Study on the Relationship between Fuzzy Theory and Thoughts of Fashion Design

A fuzzy phenomenon has been found between design elements when their classifications were researched. It is hard to separate them since they are interrelated so tight. An explanation between design elements and design thoughts in fashion design based on the fuzzy theory is presented in this paper. I hope this will be a breakthrough for people to enlarge their design thoughts and control their design works.

Study on the cultural and aesthetic characters of national costume design

National costume not only show body language, but also body language and extends through the aesthetic psychology of space and aesthetic psychological sense, to convey the emotional body hidden vocabulary, the limited physical space converted into a form of osvcholoical unlimited imagination!

A Brief Analysis of the Manifestation of Traditional Handicraft Techniques in Modem Fashion Design

The fashion design of China starts late and has a weak foundation. Compared to western countries, design works of China have obvious disadvantages. At the same time, the traditional handicraft techniques of China have suffered strong blows of modem technologies with the development of time and their living space have been gradually occupied. The combination of traditional handicraft techniques with modem fashion design has dual significances. On the one hand, it helps infuse new ideas into fashion design. On the other hand, it promotes the development of traditional handicraft techniques in modern times. In this respect, this combination has some positive significances.

The rise and development situation of Shanghai independent fashion designer brand

Using Shanghai as the background, the paper demonstrates the rise and development of Shanghai independent designer brands. It analyzes the survival situation of these independent designer brands and points out the development attributions and problems existed, aiming to find the future development path and fitting marketing strategy for those brands.

Analysis and research on the demands of the fashion emotional design for the modem professional women

Clothing is a kind of the clothing design activity based on the emotional factors and the concrete understandings. Clothing is not only a kind of the life necessities, but also the interpretation and expression of our own temperament and personalities. Of course, the best effects of the entire costume design activity can be achieved only when the costume itself is matched with the person＇s identity. In this paper, from the analysis of the influence and the relationship between the clothing emotion and the fashion design activities, combined with the analysis of the specific characteristics of the groups of the modern occupational females, the author explores the modem women＇s specific needs in the clothing emotional design, and explores the specific ideas of the modern professional women＇s clothing emotional design.

Scientific cognition and application of the fashion color in clothing design

The first human communication is conveyed by the clothing. Clothing is a language, which has vocabulary and grammar like the human discourse. Of course, there are many clothing languages, with some having very close relationships, and some being very unique. In each clothing language, there are many different dialects and tones, which is the style of clothing.

Inter-border Integration of Fashion Design and Contemporary Art

With the development of economy and society, every comer of the world＇ s cultural and spiritual civilization are closely linked together, At the same time, the clothing and contemporary art are in the big tide of mutual penetration and mutual influence. Contemporary art has influenced on the costume design. Costume design can play their own advantages in art tide, toward a higher point. The passage from the clothing design and other fields of contemporary art in the process of cross-border integration explores the future development trend of garment design.

A Comparative Study of 3D Virtual Pattern and Traditional Pattern Making

Pattern making plays a key role in the aspect of fashion design and garment production, as it serves as the transformative process that turns a simple drawing into a consistent accumulation of garments. The process of creating conventional or manual patterns requires a significant amount of time and a specialized skill set in various areas such as grading, marker planning, and fabric utilization. This study examines the potential of 3D technology and virtual fashion designing software in optimizing the efficiency and cost-effectiveness of pattern production processes. The proposed methodology is characterized by a higher level of comprehensiveness and reliability, resulting in time efficiency and providing a diverse range of design options. The user is not expected to possess comprehensive knowledge of traditional pattern creation procedures prior to engaging in the task. The software offers a range of capabilities including draping, 3D-to-2D and 2D-to-3D unfolding, fabric drivability analysis, ease allowance calculation, add-fullness manipulation, style development, grading, and virtual garment try-on. The strategy will cause a shift in the viewpoints and methodologies of business professionals when it comes to the use of 3D fashion design software. Upon recognizing the potential time, financial, and resource-saving benefits associated with the integration of 3D technology into their design development process, individuals will be motivated to select for its utilization over conventional pattern making methods. Individuals will possess the capacity to transfer their cognitive processes and engage in introspection regarding their professional endeavors and current activities through the utilization of 3D virtual pattern-making and fashion design technologies. To enhance the efficacy and ecological sustainability of designs, designers have the potential to integrate 3D technology with virtual fashion software, thereby compliant advantages for both commercial enterprises and the environment.

Fashion and Brand Awareness: An Evidence-Based Approach to the Analysis of Distinctive Elements in Communication

Brand identity is a key topic in fashion design and communication. It relies on several tangible and intangible elements, such as recognisability of trademarks and styles, of materials and processing details, on storytelling, values, testimonials, company history and so on. The evolution of communication strategies in the digital era, and of globalised markets, demands rational, evidence-based management of the public image of brands. This article offers a theoretical discussion of the structural elements which play a part in establishing the public identity of fashion brands in the era of digital communication, and an innovative approach to the evidence-based investigation of the identity of a number of fashion brands as perceived by customers. The approach proposed here is based on a mix of interviews exploring subjective brand awareness, and objective monitoring of visual attention through eye-tracking. The article also summarises findings obtained by applying this approach to several subjects exposed to communication artefacts produced by fashion brands in order to obtain some information of general interest regarding the factors that influence customers’ mental models.

Inspiration and Innovative Approach in Creating Textile Designs and Prints from Sekondi-Takoradi’s Masquerade Costume Designs

Masquerade culture is an essential part of Sekondi-Takoradi cultural embodiment. The masquerade festival titled Ankos displays interesting costumes that have artistic elements of potent colour display and performances. The masquerade costumes manifest intricate fabric decoration techniques for example pleating, folding, gathering, smocking, hand and machine stitching and the use of varied colour schemes. These decorative techniques make costume production laborious, tedious and downtime constraints. In contributing to the innovative approaches to creating textile designs and prints, the study explored the inspirational possibilities of surface designs of the masquerade costume for textile designs and prints. The art-based research design and direct observation as research instrumentation were employed in the artistic creation for the study. Adobe Photoshop was used in the simulation design processes. The study revealed that the simulation design processes produced an innovative imitated visual appearance of the masquerade costume and production processes from a machine-stitched work to a hand-printed fabric. It is recommended that costume makers adopt the contemporary possibility of using hand screen to print hitherto the traditional laborious and tedious process of producing masquerade costumes.

A Bicycle Design Model Based on Young Women＇s Fashion Combined With CAD and Statistical Science

Today, more people are riding bicycles than ever before--and the numbers keep growing. This is due in part to a greater awareness of environmental issues and growing health consciousness. Another factor driving the increasing number of women bicyclists today is many designer bicycles now available. Still, these bicycles reflect the subjective sensibilities of their designers, and there is no guarantee that they will always match an increasingly diverse array of consumer values. In response to this challenge, our study sets out to build a bicycle design model based on fashion styles popular with young women in their 20s. Fashion analysis and bicycle design analysis used statistical science, such as cluster analysis, principal component analysis, and analytic hierarchy process （AHP）. After that, we designed a new bicycle using computer-aided design （CAD） from the analysis results. Finally, the approach model developed in this study was confirmed to be effective by an interview with the company.

Analysis on the Influence of the Postmodernism Ideological Trend on Fashion Design

Post-modernism began to rise in the mid 20th century, and also rapidly played an influence on the cultures of all the countries in the world. Its combination with the design of art in the development process has brought about a new idea for the aesthetic appreciation of people. The combination of postmodernism with fashion design was mainly reflected in sublation. This has exerted a profound influence on the development of fashion design, which is demonstrated in design theme, design idea, and design methods. In this paper, this is introduced from the concept and characteristics of postmodernism, the influence of postmodernism on fashion design, and the reflection of postmodernism in fashion design. It is found that the post-modernism ideological trend plays a certain role in promoting fashion design.

A Brief Analysis of the Personality Expression of Graffiti in Fashion Design

In recent years, graffiti has ascended to the ranks of modem new art from public action of street and has derived modem graffiti culture. With the development of graffiti art and the improvement of people＇s aesthetic idea, graffiti has penetrated into various aspects of people＇s life and has been closely integrated with people＇s life in many fields. Fashion design is one of the forms which have the closest relation with modem graffiti. Many famous brands have increased their own vitality and fashion sense of costume through graffiti. In modem fashion design, graffiti has special aesthetic value and personality characteristics, bringing about huge commercial opportunities to merchants. Its personality expression in fashion design involves factors in multi-aspects. This paper makes an in-depth analysis of this problem in simple terms, which is of positive significance to the combination of graffiti and fashion design.

The Influence of Post Modernism on Costume Design

With the unprecedented expansion of human knowledge, the wide application of computer and database and the rapid development of science and technology, post modernism ideology has swept the world with hitherto unknown speed, which has a profound influence on the arts and design field in China. With the expansion of post modern design ＂humanization＂ design idea in various design fields, whether in architectural design, industrial design, graphic design or costume design, designers pay a hitherto unknown attention to the emotional understanding and humanized expression of the design content. When the Chinese designers and consumers almost have no clear concept of ＂ post modernism ideology＂ , the rookies in the design competition have already used the post modem design techniques very skillfully, and ordinary people have already worn the costumes of post modernism style to swagger through the streets.

A Brief Analysis of the Influence of Online Media on Fashion Design

The 21 st century is a time of digitization and infurmationization. Online media have been going forward rapidly and have penetrated into various aspects of people＇ s life, thus having a significant impact on people＇ s production and life. Under such circumstance, traditional fashion indnstry has also been influenced by online media and has gradually transformed to digitalization. Fashion design is likely to get away from simplex manual design and to transform to the design method of man-machine synergy. The introduction of network technique into fashion design will bring vast potential for future development of fashion design.

Explore the Secondary Design of the Senior Fashion Fabrics

Senior fashion is called the art of clothing,it is often beyond the basic functions,but as a carrier of the performance of design creativity.Any senior fashion designs have their own balancing rules of the artistic and commercial.This article fully explains the importance and marketability of the secondary design of the fabric in high fashion,and from the three aspects : design program of the senior fashion for consumer groups、the secondary processing design of the senior fashion fabrics、the effect of secondary design of senior fashion fabrics.

Analysis of Visual Emotional Language in Fashion Design

Along with the development and progress of the times, the living standard of the people has been gradually improved; when the living standards are improved, there has been also a new aesthetic demand. In terms of fashion design, it is necessary to integrate more emotions into the designing process, so as to give people a better visual sense. The three elements of fashion design are divided into color, shape and material; these three elements contain many visual emotional languages. In this paper, the specific contents were analyzed.

Bilum Fashion in the Highlands of Papua New Guinea-A Caes Study of Bilum Fashion in Eastern Highlands Province(Goroka)

The purpose of this paper is to identify and map trends in the Eastern Highlands bilum fashion industry(in a global context) and,through the application of traditional bilum art,establish strategies that could be employed by Eastern Highlands small and medium bilum fashion loopers in response to the move toward a wider awareness,growth and promotion of bilum fashion.It also seeks to contribute to address a deficiency in the literature concerning indigenous bilum wear,a fashion through the process of native looped art,especially what if anything is excluded in the interpretations of non-indigenous researchers with regard to bilum wear arts.

First Competition of Erduos Cashmere Fashion Design

In developed countries,to wear elegant cashmerefashion expresses a person’s position and status.InChina,despite being a developing country,peoplelove to wear cashmere fashions too,following thevigorous development of the national economy andthe rapid improvement of the people’s living standard.

Structure and Patterns of Changtian-Style Costume of Miao Nationality

The emergence and development trend of the clothing worn by Miao people are closely related to their social lifestyles and folk customs.At the same time,the changes in the structures and patterns of their clothing have an indicative function to distinguish each branch,defining the range of age,marriage status,and so on.As a result,their clothing styles are diverse,and the patterns used for their clothing continuously evolve on the basis of earlier patterns.