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Connecting with Jackie Chan
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《ChinAfrica》 2012年第6期50-50,共1页
At this stage of your career, what's important to you? What can audiences expect from you? I keep telling my students that we should really do stunts ourselves rather than having a stuntman stand-in, because I like... At this stage of your career, what's important to you? What can audiences expect from you? I keep telling my students that we should really do stunts ourselves rather than having a stuntman stand-in, because I like everything to be real for the audience. 展开更多
关键词 Connecting with jackie Chan
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长笛与大提琴的交响与同构——试论电影《Hilary and Jackie》的乐器喻象
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作者 王爱苹 《大舞台》 北大核心 2014年第3期129-130,共2页
电影《Hilary and Jackie》中,两位主演Hilary与Jackie各自所演奏的乐器长笛与大提琴是影片的核心喻象,它们与姐妹俩的性格、命运构成了一种微妙的同构关系,同时也与剧情结构密切呼应。这种喻象的同构作用有着中国艺术理论及西方格式塔... 电影《Hilary and Jackie》中,两位主演Hilary与Jackie各自所演奏的乐器长笛与大提琴是影片的核心喻象,它们与姐妹俩的性格、命运构成了一种微妙的同构关系,同时也与剧情结构密切呼应。这种喻象的同构作用有着中国艺术理论及西方格式塔心理学的共同支撑,这一点也能够从乐器的特质与性格上得到说明。它很好地实现了电影元素对整部影片的强化作用,同时又将电影音乐的功效再一次地展示了出来。 展开更多
关键词 《Hilary and jackie 长笛 大提琴 异质同构
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专注是一杯酒最美的味道——访世界著名调酒师、祁连冰谷冰酒调酒师jackie ho
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《优品》 2009年第10期154-155,共2页
下午三点,北京初秋午后熹微的阳光暖暖地打在前门23号Fez Bar的露天吧台上,这个安静的午后并不是喝酒的最佳时间,但却是近距离欣赏jackie调酒的最佳机会。对于调酒师大赛香港排名第一、亚洲排名第五、世界排名第八的jackie来说,花哨的... 下午三点,北京初秋午后熹微的阳光暖暖地打在前门23号Fez Bar的露天吧台上,这个安静的午后并不是喝酒的最佳时间,但却是近距离欣赏jackie调酒的最佳机会。对于调酒师大赛香港排名第一、亚洲排名第五、世界排名第八的jackie来说,花哨的调酒动作早就无法满足他对于调酒艺术的追求,专注于酒味本身的完美结合,才是他前进的动力。这次午后的演绎,灵感来源于金秋暖金色的阳光、丰盈的果香与两款中国本土酿造的醇美冰酒。 展开更多
关键词 调酒师 jackie HO 一杯酒 灵感来源 名第 甘肃祁连山 酒调 君度 果香 加冰
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Jacky Chen:Charity Also a Way of Social Responsibility
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作者 Shang Lin’aiyi 《China Textile》 2007年第10期7-7,共1页
On September, 19th, the crown of the year,a textile & apparel fair was successfully held in Shizhong District, Zaozhuang City, Shangdong Province.
关键词 CHEN Jacky Chen
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Computer-animated stimuli to measure motionsensitivity: constraints on signal design in theJacky dragon 被引量:2
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作者 Kevin L. Woo Guillaume RIEUCAU Darren BURKE 《Current Zoology》 SCIE CAS CSCD 2017年第1期75-84,共10页
Identifying perceptual thresholds is critical for understanding the mechanisms that underlie signalevolution. Using computer-animated stimuli, we examined visual speed sensitivity in the Jackydragon Amphibolurus muric... Identifying perceptual thresholds is critical for understanding the mechanisms that underlie signalevolution. Using computer-animated stimuli, we examined visual speed sensitivity in the Jackydragon Amphibolurus muricatus, a species that makes extensive use of rapid motor patterns in so-cial communication. First, focal lizards were tested in discrimination trials using random-dot kine-matograms displaying combinations of speed, coherence, and direction. Second, we measuredsubject lizards' ability to predict the appearance of a secondary reinforcer (1 of 3 differentcomputer-generated animations of invertebrates: cricket, spider, and mite) based on the directionof movement of a field of drifting dots by following a set of behavioural responses (e.g., orientingresponse, latency to respond) to our virtual stimuli. We found an effect of both speed and coher-ence, as well as an interaction between these 2 factors on the perception of moving stimuli.Overall, our results showed that Jacky dragons have acute sensitivity to high speeds. We then em-ployed an optic flow analysis to match the performance to ecologically relevant motion. Our resultssuggest that the Jacky dragon visual system may have been shaped to detect fast motion. Thispre-existing sensitivity may have constrained the evolution of conspecific displays. In contrast,Jacky dragons may have difficulty in detecting the movement of ambush predators, such as snakesand of some invertebrate prey. Our study also demonstrates the potential of the computer-animated stimuli technique for conducting nonintrusive tests to explore motion range and sensitiv-ity in a visually mediated species. 展开更多
关键词 Amphibolurus muricatus Jacky dragon motion sensitivity random-dot kinematograms signal evolution virtualstimuli.
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