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The Role of the Forest in German Literature: From the Medieval Forest to the Griines Band
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作者 Albrecht Classen 《Journal of Literature and Art Studies》 2014年第3期149-164,共16页
This paper demonstrates how much the forest was used by medieval writers as a symbolic space where critical events take place deeply affecting their protagonists. The forest motif can be found in the works of St. Augu... This paper demonstrates how much the forest was used by medieval writers as a symbolic space where critical events take place deeply affecting their protagonists. The forest motif can be found in the works of St. Augustine as well as in Dante's Divina Commedia (ca. 1308-1321), and then in a plethora of other texts. Here the author examines more closely the symbolic meaning of the forest as a mysterious, dangerous, yet also spiritual location in Wolfram von Eschenbach's Titurel (ca. 1220) and then in two 15th-century prose novels: Thtiring von Ringoltingen's Melusine (1456) and the anonymous Fortunatus (1509). Each time we recognize how much the poets placed their central figures one in the forest where their life takes a major turn. Recognizing this intriguing function of the forest as a metaphor and symbol, we can employ the modern interest in and fascination with the forest as a refuge from the destruction of the natural environment through modem civilization as segue to attract students to the study of medieval literature once again. 展开更多
关键词 forest as symbol St. Augustine Dante Alighieri Wolfram von Eschenbach Thtiring von Ringoltingen Fortunatus relevance of medieval literature
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