The study is based on the analysis of the design and operational path conducted by the architect Gio Ponti on ceramic materials between the late 1920s and the early 1970s,with particular attention to applications in t...The study is based on the analysis of the design and operational path conducted by the architect Gio Ponti on ceramic materials between the late 1920s and the early 1970s,with particular attention to applications in the Milanese context.Milan represents the main laboratory for experimenting with the figurative,plastic and chromatic potential of modern ceramic surfaces.The analysis of archival documentation preserved at the CSAC Archive in Parma,the Gio Ponti Archives in Milan and the Archivio Progetti at the Iuav University of Venice allows for a deeper understanding of the design path at different scales,from the design of specific lines of ceramics for industry,to their application in buildings.The second part of the analysis is aimed at tracing the conservation problems of ceramic surfaces,with the aim of highlighting both the cultural and technical aspects that are affecting the conservation of this heritage.Connected to the latter aspect is a focus on the principal deterioration phenomena of modern ceramic surfaces related to different types of substrates,providing in-depth knowledge that opens up new strategies for their conservation.展开更多
自从新世纪初,IDF连续以'Advancing The Digital Universe'作为技术论坛的主题诉求与宣示。其实,这也没有什么好稀奇的,重点是数字化的时代,不停地在滚动,倡导数字化的生活型态也有一段光阴。历史悠久的消费性电子展CES 2003所...自从新世纪初,IDF连续以'Advancing The Digital Universe'作为技术论坛的主题诉求与宣示。其实,这也没有什么好稀奇的,重点是数字化的时代,不停地在滚动,倡导数字化的生活型态也有一段光阴。历史悠久的消费性电子展CES 2003所呈现的就是数字信息内容内在的极致表现,谁能掌握'Digital Content'的霸权、主控内容的规格,宛如掌控媒体,谁就是王。君不见,数字影音的规范满天飞。展开更多
文摘The study is based on the analysis of the design and operational path conducted by the architect Gio Ponti on ceramic materials between the late 1920s and the early 1970s,with particular attention to applications in the Milanese context.Milan represents the main laboratory for experimenting with the figurative,plastic and chromatic potential of modern ceramic surfaces.The analysis of archival documentation preserved at the CSAC Archive in Parma,the Gio Ponti Archives in Milan and the Archivio Progetti at the Iuav University of Venice allows for a deeper understanding of the design path at different scales,from the design of specific lines of ceramics for industry,to their application in buildings.The second part of the analysis is aimed at tracing the conservation problems of ceramic surfaces,with the aim of highlighting both the cultural and technical aspects that are affecting the conservation of this heritage.Connected to the latter aspect is a focus on the principal deterioration phenomena of modern ceramic surfaces related to different types of substrates,providing in-depth knowledge that opens up new strategies for their conservation.
文摘自从新世纪初,IDF连续以'Advancing The Digital Universe'作为技术论坛的主题诉求与宣示。其实,这也没有什么好稀奇的,重点是数字化的时代,不停地在滚动,倡导数字化的生活型态也有一段光阴。历史悠久的消费性电子展CES 2003所呈现的就是数字信息内容内在的极致表现,谁能掌握'Digital Content'的霸权、主控内容的规格,宛如掌控媒体,谁就是王。君不见,数字影音的规范满天飞。
