"When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one ..."When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one is Lottie, and the third one is Kezia. Kazia is the heroine of the story. When the marvellous house stood in the garden, the Burnell children sounded as though they were in despair.展开更多
In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield's death, Virginia Woolf confides that she "gave up" reading her literary rival's stories "because of their cheap sharp...In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield's death, Virginia Woolf confides that she "gave up" reading her literary rival's stories "because of their cheap sharp sentimentality". Woolf's observation invites us to question: is Mansfield a mere sentimentalist or is her characterisation technique misunderstood? The first section of this paper demonstrates that attributing Mansfield' works as "sentimental" is erroneous since Mansfield's strategy is to change the masks of her characters within her stories, revealed in her letters and journal entries. Following the first section of this paper, I aim to explore how Mansfield extends this strategy of changing masks in daily life to her fictional characters in "Je ne parle pas fran^ais" (1918) by equipping them with different types of masks--speech and facial expressions, gender, and animality--to respond to changes in their situations and toward the characters around them. Particularly important to this exploration are Joan Riviere's insights into gender in her article, "Womanliness as Masquerade", Michael Goldman's theory of masks in acting in his The Actor's Freedom: Toward a Theory of Drama and Gilles Deleuze and Felix Guattari's concept of "becoming-animal" in KaJka." Towards a Minor Literature.展开更多
Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful,...Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful, and sometimes cruelly pessimistic view of life. A Dill Pickle is one of her short stories published in 1917, describing the encounter between a young woman and a young man who have been lovers six years ago and their lost love and changes over the years. Short as it is, it is really worth our earful analysis and appreciation. This paper will comment on this short story from the following two aspects: a commont on the theme of the story; a comment on the writing technique of the story. The paper conludes that romantic love is dependent upon circumstances and the convergence of certain character traits at a particular time.展开更多
This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indic...This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indicate Katherine Mansfield's language in the shortfiction creates a poetic imagery; moreover, the author's words depicting things and portraying figures have a great influence on the ex-pression of the theme and characterization of the short story.展开更多
The Garden Party is one of the major short fictions of famous female writer Katherine Mansfield. In this work,the writer makes a profound reflection on the inequality in differentsocial classes and the truth of life. ...The Garden Party is one of the major short fictions of famous female writer Katherine Mansfield. In this work,the writer makes a profound reflection on the inequality in differentsocial classes and the truth of life. This paperwill focus on the research method of binary opposition. Through the study of binary oppositions in the text, thedeep themes and meanings will be clearly revealed.展开更多
As Mansfield’s representative masterpiece,The Garden Party contains her critique on the bourgeoisie.This essay argues that Laura Sheridan is assimilating into the bourgeoisie,taking up Mrs.Sheridan’s role as a matri...As Mansfield’s representative masterpiece,The Garden Party contains her critique on the bourgeoisie.This essay argues that Laura Sheridan is assimilating into the bourgeoisie,taking up Mrs.Sheridan’s role as a matriarch,while she is struggling with the waking sympathies on working class.By depicting the process of assimilating,along with the interference of aesthetics and politics,Mansfield reveals her critique on the bourgeoisie which shows indifference towards the lower class.展开更多
This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre,...This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre, the Bloomsbury short story has a claim to be an important aspect of the twentieth-century accounts of the short story form. Attention to Virginia and Leonard Woolf, Katherine Mansfield, Vita Sackville- West, E.M. Forster and others, such as Arnold Bennett and D.H. Lawrence, indicates their widespread engagement with the genre and the ways in which they treated it from fragmented conversation, as in Woolf s "The String Quartet," to Foster's employment of linear narrative detail in "The Road from Colonus." Formal experiments with syntax, imagery, and vocabulary and prose rhythm exhibit the seriousness of the short story for Bloomsbury authors. The influence of the Russians is particularly important with Che- kov dominating the reading and writing of Woolf, Mansfield, Lawrence and others. The very form of publication--mostly journals and magazines--is also crucial in shaping the length and structure of the short story. Attention to experimentation, as well as renewal, of the genre balances the impact of the short story on writers today and the question of a successor to the efforts and achievements of Bloomsbury's authors. A reading of the short stories of Julian Barnes explores this possibility.展开更多
文摘"When dear old Mrs. Hay went back to town after staying with the Burnells she sent the children a doll's house." There are three girls in the Burnells , one is Isabel---the eldest sister, the second one is Lottie, and the third one is Kezia. Kazia is the heroine of the story. When the marvellous house stood in the garden, the Burnell children sounded as though they were in despair.
文摘In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield's death, Virginia Woolf confides that she "gave up" reading her literary rival's stories "because of their cheap sharp sentimentality". Woolf's observation invites us to question: is Mansfield a mere sentimentalist or is her characterisation technique misunderstood? The first section of this paper demonstrates that attributing Mansfield' works as "sentimental" is erroneous since Mansfield's strategy is to change the masks of her characters within her stories, revealed in her letters and journal entries. Following the first section of this paper, I aim to explore how Mansfield extends this strategy of changing masks in daily life to her fictional characters in "Je ne parle pas fran^ais" (1918) by equipping them with different types of masks--speech and facial expressions, gender, and animality--to respond to changes in their situations and toward the characters around them. Particularly important to this exploration are Joan Riviere's insights into gender in her article, "Womanliness as Masquerade", Michael Goldman's theory of masks in acting in his The Actor's Freedom: Toward a Theory of Drama and Gilles Deleuze and Felix Guattari's concept of "becoming-animal" in KaJka." Towards a Minor Literature.
文摘Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful, and sometimes cruelly pessimistic view of life. A Dill Pickle is one of her short stories published in 1917, describing the encounter between a young woman and a young man who have been lovers six years ago and their lost love and changes over the years. Short as it is, it is really worth our earful analysis and appreciation. This paper will comment on this short story from the following two aspects: a commont on the theme of the story; a comment on the writing technique of the story. The paper conludes that romantic love is dependent upon circumstances and the convergence of certain character traits at a particular time.
文摘This paper analyzes the features of language in"The Garden-Party"of Katherine Mansfield from three aspects of sentencestructure, word selection and characters' discourse. A large number of examples indicate Katherine Mansfield's language in the shortfiction creates a poetic imagery; moreover, the author's words depicting things and portraying figures have a great influence on the ex-pression of the theme and characterization of the short story.
文摘The Garden Party is one of the major short fictions of famous female writer Katherine Mansfield. In this work,the writer makes a profound reflection on the inequality in differentsocial classes and the truth of life. This paperwill focus on the research method of binary opposition. Through the study of binary oppositions in the text, thedeep themes and meanings will be clearly revealed.
文摘As Mansfield’s representative masterpiece,The Garden Party contains her critique on the bourgeoisie.This essay argues that Laura Sheridan is assimilating into the bourgeoisie,taking up Mrs.Sheridan’s role as a matriarch,while she is struggling with the waking sympathies on working class.By depicting the process of assimilating,along with the interference of aesthetics and politics,Mansfield reveals her critique on the bourgeoisie which shows indifference towards the lower class.
文摘This article examines the importance of the short story form for the Bloomsbury writers and how their aesthetic theories influenced its composition, structure and content. Often overlooked in the history of the genre, the Bloomsbury short story has a claim to be an important aspect of the twentieth-century accounts of the short story form. Attention to Virginia and Leonard Woolf, Katherine Mansfield, Vita Sackville- West, E.M. Forster and others, such as Arnold Bennett and D.H. Lawrence, indicates their widespread engagement with the genre and the ways in which they treated it from fragmented conversation, as in Woolf s "The String Quartet," to Foster's employment of linear narrative detail in "The Road from Colonus." Formal experiments with syntax, imagery, and vocabulary and prose rhythm exhibit the seriousness of the short story for Bloomsbury authors. The influence of the Russians is particularly important with Che- kov dominating the reading and writing of Woolf, Mansfield, Lawrence and others. The very form of publication--mostly journals and magazines--is also crucial in shaping the length and structure of the short story. Attention to experimentation, as well as renewal, of the genre balances the impact of the short story on writers today and the question of a successor to the efforts and achievements of Bloomsbury's authors. A reading of the short stories of Julian Barnes explores this possibility.