In this paper, the author focuses on the ecourbarchitectonic physical structures created after year 2000, whose artistic-esthetic value has an iconological character. An entirely new approach in formation of the facad...In this paper, the author focuses on the ecourbarchitectonic physical structures created after year 2000, whose artistic-esthetic value has an iconological character. An entirely new approach in formation of the facade and roof planes as well as of the forms of structures whose appearance resemble sculptural creations has been analyzed. The buildings from all over the world, with different functions contents, indicate a tendency of a different understanding of interpretation of physical structures and correlation with natural and artifact environment. Water surfaces and vegetative material contribute to an effective, cultural, majestic impression of engineering-technological philosophy of city building. The examples in the paper suggest the obvious need of radical changing of the way of thinking in the application of the design strategy in conceptualization of urban agglomerations, and essentially important, conceptually inspired metabolic of relationships among the spatial structures. The world entered new non-globalization trends of creation of the city memory, of the new iconically, symbolically strong, non-cliché, non-standard forms which define the contemporary cultural-artistic and historical identity of macro-ambient entities. This is a good and encouraging sign.展开更多
Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relati...Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relatively outstanding theoretical objectives. In this regard, philosophy of culture aims at a general understanding of man through cultural symbols which in themselves are not the end of the research. Using the research methodology of historical science, philosophy of culture attempts to understand man as a non-continuous and heterogeneous being. The theoretical objective of philosophy of culture is the criticism and reconstruction of cultural patterns with cultural symbols at their core.展开更多
文摘In this paper, the author focuses on the ecourbarchitectonic physical structures created after year 2000, whose artistic-esthetic value has an iconological character. An entirely new approach in formation of the facade and roof planes as well as of the forms of structures whose appearance resemble sculptural creations has been analyzed. The buildings from all over the world, with different functions contents, indicate a tendency of a different understanding of interpretation of physical structures and correlation with natural and artifact environment. Water surfaces and vegetative material contribute to an effective, cultural, majestic impression of engineering-technological philosophy of city building. The examples in the paper suggest the obvious need of radical changing of the way of thinking in the application of the design strategy in conceptualization of urban agglomerations, and essentially important, conceptually inspired metabolic of relationships among the spatial structures. The world entered new non-globalization trends of creation of the city memory, of the new iconically, symbolically strong, non-cliché, non-standard forms which define the contemporary cultural-artistic and historical identity of macro-ambient entities. This is a good and encouraging sign.
文摘Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relatively outstanding theoretical objectives. In this regard, philosophy of culture aims at a general understanding of man through cultural symbols which in themselves are not the end of the research. Using the research methodology of historical science, philosophy of culture attempts to understand man as a non-continuous and heterogeneous being. The theoretical objective of philosophy of culture is the criticism and reconstruction of cultural patterns with cultural symbols at their core.
