Investigation on the Concept of Local Aesthetic Experience in Chinese Context

Aesthetic anthropology is a new paradigm of the modem aesthetic research of China. Professor Wang Jie and his research team put forward the concept of local aesthetic experience in the process of research. The concept is used to summarize and refer to the existing way and existing form of non-westem mainstream culture in aesthetic dimension under global context. Local aesthetic experience converges many important problems in the research on aesthetic anthropology

Analysis of Modem Art Design Context innovation and aesthetics

The design is a cultural activity. The design always influences all aspects of our daily lives, as large as the country＇s politics, economical reform and development, as small as the necessities of daily life. All the designs mentioned here consist of both sensual activities of art and the rational activities of science. ＂Design is also a culture＂. Design is a culture-based, which means to absorb nutrients from the culture. Whether in ancient or modem, East or West, design is always to have a certain culture. Design and culture interrelate with, influence and promote each other. We humans live in a designed cultural environment and atmosphere which is constantly being designed. The design has become a way for human survival and development. Works of our designers are no longer just a product, a brand, a package, a poster or a building, but design of a new lifestyle, a new culture, which are a reflection, expansion and continuation of the culture. The design itself is creating culture.

Research on the Development Trend of Chinese Traditional Music Art from the Perspectives of Aesthetic and Historical Culture

In this paper, we conduct research on the development trend of Chinese traditional music art from the perspectives of aesthetic and historical culture. In the ancient Chinese aesthetic tradition, ＂peace＂ music aesthetic of music practice has the extremely important influence, not only affect the music creation, performance, appreciation that also affect the music form and content, social function, etc. ＂peace＂ as beauty is the core of the ancient music esthetics thought, so to speak. Chinese music culture while constantly in the long course of history, the Chinese music culture of different nations, but as a precocious and has a long history of nation, he has a great ability, that is both absorb different music culture, and unified as the relatively stable whole music culture and maintain their own basic features, and distinguish it from other music culture.

Heritage Communities in Consumer Contexts Spatial Production of Tourism Research-Take Qixian Zhao Yu Historical City as an Example

Taking Zhaoyu Historical City in Qixian County as an example,this paper explores the production process of tourism space in Zhaoyu Historical City in the context of consumption,based on Lefebvre's triadic dialectic theory.The study reveals that,driven by the development of tourism,subjects such as the government and planners possess absolute dominance over spatial representations,while residents demonstrate receptive and adaptive action strategies and social relations are reproduced,presenting a harmonious state.Further exploring the tourism community in the environmental performance of the subject of action,social relations,consumption demand,daily life practice,cultural capital,etc.,the daily life practice of the tourism community has transcended the original logic of tourism spatial production and has a certain extension.The mechanism analysis in this paper can help guide the healthy development of tourism space in the neighboring historical cities or communities and achieve the dual purpose of promoting the economic development of the community and heritage protection.

Evaluation of fitness of design in urban historical context： From the perspectives of residents

Historic city cores in many countries either fell into neglect or suffered from harmful developments. Due to a variety of reasons, conservation projects failed to preserve sociocultural assets of historic environments. One of these reasons is that experts who involve in the development of historical context completely disregard the communities in such historic areas or their inhabitants. This paper Looks into residents＇ preferences on infiU design projects as part of urban development in historical contexts. It aims to investigate preference ratings of those residents who Live in urban historical context in terms of the quality of new infill design and its relationship to the historical surroundings. This research attempts to evaluate the best design strategies from the point view of the residents as well as the effects of cognitive properties on their preferences. Methodologically, a case study approach was adopted with 204 residents as participants in this survey. The contributive elements that are essential to the quality of fitness are identified through quantitative analysis. The findings of this research indicate that the most preferred design strategies are ＂Literal Replication＂ and ＂Invention within Style＂ from the perspective of the residents, who prefer, to a greater degree, new buildings in historical context replicating something from their surroundings. These findings are useful to experts and major organisations to conduct successful infill development, with consideration of the perceptions of the residents on the changes in their historical context.

Sensuous Past: Historical Imagination and Transmedia Aesthetics in Modern China

This paper examines the visual representation of the famous poem The Song of Everlasting Sorrow in modern China.Painted by Li Yishi in 1929,this sequential set of paintings was based on the Tang poet Bai Juyi's poem,written under the same title.First shown at the National Art Exhibition in Shanghai and then published as an illustrated book in 1932,Li's work rekindled public imagination of the tragic romance.Li's choice of subject,format,as well as style and its mixed reviews raise crucial questions regarding the notion of realism and the authenticity of historical representation.This paper argues that Li's work revealed new transmedia aesthetics and cross-cultural fascination with China's past that shaped the cultural identity of East Asia in the early twentieth century.

The Modernization of Small Town and the Continuation of Historical Context

In the process of criticizing complete westernization,the traditional culture and national culture have gained theirdeserved positions.However.it is still under discussion whether or not all the traditional culture should be encouragedand whether the enhancement of national culture means the advocation of traditional culture or not.It is generally heldthat feudalism dominates the former while the latter is dominated by socialism.In the course of strengthening spiritualcivilization the encouragement of the national culture will not be simply achieved by restoring fragments of ancientways,let alone the issues of rejecting the dross and assimilating the weeding through the old to bring forth the new inthe field of carrying forward the traditional culture.The author points out,through profound study in planning,modernization is not westernization,historical context is not simply the reappearance of the past and continuation isnot carrying on as before.

Historical and Geographical Context

Vastly different paths befell East and West in history.Conquests character-ized the long,historical corridor of Europe in its passage from the ancient slave so-ciety to the modern capitalist age.This appears to have much to do both with Eu-ropean geographical fragmentation,which made it difficult to form an

Inheritance of Historical Block Context Based on the Theory of Place Spirit:A Case Study of Nanjing Confucius Temple Historic Block

In the context of“stock planning”,the conservation planning of historic blocks and features has become one of the important issues in recent years,which is also of great significance for the regeneration of architectural heritage value.Based on the theoretical support of Norberg Schulz’s“place spirit”,this paper takes Nanjing Confucius Temple Historic Block as an example to interpret the application of“place spirit”in the protection and renewal of historic block and the inheritance strategy of historical block context.

The Escape in Trauma and Return for Belongings in Shanghai Girls Under the Historical and Social Background

Under the social and historical context,the deep reasons of the two sisters escaping from their hometown and nation are discussed due to the social background,motivation,destination,route,which reflects people’s yearning for a peaceful life and the excavation of their self-courage trampling of the iron hoof of war.That’s a further sign of sisterhood.Then the personal attitudes and choices of the two sisters are analyzed as well as the return in various meanings,including the ultimate return of Pearl to the family after physical trauma,return to Chinese culture after dreaming of a“good life”in America,so as to pursue the essential return of the adopted daughter to China,etc.This kind of root-seeking exploration of the protagonists forces them to“return”in various meanings and connects the East with the West,which also symbolizes the attempt to merge their own ethnic identity.Chinese-American writers make a bold attempt to define and integrate their ethnic background of social history and make a bold attempt on the definition and integration of ethnic identity.

The Display and Utilization System of Historic Culture in Small Towns from the Perspective of Context: A Case Study of Luojiang District, Deyang City

The display and utilization of historic culture are one of the ways for towns to manifest characteristics, carry forward traditions, and promote competitiveness. As the important part of urban conservation planning, it is also a hot point in the theoretical research on the historic town protection in China. The "context" of towns refers to the essential connection between human being, natural environment, built environment, and social cultural background in the course of historical development and specific conditions. From the perspective of context, this paper put forward construction strategies for the display and utilization system of historic culture combined with the current situation of historical protection of small towns. Historical changes and contextual elements were analyzed based on the literature research and field investigation of Luojiang District to carry out the design of historical and cultural display structures, tour routes, and presentation modes.

图书馆史研究与编纂的历史逻辑

文章以历史观为出发点,在前人有关图书馆史研究与编纂研究的基础上,提出史料、史迹、史境、史脉、史识的历史逻辑理论;以中山大学图书馆百年馆史研究与编纂的实践为案例,从立足史料、呈现史迹、再现史境、传承史脉、端正史识五个方面系统阐释“五史”理论在实践中的具体运用,助益新时代图书馆史研究与图书馆史志编纂发展。

On the Research Methodology of the Thoughts of Marx -- From Historical Restoration to Fusion of Horizons

Through the centurial research upon the thoughts of Marx,there is a turning from historical restoration to fusion of horizons,which is closely related to the research methodology of the thoughts of Marx as well as the big change of the academic study,economy and society.To have a better understanding of Marxism,communication between readers and authors,integration of the theory and practice are necessary.Besides,we should distinguish academic study from politics,definition from significance,and genuine knowledge from misunderstanding.Different researchers study Marxism from different aspects and in different historical contexts,thus forming different images of Marx and different understandings of Marxism.Therefore,research upon the thoughts of Marx and Marxism cannot be completed once and for all.

自然疗愈体系的当代发展及公共健康服务潜力

【目的】探讨自然疗愈(nature-based intervention,NBI)体系作为现代医疗技术的辅助手段在公共健康服务方面的应用潜力并提出未来展望。【方法】通过对自然疗愈蕴含的人类思想脉络和历史发展的梳理,界定自发的疗愈行为与专业化的自然疗法(nature-based therapy,NBT)的界限,揭示自然疗愈体系由民间自发的、依靠自然医学的疗愈方法,演化成为现代专业化、系统化医疗技术辅助手段的社会动因和运行机制,进一步归纳不同国家医疗照护机构中自然疗愈体系的分布与特点。【结果】结合欧美国家自然疗愈重要理论模型,进一步解析自然疗愈作用机制和广泛的健康效能,以及实施场所和服务人群。从历史演变及当代发展趋势来看,自然疗愈体系源自朴素的自然医学和民间传统,有着广泛的社会实施基础,在现代医疗技术的进步和社会需求的变化中,显示出更强大的生命力,具有天然的“平医”结合的良好背景。【结论】自然疗愈体系充分地利用了人与自然环境的同一性和基因同源性,在不同的历史进程中均获得了人类的青睐,成为一种低成本、高产出且科学便捷的疾病恢复和健康促进手段。基于循证研究,建立科学的分类、分级体系,形成完善的园艺实操模块和干预流程,自然疗愈将具有巨大的优势,有望成为人类未来潜在的非药物治疗或替代医学方法。

广州传统城市景观营建智慧研究

中国传统城市景观营建智慧是彰显中华文明独特性与文化多样性的审美文化表达。广州特殊的地理位置演变出辐射整个岭南的独特景观营建模式,表现出各朝代景观特色与观景偏好,记载了不同时期自然景致与人文思想的碰撞交融。文章对宋朝至清朝时期广州传统城市景观营建变迁展开研究,系统阐释了影响区域城市景观营建的多尺度多维度因素。借鉴审美适应性理论从山水演变、形胜认识、空间布局等方面阐释基于营建主体的广州传统城市景观营建智慧。文章对解读和传承中华城市景观营建传统具有理论与实践的探索意义。

积极的阐释与消极的阐释

文本解读是人文学科的基本方法,文学阐释的很大一部分是对文学文本的阐释。“积极的阐释”与“消极的阐释”是文学阐释的两种理论姿态。“积极的阐释”频繁出场不仅是由于现代阐释学的转向,而且与理论的推动存在密切关系。文学之所以成为“积极的阐释”最为活跃的一个区域,很大程度上是因为阐释的理性语言与感性体验不对称。“积极的阐释”放弃文本的有机整体观念,并时常跨越审美愉悦的羁绊而另行制造各种新的话题。“历史语境”既是阐释发生变化的依据,也是阐释稳定持续的依据。多数“积极的阐释”作为失败的思想实验而沉没,而少数“积极的阐释”则可能充当某种文化革命的先声。

超越历史—社会情境决定论:基于仪式传播思想起源的考察

根据曼海姆的知识社会学关于知识起源的理论,人文社会科学知识是由社会生存环境决定的,知识本身的发展逻辑和个人的创造性作用不大。在运用曼海姆的理论观点检视仪式传播思想的起源时,的确不难发现历史—社会情境的决定性作用;但这种解释是不充分的,仪式传播思想既有的研究基础和内在发展逻辑,以及研究者的独创性也发挥重要作用。问题的根源在于,在阐释社会与知识的关系时,知识社会学过于强调社会单方面对知识的决定性,知识完全是被动的,而忽视了知识对社会的能动性。仪式传播思想起源的历史—社会情境决定论忽视了仪式传播思想对社会的渗透和建构,只有超越历史—社会情境决定论,才能理解仪式传播思想的确切起源。

政治哲学:“有历史的”抑或“非历史的”?

接续近代历史主义传统,当代政治哲学出现了“有历史的”和“非历史的”两种进路的分野。以政治理论中的剑桥学派和施特劳斯学派为例,分歧集中于以下三个问题。第一,存在终极永恒的真理,还是说历史之外无真理?第二,是向上追求智慧和至善,还是向下照顾平庸和人的欲望?第三,是将政治哲学锚定于“积极生活”,还是坚持认为政治哲学乃是一种“消极生活”?分歧最终表现为:是在有朽的世俗世界谈论世俗化的政治,还是从全能者视角出发追求超越性的恒久真理与至善?凡此种种,最终造就了两条进路的理论差异,同时也必将涉及两者对于人的欲望动机、理性筹划等观念,以及灵性和信仰在人类生活中的地位和作用等问题的判摄差异。

历史流变中的古代琴桌形制与审美特征考析

琴桌作为专门放置古琴的家具,是弹奏者演绎美妙乐音不可或缺之物。自古,琴桌为琴而生,因琴而美,古琴的意韵也因为琴桌而变得更加完整优美,谈及琴桌本身,不仅形制俊秀雅致,更是文化与艺术的载体。但是,与古琴的研究相比,琴桌的研究则非常少。以此为因,在文献、古画和实物中搜寻与挖掘在历史流变中古代琴桌文化的踪迹,通过历史文献研究法、图像分析法、实物比对法,以及综合调研法等,对古琴及琴桌的溯源、历史流变进行系统梳理,并总结出中国古代琴桌的形制变化和审美内涵。希望通过这样的探究与分析,能给中国古代琴桌文化的研究提供更有益的借鉴与参考。

论人与自然和谐共生的现代化理念的四重内蕴

人与自然和谐共生的现代化是中国式现代化的重要内涵,是我们党运用唯物史观将马克思主义生态思想与我国具体国情相结合的创新选择,它具有四重深刻内蕴,构成了中国式现代化“时代精神的精华”。在社会历史图景上,它描绘了物役世界发生的生态危机,提示人们在社会发展的生态限度与资本限度之间保持内在的张力和平衡。在基本逻辑上,它构筑了以“历史与实践”为核心的内涵逻辑,推动人们从资本逻辑转向生态逻辑,追求生命共同体的存在模式。在思维方式上,它主张破除两极对立的思维方式,寻求人与自然关系的辩证的、历史的和解,重建现代生活的美学标准。在价值取向上,它倡导人们从终极性的价值追求转向顺序性的、历史性的价值选择,实现“时代性”与“人类性”的统一。人与自然和谐共生的现代化以“中国特色”拓展了人类构建现代化的方案,推进了人类构建生态文明的道路。