Self-producing marketing is a kind of classical and effective marketing measure;recently it has drawn more and more attention and won wider application.This paper will start from Britain's prince William's wed...Self-producing marketing is a kind of classical and effective marketing measure;recently it has drawn more and more attention and won wider application.This paper will start from Britain's prince William's wedding on April 29th,2011 and analyze the self-producing marketing in marriage.Moreover,adjusted to the current marketing environment,the paper will forecast the development trend of self-producing.展开更多
Compared with pure literature,Liu Cixin's science fiction novels show a high degree of novelty.Due to his creative accommodation of third world experience and the Chinese cultural spirit of the 1950-70s,he is able...Compared with pure literature,Liu Cixin's science fiction novels show a high degree of novelty.Due to his creative accommodation of third world experience and the Chinese cultural spirit of the 1950-70s,he is able to challenge the universal hegemony of the Enlightenment.The deep feelings of Liu Cixin's novels come from the"guerrilla"character of third world intellectuals who resisted colonization and guarded the country,a resistance derived from China's vanguard position in the third world independence movement.Liu Cixin's continuous writing of the story of weakness over power is not only a response to China's modern and contemporary situation,but also a borrowing from the revolutionary experience to imagine the possibility of another world for readers of thepost-revolutionary era.展开更多
The controversy over the partial demolishment of the Nangang Bottle Cap Factory for redevelopment is a prime example of the ongoing public debate about urban renewal in Taipei. The controversy crystalizes the tension ...The controversy over the partial demolishment of the Nangang Bottle Cap Factory for redevelopment is a prime example of the ongoing public debate about urban renewal in Taipei. The controversy crystalizes the tension between a growing public desire for historical preservation in Taipei to safeguard shared history and restore collective memory, and profit-driven capitalistic development. The transformation of the factory over the past decade--from disused public property to a city-operated Urban Regeneration Station for fostering art and innovation, and finally to a demolition site that is being readied for new construction--illustrates the tug of war between the exigencies of cultural/historical preservation and urban renewal in Taipei. During the process, not only did citizen activists play a maior role in raising the public＇s awareness of the unique value of the Nangang Bottle Cap Factory as one of the last major relics of Taipei＇s industrial heritage, graffiti artists also created works in the abandoned factory that dialogued about its contested future under a neoliberal capitalist regime. By tracing the origins of the controversy, I argue, through a photo documentation of the accumulated graffiti inside the factory before demolition began, that the factory ＂ruin＂ has functioned as a theater for diverse forms of guerrilla urbanism, including engaged art, urban exploration, and community organization.展开更多
文摘Self-producing marketing is a kind of classical and effective marketing measure;recently it has drawn more and more attention and won wider application.This paper will start from Britain's prince William's wedding on April 29th,2011 and analyze the self-producing marketing in marriage.Moreover,adjusted to the current marketing environment,the paper will forecast the development trend of self-producing.
文摘Compared with pure literature,Liu Cixin's science fiction novels show a high degree of novelty.Due to his creative accommodation of third world experience and the Chinese cultural spirit of the 1950-70s,he is able to challenge the universal hegemony of the Enlightenment.The deep feelings of Liu Cixin's novels come from the"guerrilla"character of third world intellectuals who resisted colonization and guarded the country,a resistance derived from China's vanguard position in the third world independence movement.Liu Cixin's continuous writing of the story of weakness over power is not only a response to China's modern and contemporary situation,but also a borrowing from the revolutionary experience to imagine the possibility of another world for readers of thepost-revolutionary era.
文摘The controversy over the partial demolishment of the Nangang Bottle Cap Factory for redevelopment is a prime example of the ongoing public debate about urban renewal in Taipei. The controversy crystalizes the tension between a growing public desire for historical preservation in Taipei to safeguard shared history and restore collective memory, and profit-driven capitalistic development. The transformation of the factory over the past decade--from disused public property to a city-operated Urban Regeneration Station for fostering art and innovation, and finally to a demolition site that is being readied for new construction--illustrates the tug of war between the exigencies of cultural/historical preservation and urban renewal in Taipei. During the process, not only did citizen activists play a maior role in raising the public＇s awareness of the unique value of the Nangang Bottle Cap Factory as one of the last major relics of Taipei＇s industrial heritage, graffiti artists also created works in the abandoned factory that dialogued about its contested future under a neoliberal capitalist regime. By tracing the origins of the controversy, I argue, through a photo documentation of the accumulated graffiti inside the factory before demolition began, that the factory ＂ruin＂ has functioned as a theater for diverse forms of guerrilla urbanism, including engaged art, urban exploration, and community organization.
