Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the def...Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the definition,functions and classification of scenic window,further elaborated its formal and spiritual beauty from the perspectives of 'shape','pattern' and 'in-position and in-motion view',and analyzed the aesthetic beauty of scenic windows in classical gardens.展开更多
Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideol...Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.展开更多
The paper had illustrated current status of Chinese temple gardens and background of Wenshu Temple in Chengdu City,analyzed that landscape spatial pattern of Wenshu Temple was characterized by introverted enclosed qua...The paper had illustrated current status of Chinese temple gardens and background of Wenshu Temple in Chengdu City,analyzed that landscape spatial pattern of Wenshu Temple was characterized by introverted enclosed quadrangle courtyard including religious activity zone,life activities zone and garden rest zone.It also discussed the influences of artistic conception of Zen on spirit of place of landscape space in the perspectives of Zen architectural factors,introverted national culture,religious color of architectural space,and cultural landscape.It had proposed that there existed imperfections in later management of greening and landscaping in Wenshu Temple,and some problems such as enclosed space and isolated space from surrounding historical and cultural carrier.It pointed out that landscape perseverance was a long process and it should not restrict to protection of internal environment of carrier space but should enhance restoration of external part and relevant parts to display cultural and economic value of historical and cultural carrier.展开更多
文摘Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the definition,functions and classification of scenic window,further elaborated its formal and spiritual beauty from the perspectives of 'shape','pattern' and 'in-position and in-motion view',and analyzed the aesthetic beauty of scenic windows in classical gardens.
基金Supported by Fund for Scientific Research of Nanjing University of Finance and Economics (B2010017)~~
文摘Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.
基金Supported by Funds of Undergraduate Cultivation Plan Project of Sichuan Agricultural University~~
文摘The paper had illustrated current status of Chinese temple gardens and background of Wenshu Temple in Chengdu City,analyzed that landscape spatial pattern of Wenshu Temple was characterized by introverted enclosed quadrangle courtyard including religious activity zone,life activities zone and garden rest zone.It also discussed the influences of artistic conception of Zen on spirit of place of landscape space in the perspectives of Zen architectural factors,introverted national culture,religious color of architectural space,and cultural landscape.It had proposed that there existed imperfections in later management of greening and landscaping in Wenshu Temple,and some problems such as enclosed space and isolated space from surrounding historical and cultural carrier.It pointed out that landscape perseverance was a long process and it should not restrict to protection of internal environment of carrier space but should enhance restoration of external part and relevant parts to display cultural and economic value of historical and cultural carrier.
