the development of Xinjiang agriculture in the Qing Dynasty.It has been recorded many times in historical documents of the Qing Dynasty,such as Lin Zexu s Diary,Tao Baolian s Diary,Xinjiang Atlas and Zuo Zongtang s Memorial to the Emperor,etc.,which recorded the situation and historical origin of Karez.Karez made a significant contribution to the development of agriculture in the Qing Dynasty.It increased the cultivated land in Xinjiang at that time,and increased the types and yields of crops.It is conducive to the stability and development of Xinjiang s economy.Until today,Karez is still an important water source for agricultural irrigation in Xinjiang.

Looking up Prescriptions to Treat Infectious Disease:Anti-epidemic Books of Medical Formularies and Epidemic Prevention and Control in the Qing Dynasty

Copying,compiling,publishing,disseminating,and referencing anti-epidemic books of medical formularies were common activities during the outbreak of epidemics in the Qing dynasty.Its emergence,motivated by epidemic disease again and again,was important component parts of epidemic prevention and control.They played a unique role as media on affairs such as treating patients suffering from infectious diseases,mobilizing peoples to make contributions to anti-epidemic activities,integrating and popularizing knowledge of epidemic prevention.Anti-epidemic books of medical formularies were important to link peoples,things,and substances related with epidemic prevention and control,and were a kind of motivation to actively deal with the infectious disease,control the epidemic,and maintain health.Compared to other common measures,anti-epidemic books of medical formularies participated in many prevention and control practices deeply,which actually built a low cost,spontaneous,dispersed and non-institutional system to respond to epidemic,and the system had characteristics of stronger conductibility,bigger coverage area,and better external benefits.

A New Inquiry Into the Contents of the Late Qing Dynasty Pictorial News Publication-The Core of “Entertainment Life” in Dianshizhai Pictorial

After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk entertainment activities were recorded in the Dianshizhai Pictorial which have the function of cultural choice and value dissemination as well as current affairs.This research attempts to use literary analysis and case study to collate the entertainment life in the Dianshizhai Pictorial,combing the characteristics of the late Qing dynasty,and summarizing the value of entertainment in Dianshizhai Pictorial publishing.

Glimpse of the Han Dynasty from Han Stone Relief——Take the Han stone relief in Tengzhou For Example

Han stone relief is a kind of unique burial art in China and has a far-reaching influence in the whole history of art.Han stone relief is discovered in quite a few districts in China.Tengzhou is one of the districts that discovers Han stone relief at the earliest and has relatively abundant remains.The article takes Han stone relief that is in Tengzhou Shandong as an example,analyzes the subjects and contents of it,as well as its values,and explores the mainstream ideology which is reflected by these stone portraits at that time.

ANALYSIS OF DRIVING FORCES ON THE CHANGE OF HISTORICAL FARMLAND USE IN SHANDONG PROVINCE DURING THE QING DYNASTY (1644-1911)

How land-cover has been changed by human use over the last 300 years is oneof the five overarching questions guiding the Land-use/Cover Change (LUCC) Science/Research Plan.China has variety of historical documents providing unique data superiority. So the characteristicsof farmland area in Shandong Province during the Qing Dynasty (1644-1911) are summarized firstly: 1)the rising trend of farmland area was striking; 2) farmland area had remarkable fluctuation; 3)farmland area per capita decreased dramatically; 4) wasteland reclamation index increased rapidly.Then, the driving forces of farmland area change are analyzed. It is concluded that natural andhuman factors are jointly influential. Among the driving forces, human dimensions are the mainfactors of farmland area change, which direct the general tendency of the changes mentioned above.And the natural factors influence the stability of farmland area as well. Variation of the naturalfactors would act as the major contributory factor to farmland area change during years or periodsof abrupt climatic changes, or during the intensive occurring periods of natural hazards. Besides,the passive aspects of human factors, such as war chaos also influenced the fluctuation of thefarmland area. This research indicates that it is feasible to study the land-use/cover change byChinese historical literatures, which has huge potential to provide a comprehensive picture of thegrowing dominance of human land-use and land-cover patterns that can be used in many global changeresearch projects.

Contribution and Modern Public Debt:On the Nature of Patriotic Public Debt in the Late Qing Dynasty and the Early Republic of China

There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency between form and content,institutional provisions and actual implementation.The modern nature of public debt must have both the form and content of modern public debt.Based on the analysis of the issuing background,system design,collection and repayment of patriotic bonds in the late Qing Dynasty and the early Republic of China,it is considered that the part of patriotic bonds subscribed by the Qing royal family is still the nature of donation and return,while the part subscribed by ordinary businessmen and people in the early Republic of China has a modern nature.The dual nature of patriotic bonds is closely related to the social background when the bonds are issued.

An Overview of the Achievements of Modern Research on the Flying Shadow Pavilion Pictorial

The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Zhai Pictorial terms of both content and form,and which was founded by the Haiist painter Wu Youru in 1890 in order to reward the increasing number of admirers,but it is still in the initial stage.Flying Shadow Pavilion Pictorial consisted of four parts:pictures of ladies in Shanghai costumes,news about current affairs,pictures of animals,and compilations of women,each of which was accompanied by the then popular notebooks,which were popular at the time among the then readers because of the matching of pictures with text and the mixing of narratives and discussions.This paper takes Flying Shadow Pavilion Pictorial as the main object,summarizes the existing literature about Flying Shadow Pavilion Pictorial,points out the deficiencies of the current research on this basis,and points out the development trend of Flying Shadow Pavilion Pictorial in the future research.

SHANGHAI'S FASHION DURING THE LATE QING DYNASTY PERIOD

The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development of as a fashion center, the men’s fashion in Shanghai and the women’s fashion in Shanghai. In these parts, the style, textiles, colour, decoration and combination of clothing are described. Many costumes from museums and private collections as well as some historical writings, paintings and photographs are elucidated to give a description about Shanghai’s fashion looks during that period.Here are some tentative conclusions. Firstly, Shanghai has always been a fashion center in China since 1860’s. Shimao was the most important characteristic of clothing. Secondly, fashion of traditional clothing was described as highly stylized, gorgeous, exquisite, miscellaneous, detailed and multicolored. Thirdly, the influence of Western clothing was upwards. It was more obvious in Shanghai than in

Functional Features and Layouts of Yangzhou Residential Gardens in the Late Qing Dynasty and the Early Republic of China: A Case Study of Residential Gardens of Officials, Merchants and Literati

On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials, merchants and literati) for example, analyzed functional features and layouts of the gardens, explored artistic characteristics and cultural connotations of the local residential gardens, so as to provide references for the conservation and construction of historic and cultural cities, design and expression of modern urban livable spaces.

The History of the Former Han Dynasty:A Critical Translation with Annotations Translated by Homer Hasenpflug Dubs

Translation is an important medium of cultural communication.It is not a mere transfer of two languages,but the interaction of two cultures.Cultural misreading,which results from cultural discrepancy and translator’s subjectivity,truly reflects where the blockade and conflict in the cultural communication is.Cultural misreading is an objective phenomenon that exists in the entire process of translation.This paper intends to make a comprehensive analysis and discussion on The History of the Former Han Dynasty:a Critical Translation with Annotations translated by Homer Hasenpflug Dubs.As for the reasons of cultural misreading,this paper divides them into three types—language,thinking habit,traditional culture.It is to be hoped that this paper will draw more attention from the translation circle to the phenomena,and make contribution to the development of literary translation.

Changxin Palace Lamp A Beam of Light from the Han Dynasty

A palace maid in the Western Han Dynasty sat on her bare.feet, eyebrows slender, face plump, wearing headdress and dressed in curving-front robe. For more than two thousand years, she has never moved a step by herself However, she has set out from the Western Han Dynasty, bringing a distant beam of light. She was born for the light, holding the lamp in both hands and projecting the light forward. When you watch this lamp, it seems that you can see the era which it illuminated.

Inventing the Barbarians:The Changing Contexts of Yi in the Late Qing Dynasty

This study analyzes how the meaning of yi(夷,barbarian)was constructed in different historical contexts at the end of the Qing dynasty,which is important for us to reconsider xenophobia and Sino-centrism both in the past and present.Our study combines contextual with intertextual reading methods.It places different materials,including missionaries’works,newspapers,and official documents,in their specific historical contexts and links them to obtain a full picture of this transformation.We argue that yi was invented.Various agents and actors created the connotation of yi to suit their interests.It was transformed by the Qing court from“barbarians”to those who follow Confucianism to justify their rule.Then it was first translated as“foreigners”and later as“barbarians”when Europeans came to China.Our study situates the meaning of yi to help us rethink some of the labels and misconceptions attached to yi and the early missionaries in China.

Structural Carpentry in Qing Dynasty-A Framework for the Hierarchically Modularized Chinese Timber Structural Design

This article, by using mathematical expressions, offers a scientific framework for understanding how the grading system of Qing′s structural carpentry determines the design and construction in the grand style timber architecture.The Qing′s grand style timber structure, which is ready for prefabrication and assembly, is extremely hierarchical oriented and significantly standardized. The general procedure in designing a grand style timber structure is to start with the grade that defines the basic module (dou kou); next comes with the number of bracket set (cuan), the number of longitudinal bays and the number of purlins which affect its plan and cross section; thirdly choose a roof type that determines its longitudinal section and the facade as well. A series of formulae are conducted to help depict the layout, cross sectional roof curvature and special longitudinal treatments in 4 sloped and 9 spined roofs respectively.

On Artistic Dissemination of Image Text in Urban Media of Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object

The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly integrates news and art in the form of artistic dissemination of pictures and texts,and adapts to the needs of the society for news and new knowledge at that time.At the same time,Wu Youru,the editor in chief and main painter of pictorial,reflected some problems in the artistic dissemination of pictures and texts.

A Textual Research on the Image of＂Gaomei God＂ in the Stone Relief of the Han Dynasty

As the most primitive and the highest-level media in ancient Chinese society, Gaomei God played a pivotal role in the social life of the Han Dynasty. The stone relief is a vivid portrayal of the Han Dynasty society, and we can use the format routine method to fred out the image of Gaomei God in it. Starting from the Gaomei portrait, a research on typology is carried out before the portrait is divided into three types on the basis of its development and evolution, which is followed by a comprehensive analysis of its time, distribution area, configuration combination, carving techniques, image composition, development in a way to sum up the law of Gaomei portrait.

Study on the Escape of the Portuguese Leasing in Macao from Chinese Criminal Law and the Governance by the Government of the Qing Dynasty

After the Portuguese leased in Macao in the mid-period of Ming Dynasty, the Portuguese officials here were asked to comply with the law of China more than once. To the Qing dynasty, the Portuguese still stubbornly refused to obey the law of China and often escaped from Chinese criminal law using briberies. In the case about Huiqian CHEN and the processing in the end of 1743, the fact that the Portuguese often escaped from the law of China was changed, and the principle of the Chinese judicial officials about processing the murders about Chinese killed by foreigners was explicitly defined. In this principle, Chinese significant compromises and concessions to the Portuguese were also included, but the criminal jurisdiction was ultimately controlled by the Government of the Qing Dynasty. Thus, the foreign-related criminal procedures conforming to foreign conditions were revised by the government of the Qing Dynasty according to the actual circumstances of Macao. However, the foreign-related criminal procedures revised by the government of the Qing Dynasty were not honestly observed by the Portuguese. After several major cases occurred in Macao, security rules and regulations were further issued by the government of the Qing Dynasty, in which the judicial control power of the government of the Qing Dynasty in Macao was unequivocally stated.

On Characters in Cities in the Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object

Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly studies how the pictorial uses words to shape the image of characters in cities,especially the image of women,and analyzes the shaping of urban characters’identity,personality,social status,and behavior in different news reports,so as to understand the image of urban characters and civil activities in the late Qing Dynasty.At the same time,the accurate use of words and the attitudes and values contained in pictorial have important reference significance for modern media.

A Brief Analysis of Competitive Sports Depicted on the Portrait Bricks and Stones of the Han Dynasty

The emergence of competitive sports in ancient China is closely related to military activities.With the evolution and development of society,many sporting events have been introduced to and accepted by,the people and later carried forward from generation to generation.In the Han Dynasty,thanks to the strong national strength and booming economy,competitive sports witnessed rapid development.People at that time,from imperial officials to common people,were all keen on various competitive sports and such sports were also very popular among the folk.Along with this,there emerged multiple monographs on sports.Portrait bricks are the remnants of the lavish burial rituals of the Han Dynasty.As the economy grew and social wealth amassed,the lavish burial custom prevailing since the Spring and Autumn Period reached its peak in the Han Dynasty,especially in the Eastern Han Dynasty.People would bury in tombs along with various articles they used before they died.They would also paint the life of the tomb owner on bricks to decorate the tomb by embedding them in the tomb chamber.The images on the portrait bricks unearthed from the tombs of the Han Dynasty are the most intuitive and convincing physical evidence to reflect the development of competitive sports at that time.We conduct a preliminary study on competitive sports in the Han Dynasty by using the portrait bricks of the Han Dynasty unearthed in Sichuan province and the Yellow River basin as examples,aiming to do our bit to build a sporting powerhouse and a healthy China.