A New Inquiry Into the Contents of the Late Qing Dynasty Pictorial News Publication-The Core of “Entertainment Life” in Dianshizhai Pictorial

After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk entertainment activities were recorded in the Dianshizhai Pictorial which have the function of cultural choice and value dissemination as well as current affairs.This research attempts to use literary analysis and case study to collate the entertainment life in the Dianshizhai Pictorial,combing the characteristics of the late Qing dynasty,and summarizing the value of entertainment in Dianshizhai Pictorial publishing.

Contribution and Modern Public Debt:On the Nature of Patriotic Public Debt in the Late Qing Dynasty and the Early Republic of China

There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency between form and content,institutional provisions and actual implementation.The modern nature of public debt must have both the form and content of modern public debt.Based on the analysis of the issuing background,system design,collection and repayment of patriotic bonds in the late Qing Dynasty and the early Republic of China,it is considered that the part of patriotic bonds subscribed by the Qing royal family is still the nature of donation and return,while the part subscribed by ordinary businessmen and people in the early Republic of China has a modern nature.The dual nature of patriotic bonds is closely related to the social background when the bonds are issued.

Social Classes and Cultural Connotations of Yangzhou Home Gardens during the Late Qing Dynasty and the Republic of China

During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China.

Functional Features and Layouts of Yangzhou Residential Gardens in the Late Qing Dynasty and the Early Republic of China: A Case Study of Residential Gardens of Officials, Merchants and Literati

On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials, merchants and literati) for example, analyzed functional features and layouts of the gardens, explored artistic characteristics and cultural connotations of the local residential gardens, so as to provide references for the conservation and construction of historic and cultural cities, design and expression of modern urban livable spaces.

Inventing the Barbarians:The Changing Contexts of Yi in the Late Qing Dynasty

This study analyzes how the meaning of yi(夷,barbarian)was constructed in different historical contexts at the end of the Qing dynasty,which is important for us to reconsider xenophobia and Sino-centrism both in the past and present.Our study combines contextual with intertextual reading methods.It places different materials,including missionaries’works,newspapers,and official documents,in their specific historical contexts and links them to obtain a full picture of this transformation.We argue that yi was invented.Various agents and actors created the connotation of yi to suit their interests.It was transformed by the Qing court from“barbarians”to those who follow Confucianism to justify their rule.Then it was first translated as“foreigners”and later as“barbarians”when Europeans came to China.Our study situates the meaning of yi to help us rethink some of the labels and misconceptions attached to yi and the early missionaries in China.

On Artistic Dissemination of Image Text in Urban Media of Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object

The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly integrates news and art in the form of artistic dissemination of pictures and texts,and adapts to the needs of the society for news and new knowledge at that time.At the same time,Wu Youru,the editor in chief and main painter of pictorial,reflected some problems in the artistic dissemination of pictures and texts.

On Characters in Cities in the Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object

Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly studies how the pictorial uses words to shape the image of characters in cities,especially the image of women,and analyzes the shaping of urban characters’identity,personality,social status,and behavior in different news reports,so as to understand the image of urban characters and civil activities in the late Qing Dynasty.At the same time,the accurate use of words and the attitudes and values contained in pictorial have important reference significance for modern media.

An Overview of the Achievements of Modern Research on the Flying Shadow Pavilion Pictorial

The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Zhai Pictorial terms of both content and form,and which was founded by the Haiist painter Wu Youru in 1890 in order to reward the increasing number of admirers,but it is still in the initial stage.Flying Shadow Pavilion Pictorial consisted of four parts:pictures of ladies in Shanghai costumes,news about current affairs,pictures of animals,and compilations of women,each of which was accompanied by the then popular notebooks,which were popular at the time among the then readers because of the matching of pictures with text and the mixing of narratives and discussions.This paper takes Flying Shadow Pavilion Pictorial as the main object,summarizes the existing literature about Flying Shadow Pavilion Pictorial,points out the deficiencies of the current research on this basis,and points out the development trend of Flying Shadow Pavilion Pictorial in the future research.

晚清中墨托雷翁侨案交涉

清朝末叶,大批中国侨胞流往地广人稀、正待开发的墨西哥、巴拿马、秘鲁、古巴、加勒比等国家和地区充作苦工,接替获得解放的黑奴,抑或经营小本生意,创基立业。其时美洲排华风气无远弗届,美国最先开始,其他各国则争相效尤,引发一系列严重的暴力排华事件,华民被当地人视作肉中刺,备遭凌虐,受害颇深,特别是当政府参与主导排华法案时,对华人的排斥、殴辱、驱逐更加严重,一向正常、友好的中国与美洲各国的关系受到极大损害。

Railway's Effects on Economic Development:A Quantitative Study on Modern Henan(1890s-1930s)

Different arguments on the relationship between railway construction and economic development exist in literature. As the railway construction of Henan in the period of late Qing Dynasty （1644-1911） and early Republic of China （1912-1949）provides a nearly natural experiment to throw new light on this topic, this paper creates county-level panel data for this period and conducts a further test with a difference-in-difference strategy. While the effect of railway is demonstrated to be positive in some literature yet negative in others, this paper identifies some major intergroup differences： railway lines put into service after the 1910s and connecting central cities promoted population growth in regions along the railway lines, enhanced their capaci（v to cope with external market shocks, yet they did not improve integration with the intra-provincial market. By contrast, the railway lines put into operation in the 1930s and connecting hinterland areas not only improved regional market integration but contributed to higher living standards as well. The implication is that the effects of railway are subject to the economic relations of various localities along the railway lines and the economic attributes of various sectors, thus railways cannot be generally defined to be positive or negative. This conclusion helps explain the disagreements in empirical studies and highlight the impact of railways on the regional economic structure.

Changes of Wearing,Eating,Housing,and Going Out:Discussion From Dian-shi Zhai Pictorial(1884-1898)

Dian-shi zhai Pictorial,originated in 1884,is the first pictorial of news and current affairs in China’s modern history.Its elegant and prevailing expression forms greatly broadened the audience range of the publication and became an important graphic material for studying the transformation of social life in the late Qing Dynasty of China.This paper mainly introduces the changes of social life in Shanghai in the late Qing Dynasty and provides a spacious research perspective for the above studies.

Accuracy assessment of approaches to spatially explicit reconstruction of historical cropland in Songnen Plain,Northeast China

To understand historical human-induced land use/cover change （LUCC） and its climatic effects, it is essential to reconstruct historical land use/cover changes with explicit spatial information. In this study, based on the historically documented cropland area at county level, we reconstructed the spatially explicit cropland distribution at a cell size of 1 km × 1 km for the Songnen Plain in the late Qing Dynasty （1908 AD）. The reconstructions were carried out using two methods. One method （hereafter, referred to as method 1） allocated the cropland to cells ordered from a high agricultural suitability index （ASI） to a low ASI, but they were all within the domain of potential cropland area. The potential cropland area was created by excluding natural woodland, swamp, water bodies, and mountains from the study area. The other method （hereafter, method II） allocated the cropland to cells in the order from high ASI to low ASI within the domain of cropland area in 1959. This method was based on the hypothesis that the cropland area domain in 1959 resulted from enlargement of the cropland area domain in 1908. We then compared these two reconstructions. We found that the crop- land distributions reconstructed by the two methods exhibit a similar spatial distribution pat- tern. Both reconstructions show that the cropland was mostly found in the southern and eastern parts of the Songnen Plain. The two reconstructions matched each other for about 68% of the total cropland area. By spatially comparing the unmatched cropland cells of the two reconstructions with the settlements for each county, we found that unmatched cropland cells from method I are closer to settlements than those from method I1. This finding suggests that reconstruction using method I may have less bias than reconstruction with method I1.

Newborn and Transformation:The Formation of Chinese Urban Planning Knowledge in Early Modern Times(1840-1911)

This paper focuses on urban planning knowledge and its formation in the early modern China,comparing the urban function framework defined in the Athens Charter with Chinese city development in the late Qing Dynasty,selecting"road,""park,"and"commercial port"as keywords to analyze the construction practices and historical documents,in order to sort out the basic characteristics of the formation and development of urban planning knowledge.Based on the database of Airusheng Shenbao,this paper conducts keywords-frequency statistical analysis,and verifies the public acceptance of various planning knowledge in early modern times,expecting to reveal the origin and connotation of modern urban planning in China.

Rooted in Tradition, Embracing Modernity： Zhou Zuoren＇s Interest in Modern Japanese Haiku and Tanka and His Promotion of Short Verse in China

When late Qing and early Republican-period Chinese reformers grappled with the challenges of creating a new poetic language and form in the early decades of the twentieth century, Zhou Zuoren （1885-1967）, one of modern China＇s most influential intellectuals, believed that much could be learned from the experiments of modern Japanese poets who had overcome similar challenges in the decades following the Meiji restoration. Of all the verse forms Japanese poets were experimenting with, Zhou was particularly interested in modern haiku and tanka. Zhou felt that the modern haiku and tanka＇s rootedness in tradition on the one hand and their ability to express modern sensibilities on the other could offer a model for Chinese poets seeking to create a poetic voice that was at once modern, but also anchored in traditional poetics. This article will analyze some of Zhou＇s translations of modern haiku and tanka and illustrate how these translations led him to promote a new poetic form in China, typically referred to as ＂short verse＂ （xiaosh0. By further reading Zhou＇s critical essays on modern Japanese poetry against the writings of a number of Western modernist poets and translators who themselves were inspired by East Asian verse forms--Ezra Pound in particular--I will comment on the degree to which Zhou＇s promotion of short verse inspired by modern Japanese haiku and tanka challenges a perceived Western role in legitimizing East Asian forms as conducive to modernism.