During the war between Liao Dynasty(907-1125)and Northern Song Dynasty(960-1127),there was a classic battle that happened in Yanmen Pass(located in today’s Dai County,Xinzhou,Shanxi Province,China).It was a well know...During the war between Liao Dynasty(907-1125)and Northern Song Dynasty(960-1127),there was a classic battle that happened in Yanmen Pass(located in today’s Dai County,Xinzhou,Shanxi Province,China).It was a well known battle of ancient China because a commander of the Song army named Yang Ye(?-986)was really famous in both classical Chinese fictions and Chinese war history.He is the early protagonist of a famous Chinese classic fiction named The Romance of the Yang family’s generals(written in the 16th century,Ming Dynasty of China).The story of his family also appears in other novels.Besides,in history,he was a general who was active in the early stages of the war between Liao Dynasty and Northern Song Dynasty.The battle of Yanmen Pass(980)was one of the most important battles of Yang’s military career.His combat style especially his cavalry tactic can be summarized through researching this battle.展开更多
Zennotes in the Song Dynasty are based on the use of scattered essays to record trivial fragments of Zen Buddhistmonks’ daily life, including Hui Hong’s Lin Jian Lu, Da Hui Pu Jue Chan Shi Zong Men Wu Ku edited by D...Zennotes in the Song Dynasty are based on the use of scattered essays to record trivial fragments of Zen Buddhistmonks’ daily life, including Hui Hong’s Lin Jian Lu, Da Hui Pu Jue Chan Shi Zong Men Wu Ku edited by DaoQian, Xiao Ying’s Luo Hu Ye Lu and Yun Wo Ji Tan, Dao Rong’s Cong Lin Sheng Shi, and Huan Wu’s Ku YaMan Lu. Through Zennotes, it is possible to learn more about the life of Zen Buddhist masters in the SongDynasty and the actual development of Zen Buddhism, which were seldom investigated in past studies. Firstly,this study explains the cultural environment generated by Zennotes and the creative development of Zennotes inthe Song Dynasty, and then discusses the main content of Zennotes. Zennotes highlight the characters through thedescription of specific events and make the images and characters of Zen Buddhist monks become vivid on paper.They are the most direct historical material for mastering Zen Buddhist monks in the Song Dynasty. Secondly,Zennotes in the Song Dynasty record anecdotes about Zen Buddhist monks and the literati talking about Zen atthat time, demonstrating the lively and witty interactions between the two. Lastly, the authors of Zennotes oftenrevealed their personal concerns about the growth and decline of temples in the narrative. Based on the above,Zennotes have the value of historical recordings of trivia, and they are first-hand historical materials forconstructing the history of Zen in the Song Dynasty.展开更多
By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of sou...By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.展开更多
This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou D...This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.展开更多
Based on data on taxed-cropland area and on the number of households in historical documents, a probabilistic model of cropland distribution and a cropland area allocation model were designed and validated. Cropland a...Based on data on taxed-cropland area and on the number of households in historical documents, a probabilistic model of cropland distribution and a cropland area allocation model were designed and validated. Cropland areas for the years AD976, 997, 1066, and 1078 were estimated at the level of Lu（an administrative region of the Northern Song Dynasty）. The results indicated that（1） the cropland area of the whole study region for AD976, 997, 1066, and 1078 was about 468.27 million mu（a Chinese unit of area, with1 mu=666.7m2）, 495.53 million mu, 697.65 million mu, and 731.94 million mu, respectively. The fractional cropland area（FCA） increased from 10.7% to 16.8%, and the per capita cropland area decreased from 15.7 mu to 8.4 mu.（2） With regard to the cropland spatial pattern, the FCA of the southeast, north, and southwest regions of the Northern Song territory increased by 12.0%, 5.2%, and 1.2%, respectively. The FCA of some regions in the Yangtze River Plain increased to greater than 40%, and the FCA of the North China Plain increased to greater than 20%. However, the FCA of the southwest region（except for the Chengdu Plain） in the Northern Song territory was less than 6%.（3） There were 84.2% Lus whose absolute relative error was smaller than 20% in the mid Northern Song Dynasty. The validation results indicate that our models are reasonable and that the results of reconstruction are credible.展开更多
To understand historical human-induced land cover change and its climatic effects, it is necessary to create historical land use datasets with explicit spatial information. Using the taxes-cropland area and number of ...To understand historical human-induced land cover change and its climatic effects, it is necessary to create historical land use datasets with explicit spatial information. Using the taxes-cropland area and number of families compiled from historical documents, we estimated the real cropland area and populations within each Lu （a province-level political region in the Northern Song Dynasty） in the mid-Northern Song Dynasty （AD1004-1085）. The estimations were accomplished through analyzing the contemporary policies of tax, population and agricultural development. Then, we converted the political region-based cropland area to geographically explicit grid cell-based fractional cropland at the cell size of 60 km by 60 km. The conversion was based on calculating cultivation suitability of each grid cell using the topographic slope, altitude and population density as the independent variables. As a result, the total area of cropland within the Northern Song territory in the 1070s was estimated to be about 720 million mu （Chinese area unit, 1 mu = 666.7 m2）, of which 40.1% and 59.9% oc- curred in the north and south respectively. The population was estimated to be about 87.2 million, of which 38.7% and 61.3% were in the north and south respectively, and per capita cropland area was about 8.2 mu. The national mean reclamation ratio （i.e. ratio of cropland area to total land area; RRA hereafter for short） was bout 16.6%. The plain areas, such as the North China Plain, the middle and lower reaches of the Yangtze River, Guanzhong Plain, plains surrounding the Dongting Lake and Poyang Lake and Sichuan Basin, had a higher RRA, being mostly over 40%; while the hilly and mountainous areas, such as south of Nanling Mountains, the southwest regions （excluding the Chengdu Plain）, Loess Plateau and south- east coastal regions, had a lower RRA, being less than 20%. Moreover, RRA varied with topographic slope and altitude. In the areas of low altitude （~〈250 m）, middle altitude （250-100 m） and high altitude （1000-3500 m）, there were 443 million, 215 million and 64 million mu of cropland respectively and their regional mean RRAs were 27.5%, 12.6% and 7.2% respectively. In the areas of flat slope, gentle slope, medium slope and steep slope, there were 116 million, 456 million, 144 million and 2 million mu of cropland respectively and their regional mean RRAs were 34.6%, 20.7%, 8.5% and 2.3% respectively.展开更多
文摘During the war between Liao Dynasty(907-1125)and Northern Song Dynasty(960-1127),there was a classic battle that happened in Yanmen Pass(located in today’s Dai County,Xinzhou,Shanxi Province,China).It was a well known battle of ancient China because a commander of the Song army named Yang Ye(?-986)was really famous in both classical Chinese fictions and Chinese war history.He is the early protagonist of a famous Chinese classic fiction named The Romance of the Yang family’s generals(written in the 16th century,Ming Dynasty of China).The story of his family also appears in other novels.Besides,in history,he was a general who was active in the early stages of the war between Liao Dynasty and Northern Song Dynasty.The battle of Yanmen Pass(980)was one of the most important battles of Yang’s military career.His combat style especially his cavalry tactic can be summarized through researching this battle.
基金The financial support of the Taiwan Ministry of Science and Technology is gratefully acknowledged.
文摘Zennotes in the Song Dynasty are based on the use of scattered essays to record trivial fragments of Zen Buddhistmonks’ daily life, including Hui Hong’s Lin Jian Lu, Da Hui Pu Jue Chan Shi Zong Men Wu Ku edited by DaoQian, Xiao Ying’s Luo Hu Ye Lu and Yun Wo Ji Tan, Dao Rong’s Cong Lin Sheng Shi, and Huan Wu’s Ku YaMan Lu. Through Zennotes, it is possible to learn more about the life of Zen Buddhist masters in the SongDynasty and the actual development of Zen Buddhism, which were seldom investigated in past studies. Firstly,this study explains the cultural environment generated by Zennotes and the creative development of Zennotes inthe Song Dynasty, and then discusses the main content of Zennotes. Zennotes highlight the characters through thedescription of specific events and make the images and characters of Zen Buddhist monks become vivid on paper.They are the most direct historical material for mastering Zen Buddhist monks in the Song Dynasty. Secondly,Zennotes in the Song Dynasty record anecdotes about Zen Buddhist monks and the literati talking about Zen atthat time, demonstrating the lively and witty interactions between the two. Lastly, the authors of Zennotes oftenrevealed their personal concerns about the growth and decline of temples in the narrative. Based on the above,Zennotes have the value of historical recordings of trivia, and they are first-hand historical materials forconstructing the history of Zen in the Song Dynasty.
基金interim result of the general project funded by the National Social Scienc eFoundation of China,titled“Compilation and Study of Book Slips Not Included in the Complete Song Prose and Research on the Compilation of Song Dynasty Book Slips”(Project No.20BZW060)。
文摘By closely examining the literary works of the Song Dynasty,such as prose,poetry,rhyme-prose,lyrics,notes,and miscellaneous theses,this paper combines historical and literary evidence to rediscover the 13 types of soundscapes and their corresponding spaces in the Bianjing City,the capital of the Northern Song Dynasty,and it reveals the causes and historical-cultural significance of these soundscapes.Focusing on the key issues of soundscapes,this paper analyzes the sound spaces,identities,discourses,and literary achievements depicted in the writings about Bianjing.It argues that the“Bianjing Spectacle”of vendors’cries described by the Southern Song people can be used as a summary of the soundscape characteristics of Bianjing.Furthermore,it interprets the special silence,crying,and the absence of the sounds of production from an aesthetic perspective.By rediscovering,analyzing,and interpreting the soundscapes of Bianjing,this paper reveals significant differences between the Tang and Song dynasties at the sound level and differentiates various“auditory communities.”It thereby demonstrates the portrayal of Bianjing in Song literature,addresses theoretical hot topics in literature and geography,and builds on Marx’s arguments to propose that a thorough understanding of history,the world,and ourselves requires an in depth study of the soundscapes in literature.
文摘This paper argues for the very foundation of Chinese poetry, that is, nature itself. To this end, I have chosen three well-known poets, Wang Wei （706-761） in Tang Dynasty （618-907）, Su Shi （1037-1101） and Zhou Dunyi （1017-1073） in Northern Song Dynasty （960-1127）. All three poets were also high ranking governmental officials. They were leaders of high personal integrity.
基金National Natural Science Foundation of China,No.41271227 The Special Program for Basic Work of the Ministry of Science and Technology,China,No.2014FY210900
文摘Based on data on taxed-cropland area and on the number of households in historical documents, a probabilistic model of cropland distribution and a cropland area allocation model were designed and validated. Cropland areas for the years AD976, 997, 1066, and 1078 were estimated at the level of Lu（an administrative region of the Northern Song Dynasty）. The results indicated that（1） the cropland area of the whole study region for AD976, 997, 1066, and 1078 was about 468.27 million mu（a Chinese unit of area, with1 mu=666.7m2）, 495.53 million mu, 697.65 million mu, and 731.94 million mu, respectively. The fractional cropland area（FCA） increased from 10.7% to 16.8%, and the per capita cropland area decreased from 15.7 mu to 8.4 mu.（2） With regard to the cropland spatial pattern, the FCA of the southeast, north, and southwest regions of the Northern Song territory increased by 12.0%, 5.2%, and 1.2%, respectively. The FCA of some regions in the Yangtze River Plain increased to greater than 40%, and the FCA of the North China Plain increased to greater than 20%. However, the FCA of the southwest region（except for the Chengdu Plain） in the Northern Song territory was less than 6%.（3） There were 84.2% Lus whose absolute relative error was smaller than 20% in the mid Northern Song Dynasty. The validation results indicate that our models are reasonable and that the results of reconstruction are credible.
基金China Global Change Research Program,No.2010CB950102No.2010CB950901National Natural Science Foundation of China,No.40971061
文摘To understand historical human-induced land cover change and its climatic effects, it is necessary to create historical land use datasets with explicit spatial information. Using the taxes-cropland area and number of families compiled from historical documents, we estimated the real cropland area and populations within each Lu （a province-level political region in the Northern Song Dynasty） in the mid-Northern Song Dynasty （AD1004-1085）. The estimations were accomplished through analyzing the contemporary policies of tax, population and agricultural development. Then, we converted the political region-based cropland area to geographically explicit grid cell-based fractional cropland at the cell size of 60 km by 60 km. The conversion was based on calculating cultivation suitability of each grid cell using the topographic slope, altitude and population density as the independent variables. As a result, the total area of cropland within the Northern Song territory in the 1070s was estimated to be about 720 million mu （Chinese area unit, 1 mu = 666.7 m2）, of which 40.1% and 59.9% oc- curred in the north and south respectively. The population was estimated to be about 87.2 million, of which 38.7% and 61.3% were in the north and south respectively, and per capita cropland area was about 8.2 mu. The national mean reclamation ratio （i.e. ratio of cropland area to total land area; RRA hereafter for short） was bout 16.6%. The plain areas, such as the North China Plain, the middle and lower reaches of the Yangtze River, Guanzhong Plain, plains surrounding the Dongting Lake and Poyang Lake and Sichuan Basin, had a higher RRA, being mostly over 40%; while the hilly and mountainous areas, such as south of Nanling Mountains, the southwest regions （excluding the Chengdu Plain）, Loess Plateau and south- east coastal regions, had a lower RRA, being less than 20%. Moreover, RRA varied with topographic slope and altitude. In the areas of low altitude （~〈250 m）, middle altitude （250-100 m） and high altitude （1000-3500 m）, there were 443 million, 215 million and 64 million mu of cropland respectively and their regional mean RRAs were 27.5%, 12.6% and 7.2% respectively. In the areas of flat slope, gentle slope, medium slope and steep slope, there were 116 million, 456 million, 144 million and 2 million mu of cropland respectively and their regional mean RRAs were 34.6%, 20.7%, 8.5% and 2.3% respectively.
