The paper focuses on music of the contemporary Arab-Anglican communities in Israel in their dynamics over the last years. The analysis is based on field recordings and other ethnography collected by the author in 2006...The paper focuses on music of the contemporary Arab-Anglican communities in Israel in their dynamics over the last years. The analysis is based on field recordings and other ethnography collected by the author in 2006-2011. The music of the contemporary Arab-Anglican churches in Israel comprises different styles, which might be decoded as indices of group identity, and transmits different signifiers of belonging to diverse branches of the contemporary world Anglican tradition. A remarkable feature of this Christian community is the ongoing shift of subaltern identities when their most ＂Western＂ component--association with a particular sub-division of the Church--receives its musical expression by means of ＂local motif＇, that is, the tunes associated with regional repertories. The dynamics of ethno-religious identity of Arab-Anglicans in Israel manifests itself through several tendencies, such as ecumenical tendency and some other trends. Though the study is situated in the context of an interdisciplinary academic discourse, music is the main text addressed. ＂Reading＂ this music allowed the author to uncover tenets, trends, and interrelations within the communities under study.展开更多
Lasting until this day,Matsu culture has occupied its unique position in the long river of history with its endless vitality.The lengthy historical development of Matsu culture is accompanied by the immigration waves ...Lasting until this day,Matsu culture has occupied its unique position in the long river of history with its endless vitality.The lengthy historical development of Matsu culture is accompanied by the immigration waves of Chinese,and their awakening of awareness for modern country and ethnicity;and the 19th century is the period for Matsu believers in Nanyang to transit from a group with shared business,dialect,and geological position to an ethnicity group with shared culture identity.This article explores the dynamic transition of the boundary of Matsu believers in Nanyang Chinese society by analyzing a variety of materials,including memoirs written by missionaries of London Missionary Society who went to Nanyang for preaching in the early 19th century as well as periodicals they founded there,remains of inscriptions written in Chinese dating back from middle to late 19th century,and Nanyang newspapers and publications written in Chinese at the end of 19th century.It finds that during that process,the transition of Matsu worship is closely linked to the transition of Nanyang Chinese society and corresponds to the gradual formation of awareness of country and ethnicity among Nanyang Chinese.展开更多
文摘The paper focuses on music of the contemporary Arab-Anglican communities in Israel in their dynamics over the last years. The analysis is based on field recordings and other ethnography collected by the author in 2006-2011. The music of the contemporary Arab-Anglican churches in Israel comprises different styles, which might be decoded as indices of group identity, and transmits different signifiers of belonging to diverse branches of the contemporary world Anglican tradition. A remarkable feature of this Christian community is the ongoing shift of subaltern identities when their most ＂Western＂ component--association with a particular sub-division of the Church--receives its musical expression by means of ＂local motif＇, that is, the tunes associated with regional repertories. The dynamics of ethno-religious identity of Arab-Anglicans in Israel manifests itself through several tendencies, such as ecumenical tendency and some other trends. Though the study is situated in the context of an interdisciplinary academic discourse, music is the main text addressed. ＂Reading＂ this music allowed the author to uncover tenets, trends, and interrelations within the communities under study.
文摘Lasting until this day,Matsu culture has occupied its unique position in the long river of history with its endless vitality.The lengthy historical development of Matsu culture is accompanied by the immigration waves of Chinese,and their awakening of awareness for modern country and ethnicity;and the 19th century is the period for Matsu believers in Nanyang to transit from a group with shared business,dialect,and geological position to an ethnicity group with shared culture identity.This article explores the dynamic transition of the boundary of Matsu believers in Nanyang Chinese society by analyzing a variety of materials,including memoirs written by missionaries of London Missionary Society who went to Nanyang for preaching in the early 19th century as well as periodicals they founded there,remains of inscriptions written in Chinese dating back from middle to late 19th century,and Nanyang newspapers and publications written in Chinese at the end of 19th century.It finds that during that process,the transition of Matsu worship is closely linked to the transition of Nanyang Chinese society and corresponds to the gradual formation of awareness of country and ethnicity among Nanyang Chinese.
