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Uzbek "Makoms" in the 21 st Century
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作者 Elnora Mamadjanova 《Journal of Literature and Art Studies》 2011年第1期31-36,共6页
Meaning of the concept of"makom" is hard to define with some frames and borders. Thus, German researcher Yu. Elzner provided more than 20 meanings of this word translated from Arabic. Music experts have decided in f... Meaning of the concept of"makom" is hard to define with some frames and borders. Thus, German researcher Yu. Elzner provided more than 20 meanings of this word translated from Arabic. Music experts have decided in favor of the definition of word makom as "mode and genre". Establishment of makom as a genre had taken place approximately from 12th to 18th centuries. However, evolution of a mode system, had occurred much earlier. Makom art of Uzbekistan is a heritage, which had been formed over the long period. However, it has not yet reached its completion, it still keeps living and being filled with a new emotional mood, new image contents. Swift development of computer technology and communication means creates opportunities both for researchers and for performers to improve the phenomenon of the makom arts. Organization of various contests and festivals in Uzbekistan, makom performers' participation in foreign forums represents great incentives for showing the western interest in this arts and its integration into the global music science. 展开更多
关键词 makom GENRE cycles 21 st century development
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From the History of Formation Uzbek Oral-Professional Music
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作者 Elnora Mamadjanova 《Journal of Literature and Art Studies》 2016年第2期166-169,共4页
First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professional... First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professionalism was taken place in the early of 1 st millennium. Dastan, Katta Ashula, Makom are the main oral-professional genres of the Uzbeks. History facts are in the paper. 展开更多
关键词 ORAL PROFESSIONAL GENRE Dastan Katta Ashula makom feature ustoz-shogird music instruments dombra kobuz Avesta Barbad Farabi Ibn-Sina
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The Tradition of the Joint Voice Singing in the Context of the Orient Culture (As an example of Margilan Singing School)
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作者 Azizjon Zokirov 《Journal of Literature and Art Studies》 2017年第8期1020-1023,共4页
The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a perfo... The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a performing practice. Makom is the most example of Uzbek classical musical heritage. The art of singing plays considerable role in culture of Uzbek national music. On the basis of classical singing the following singing directions as "Folk singing" (yallachilik), "Classical singing" (mumtoz yallachilik), "Grand Song" (katta ashulachilik) and "Art of Makom" singing forms were formulated and developed. Greatest representatives of Margilan School of singing. 展开更多
关键词 Orient music makom grand song joint voice singing Qavalli
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