An investigation on relationship between clothing pressure of men's suit and wearing comfort is conducted. With the pressure measurements at different parts of men's suit under normal standing posture and in m...An investigation on relationship between clothing pressure of men's suit and wearing comfort is conducted. With the pressure measurements at different parts of men's suit under normal standing posture and in motion, the objective assessment of the total comfort are related to the subjective ratings of clothing pressure. There is a common strong sensation of pressure on shoulder with normal standing posture, and a strong relationship between total comfort and clothing pressure in back armhole and the front of upper arm with posture in motion.展开更多
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f...The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.展开更多
目的研究人体心率变异和脑波指标在渐增着装皮肤压下的变化,探讨着装皮肤压物理量与人体生理指标之间的内在联系,从生理学角度客观确定着装皮肤压舒适阈值。方法设计生理反馈实验,通过实验腹带先后在8位年轻健康女性的腹凸和腰侧部位施...目的研究人体心率变异和脑波指标在渐增着装皮肤压下的变化,探讨着装皮肤压物理量与人体生理指标之间的内在联系,从生理学角度客观确定着装皮肤压舒适阈值。方法设计生理反馈实验,通过实验腹带先后在8位年轻健康女性的腹凸和腰侧部位施加渐增的9个等级的皮肤压,记录每个皮肤压力级别下受试者的心率变异和脑波指标变化。结果当腹凸部位着装皮肤压达到12 mm Hg时,与零皮肤压状态相比,HRV和EEG指标均呈现显著性差异,当腰侧部位着装皮肤压达到18 mm Hg时,与零皮肤压状态相比,HRV和EEG指标均呈现显著性差异。结论表明为了降低着装皮肤压对女性健康的影响,女性腹凸部位着装皮肤压的舒适阈值不应超过12 mm Hg,腰侧部位着装皮肤压的舒适阈值不应超过18 mm Hg。展开更多
文摘An investigation on relationship between clothing pressure of men's suit and wearing comfort is conducted. With the pressure measurements at different parts of men's suit under normal standing posture and in motion, the objective assessment of the total comfort are related to the subjective ratings of clothing pressure. There is a common strong sensation of pressure on shoulder with normal standing posture, and a strong relationship between total comfort and clothing pressure in back armhole and the front of upper arm with posture in motion.
文摘The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.
文摘目的研究人体心率变异和脑波指标在渐增着装皮肤压下的变化,探讨着装皮肤压物理量与人体生理指标之间的内在联系,从生理学角度客观确定着装皮肤压舒适阈值。方法设计生理反馈实验,通过实验腹带先后在8位年轻健康女性的腹凸和腰侧部位施加渐增的9个等级的皮肤压,记录每个皮肤压力级别下受试者的心率变异和脑波指标变化。结果当腹凸部位着装皮肤压达到12 mm Hg时,与零皮肤压状态相比,HRV和EEG指标均呈现显著性差异,当腰侧部位着装皮肤压达到18 mm Hg时,与零皮肤压状态相比,HRV和EEG指标均呈现显著性差异。结论表明为了降低着装皮肤压对女性健康的影响,女性腹凸部位着装皮肤压的舒适阈值不应超过12 mm Hg,腰侧部位着装皮肤压的舒适阈值不应超过18 mm Hg。
