莫里茨·盖格作为现象学运动中著名的“慕尼黑与哥廷根圈子”(The Munich and G?ttingen Circles)的重要成员,他对同感(Einfühlung/Empathy)的现象学分析逐渐被学界重视,被视为一种理解内外的自我、自我与对象重要的策略。盖...莫里茨·盖格作为现象学运动中著名的“慕尼黑与哥廷根圈子”(The Munich and G?ttingen Circles)的重要成员,他对同感(Einfühlung/Empathy)的现象学分析逐渐被学界重视,被视为一种理解内外的自我、自我与对象重要的策略。盖格的同感论向我们展开了几个重要的问题:其一,同感现象首先涉及一种“事实问题”,即当我们意识到外在的自我时,我们在意识中体验到的是什么样的现象?其二,联想理论与同感理论有何差异,我们是通过类比归纳还是直接将自己同感到他人来理解他人的经历?其三,同感的动机,单一经验的同感行为与反思性的重新体验的内在动机有什么联系,这种内在动机又如何了他者伴随发生的心理现象。进一步地,这种同感理论有助澄清人类与非人类的对象(普通对象与审美对象)的经验,从而更好地确立审美情感的特殊性。而盖格对这些核心问题的探索构成他了对现象学美学的核心贡献。展开更多
Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,ph...Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,phenomenology provides efficient opportunities for questioning and appropriating the meaning of musical works in their complexity,depth,and dynamics.Although music is considered to be the universal language to most people,this art form(of sounds organized in melody,harmony,rhythm,texture,“color”,temporality,etc.)raises serious difficulties when it is theoretically approached in view of a better knowledge and comprehension.A hermeneutic phenomenological analysis can lead us to deciphering much more as regards the“aesthetic object”,which herein is a musical composition signed by Rodion Shchedrin.The“object”of contemplation is“Balalaika”for violin solo pizzicato.It is an uncommon piece of contemporary music we will tackle by applying the phenomenological perspective belonging to Anna-Teresa Tymieniecka.In this essay,we try to emphasize part of the inspiring potential“phenomenology of the ontopoiesis of life”that shows for living and grasping the sense of a peculiar encounter;the perceiving subject does experience with an expression of the art that exactly took its name from the“Muses”.And it matters the more so as the aesthetic experience is articulating together with an ethical,very own human,one.展开更多
Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry a...Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry and paintings, among others.展开更多
文摘莫里茨·盖格作为现象学运动中著名的“慕尼黑与哥廷根圈子”(The Munich and G?ttingen Circles)的重要成员,他对同感(Einfühlung/Empathy)的现象学分析逐渐被学界重视,被视为一种理解内外的自我、自我与对象重要的策略。盖格的同感论向我们展开了几个重要的问题:其一,同感现象首先涉及一种“事实问题”,即当我们意识到外在的自我时,我们在意识中体验到的是什么样的现象?其二,联想理论与同感理论有何差异,我们是通过类比归纳还是直接将自己同感到他人来理解他人的经历?其三,同感的动机,单一经验的同感行为与反思性的重新体验的内在动机有什么联系,这种内在动机又如何了他者伴随发生的心理现象。进一步地,这种同感理论有助澄清人类与非人类的对象(普通对象与审美对象)的经验,从而更好地确立审美情感的特殊性。而盖格对这些核心问题的探索构成他了对现象学美学的核心贡献。
文摘Centered on describing,understanding,and interpreting conscious experiences lived by the subject open to objects of various kinds,in the endeavour to catch some of the meaning of life,finally,in particular contexts,phenomenology provides efficient opportunities for questioning and appropriating the meaning of musical works in their complexity,depth,and dynamics.Although music is considered to be the universal language to most people,this art form(of sounds organized in melody,harmony,rhythm,texture,“color”,temporality,etc.)raises serious difficulties when it is theoretically approached in view of a better knowledge and comprehension.A hermeneutic phenomenological analysis can lead us to deciphering much more as regards the“aesthetic object”,which herein is a musical composition signed by Rodion Shchedrin.The“object”of contemplation is“Balalaika”for violin solo pizzicato.It is an uncommon piece of contemporary music we will tackle by applying the phenomenological perspective belonging to Anna-Teresa Tymieniecka.In this essay,we try to emphasize part of the inspiring potential“phenomenology of the ontopoiesis of life”that shows for living and grasping the sense of a peculiar encounter;the perceiving subject does experience with an expression of the art that exactly took its name from the“Muses”.And it matters the more so as the aesthetic experience is articulating together with an ethical,very own human,one.
文摘Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry and paintings, among others.
