Handpainted Craft-based Secondary Fabric Design of Home Textiles

With the popularization of vulgarized weaving, dyeing, and printing textiles, design of personalized home textiles based on redesign of fabrics has become a key research topic. The handpainted craft-based secondary fabric design of home textiles enhances artistic charm and additional value of products, brings new ideas to the design, and promotes the innovation of materials. Creative application and development of handpainted craft-based secondary fabric design of home textiles were explored from the perspectives of color theme, fabrics, and painting technique.

Research on the Fusion of Guangxi MiaoJin and Modern Arts and Crafts Design from the Perspectives of Aesthetic and Cultural Inheritance

In this paper, we conduct research on the fusion of the Guangxi MiaoJin and modem arts and crafts design from the perspectives of aesthetic and the cultural inheritance. From angles of folk embroidery patterns modelling characteristics are analyzed： include strong decorative and practical; the integrity of the vivid and concise; symbolic connotation deeply; simple random nature; handed down from generation to generation program. Discusses the forming characteristic of folk embroidery modelling is not an accidental phenomenon of art, but has a profound folk custom, economy, religion, and history of aesthetics, with typical regional culture characteristics. The research of folk embroidery in the status of folk art is of great significance. In the future, we will combine more literature review to optimize our current research and broaden the research boundary.

Parametric Design Used in the Creation of 3D Models with Weaving Characteristics

The art of weaving is an ancient and beautiful technique that never fades. Various weaving techniques and various totem patterns contain rich cultural connotations. The development of cultural and creative industries often uses existing environmental materials to deconstruct and use them in innovative ways to reinspire and present another style. With the rapid progress of computer-aided design technology, digital applications in the design practice has become an important element, and parametric design is the best popular design method in recent years. This paper is mainly in view of the weaving crafts in the traditional culture of the world occupies an important role, and the precious traditional weaving crafts gradually lost. Therefore, it is planned to construct a 3D model with knitting characteristics through a parametric design method, and print out the prototype through the 3D printing mechanism, that is, the traditional craftsmanship is integrated into the modern manufacturing process with innovative techniques, to show the new style of this weaving craft culture that is different from the past, so that it not only retain its inherent spirit, but also can promote this ideal of cultural creativity.

Recent Industrial Developments of Marine Composites Limit States and Design Approaches on Strength

To further exploit the potential of marine composites applications in building ship hulls,offshore structures,and marine equipment and components,design approaches should be improved,facing the challenge of a more comprehensive and explicit assessment of appropriately defined limit states.The structure ultimate/limit conditions shall be verified in principle within the whole structural domain and throughout the ship service life.What above calls for extended and reliable materials characterization on the one hand and for accurate and wide-ranging procedures in structural analyses.This paper presents an overview of recent industrial developments of marine composites limit states assessments and design approaches,as available in open literature,focusing on pleasure crafts and yachts as well as navy ships and thus showing a starting point to fill the gap in this respect.After a general introduction about composites characterization techniques,current design practice and rule requirements are briefly summarized.Both inter-ply and intra-ply failure modes and corresponding limit states are then presented along with recently proposed assessment approaches.Three-dimensional aspects in failure modes and manufacturing methods have been identified as the main factors influencing marine composite robustness.Literature review highlighted also fire resistance and hybrid joining techniques as significant issues in the use of marine composites.

A computation design method for architectural artifacts adapted from traditional Kagome bamboo basketry techniques

This study is a digital form-finding and manual fabrication experiment in woven architectural design,with one traditional weaving style,Kagome,used to scale the craft up into an architectural-scale bamboo woven artifact.Kagome is a trihexagonal pattern employed in traditional bamboo basketry as a triaxial weaving system,resulting in an object with a self-bracing capacity without the use of fasteners owing to its interlacing lattices.Although existing studies and tools have addressed triaxial weaving design and representation,the current consideration of the advantages of weaving with bamboo is insufficient.To address this research gap,this study develops a computational design method based on studies on bamboo basketry.This allows for the representation and exploration of design geometries using combinations of regular triangular meshes for the fabrication of Kagome woven bamboo artifacts.A full-scale mock-up was fabricated to evaluate the effectiveness of the method.The mock-up demonstrated the self-bracing properties of Kagome,but there were discrepancies between the mock-up and the design.Factors affecting bamboo weaving on an architectural scale have been identified within this study to inform future research on woven bamboo structures.

鄱阳脱胎漆器在现代文创设计中的开发策略探析

基于文创设计的文化与创意属性,从鄱阳脱胎漆器自身改良方面探析其在现代文创设计中的设计原则。文章立足于互联网时代与体验经济背景,探析鄱阳脱胎漆器文化传播策略,对优秀地域文化的传承与创新有着积极的现实意义。

反思中国设计史研究的时代特色

随着新版《研究生教育学科专业目录(2022年)》的公布,“设计学”被调整至“交叉学科”之中,“艺术学”门类内则保留“设计”专业,并且将“设计等历史﹑理论和评论研究”归入新的一级学科“艺术学”之内。新的“专业目录”对原“艺术学”内四大一级学科的调整,体现了迈入新时代以来进一步对艺术类专业学位发展的导向作用,而“设计学”另纳入到新设置的学科门类之内,则反映出当前中国设计研究发展的新变化与要求。然而,保留在“艺术学”内的设计史论研究与设计专业则展现出中国“设计”发展至今,无论在理论研究还是创作实践领域都有着与“艺术”密不可分的特征。在中国设计学日益彰显其“主体性”的研究发展促动下,对“中国设计史”的研究又越来越受到关注。在此过程中,来自中国工艺美术的影响如影随形,甚可谓中国设计史论研究的一大特色。

基于楚漆器凤鸟感性意象的家具形态设计研究

挖掘用户对楚漆器凤鸟感性意象的认知,探究家具形态设计的创新发展模式。基于感性工学理论,建立楚漆器凤鸟图像样本和感性词汇的语义差分调查问卷,通过调研获取“降维”的三大类型因子,然后以类型因子中较为突出的楚漆器凤鸟感性意象作为设计要素,结合AIGC多样化生成的家具载体进行概念设计以及模糊综合评价。评价的综合指标显示,两款楚漆器凤鸟感性意象的家具形态设计都达到“中等”及以上的模糊等级。感性工学和AIGC相结合设计的楚漆器凤鸟家具能够合理满足用户的感性认知需求,为同类型文化元素在当代家具形态设计中的应用提供借鉴和思考。

双江牛肚被手工艺的跨民族传播与设计发展路径研究

云南省双江县南协村是布朗族和佤族聚居的村寨,南协村的牛肚被手工艺在布朗族和佤族之间实现了双向传递。牛肚被手工艺作为民族交流互动的媒介,在传播过程中接收着来自布朗族和佤族的改造,逐渐形成一个具有创编性特征的过程。在不断调适的过程中,牛肚被手工艺的设计转型开始萌芽,这为思考当地手工艺如何实现设计转型发展提供了现实基础。

基于产学研协同育人模式的“刺绣工艺”课程教学改革

通过产学研并举的教学模式改革,将传统刺绣工艺融入时尚产品设计,以研促教,推动学生创新能力和实践动手能力的提高,是改革与创新“刺绣工艺”课程教学的主要目的。通过学习刺绣工艺和制作,学生能自主设计制作产品,这不仅能激发学生的学习兴趣和热情,提升动手能力,而且能提高创新思维和实际应用能力,避免人才培养与行业需求脱节,从而为企业培养更多优秀的设计人才。

Code-Bothy: Mixed reality and craft sustainability

Code-Bothy examines traditional bricklaying using mixed reality technology. Digital design demands a re-examination of how we make. The digital and the manual should not be considered as autonomous but as part of something more reciprocal. One can engage with digital modelling software or can reject all digital tools and make and design by hand, but can we work in between? In the context of mixed-reality fabrication, the real and virtual worlds come together to create a hybrid environment where physical and digital objects are visualised simultaneously and interact with one another in real time. Hybridity of the two is compelling because the digital is often perceived as the future/emergent and the manual as the past/obsolescent. The practice of being digital and manual is on the one hand procedural and systematic, on the other textural and indexical. Working digitally and manually is about exploring areas in design and making: manual production and digital input can work together to allow for the conservation of crafts, while digital fabrication can be advanced with the help of manual craftsmanship.

文化传承与保护视角下的鞋包设计研究

在鞋包设计中,通过挖掘和运用传统文化元素,可设计出具有独特审美价值和时代特征的鞋包;通过选择和运用可持续材料,可设计出环保和可持续的鞋包;通过与手工艺人的合作,可实现保护和传承传统工艺。由此可知,鞋包设计与文化传承的结合,不仅可以丰富设计的内涵和表现力,也可以提高设计的环保性和可持续性,同时还能够保护传统技艺的独特价值,有利于促进传统工艺的传承和发展。

虚拟数字人:设计、创作与未来展望

本文详述了从角色形象设计到最终交互显示的全链条技术流程,包括人物建模、语音合成、动画渲染等关键技术模块,强调了这些技术在塑造虚拟数字人逼真度和交互性方面的作用。深入分析了虚拟数字人角色设计的艺术性与技术性相结合的特点,涵盖从概念构思到3D模型构建、纹理材质处理、骨骼动画制作直至最终场景渲染的完整创作过程。面对虚拟数字人的未来发展,文章指出了当前存在的挑战,并提出了相应的解决策略和发展方向。

甘谷县工艺麻鞋设计对经济振兴发展路径及对策研究

以甘谷县工艺麻鞋设计为研究对象,文章分析了甘谷县工艺麻鞋的历史和文化价值,揭示了其在地方经济中的重要地位。研究发现,工艺麻鞋设计与甘谷县经济发展密切相关,具有潜在的经济影响。在此基础上,提出了工艺麻鞋设计的振兴策略,包括强化保护与传承、提升创新能力、拓展市场推广和构建产业链模式,推动和推广地区的工艺产业发展,为乡村地区的社会经济结构调整和可持续发展作出贡献。

非遗视角下柳编工艺在现代鞋类产品创新设计中的应用方法研究

随着现代工业化的推进和人们生活方式的变迁,柳编工艺面临着逐渐边缘化的风险。本文通过对柳编工艺在鞋类产品设计中的应用难点分析,探索柳编在鞋类产品创新设计中的应用方法,立足于非遗传承视角对柳编产品创新设计进行研究,力图能够让更多人认识到柳编这一非物质文化遗产,同时也能够为现代鞋类艺术的设计增光添彩。

设计的现代性:从《美术生活》(1934-1937)窥探中国现代室内设计观念的兴起

20世纪30年代是中国设计观念现代性探索的关键时期,同时也是中国现代室内设计观念兴起的重要历史时期。在1934年倡导“新生活运动”背景下,《美术生活》以“宣扬中华美术固有的灿烂文化,推介世界新兴艺术”为宗旨,译介西方现代室内设计观念,传播中国该时期在家具材料及室内装饰方面的创新探索。本文从设计现代性视域出发,回溯《美术生活》的创刊语境、理念与宗旨、译介西方现代室内设计观念,分析并发掘了中国现代室内设计观念兴起的重要历史价值与现实意义,同时也还原并呈现了处于螺旋上升进程中的20世纪30年代中国工艺美术发展的经验与价值。

基于参数化设计的竹编工艺产品数字化保护研究

在国家实施振兴传统工艺计划背景下,运用参数化设计方法把传统竹编的造型语言通过计算机进行创新设计,从而突破了常规形态的桎梏,这是一种融合了传统工艺和数字技术的设计,数字技术与产品的结合给竹编发展带来了新的活力。通过对竹编造型进行分析,梳理竹编生形逻辑,对参数i化设计、参数化平台以及参数化造型的逻辑建构过程进行概述,借助通过Rhno中的grasshopper插件来实现参数化编织的设计。将参数化竹编纹样应用在不同产品形态上验证其可行性,为竹编的设计与活化传承提供了新的思路。该研究可为其他相关非遗工艺数字化保护提供参考。

非遗柳编工艺在家居产品设计中的应用

柳编工艺作为非物质文化遗产之一,象征着国家和民族基因,随着市场日新月异的发展及消费者对绿色宜家产品的多样性追求,柳编工艺在家居产品设计中的应用更为广泛。通过调研柳编工艺,分析柳编家居产品应用现状及产品类型,总结柳编家居产品特点及设计应用,提出柳编家居产品创新应用思路,并以此为设计要点进行柳编工艺在家居产品中的创新设计,实现柳编产品在造型风格上的突破,拓宽柳编应用范围,为柳编家居产品在当今市场中的活态传承与发展提供借鉴。

色彩心理学在工艺美术设计中的应用研究

色彩是人类生活的重要组成部分,具有极强的艺术性与象征性,可以对人心理情绪产生影响,由此产生了色彩心理学。在艺术领域,通过应用色彩心理学可以带给人综合体验。本文旨在深入探讨色彩心理学在工艺美术设计中的具体应用,以期为设计师提供更多的创作灵感和实践指导,同时也为消费者带来更加丰富和个性化的艺术体验。

杨柳青木版年画元素在国潮产品中的创新应用

为弘扬中华文化提振非遗、加大对传统技艺的继承和活化、促进国潮产品的融合设计创新发展,以杨柳青木版年画为研究对象,依据文献研究法、田野考察法,对杨柳青木版年画的历史脉络、制作工艺与艺术特征、木版年画工艺流程进行分析与归纳;针对当前Z世代消费者群体进行产品调研分析,最终将提取的消费者喜爱的杨柳青木版年画题材元素和制作技艺元素与文创、国潮服装融合进行创新实践设计。结果表明:文章设计的鞋子、帆布包、马克杯以及T恤文化衫图案纹样时尚精美,符合青年消费者的喜好,设计的4款服装工艺精细考究、创新性强,具有区别于其他地区木版年画技艺的独特艺术魅力。文章为国潮产品设计实践提供了新路径,为国潮文创、服装服饰提供了新的民间文化元素与设计视角。