高哲一著《现代中国的印刷之力》(The Power of Print in Modern China)以20世纪三分之二时间里的商务印书馆、中华书局、世界书局为研究对象,几代知识分子通过编印教科书、辞典、古籍丛刊、大型丛书等出版物,用工业化的生产方式塑造了...高哲一著《现代中国的印刷之力》(The Power of Print in Modern China)以20世纪三分之二时间里的商务印书馆、中华书局、世界书局为研究对象,几代知识分子通过编印教科书、辞典、古籍丛刊、大型丛书等出版物,用工业化的生产方式塑造了现代中国人的思想与文化。晚清民初书局采用合作式文化生产模式,20世纪30年代则演变为资本主义商业竞争性的生产模式,新中国成立后转变为协商式文化生产模式。作者擅长使用现代社会科学理论,建构起完整的现代中国出版编辑史的框架结构。然而,该书占有材料略显不足,选取史料稍欠严谨,使得某些论述没有得到充分的展示和发挥。作者的类型学划分难以贯通全书,为了重构理论甚至不避曲解史料之嫌。尽管如此,该书对中国现代出版史依然做出了独具特色的结构性阐释。展开更多
China’s understanding of the national image has gone through three stages. Chinese experts and scholars are generally aware of the importance of the national image, but their research results are mostly passive stres...China’s understanding of the national image has gone through three stages. Chinese experts and scholars are generally aware of the importance of the national image, but their research results are mostly passive stress responses to the reality of the “demonization” of China’s image. Research on Western images of China features the change from individual research to group research, from overall analysis to delicate classification, and from a specific historical period (shorter historical period) to a longer historical period. There are many studies on the image of China from the perspective of famous Western thinkers, politicians and writers. The research results can be basically classified into two categories: Western-centralism and China-centralism. On this basis, the research on Western images of China is both realistic and illusory, and conclusions drawn are both objective and stereotyped.展开更多
文摘高哲一著《现代中国的印刷之力》(The Power of Print in Modern China)以20世纪三分之二时间里的商务印书馆、中华书局、世界书局为研究对象,几代知识分子通过编印教科书、辞典、古籍丛刊、大型丛书等出版物,用工业化的生产方式塑造了现代中国人的思想与文化。晚清民初书局采用合作式文化生产模式,20世纪30年代则演变为资本主义商业竞争性的生产模式,新中国成立后转变为协商式文化生产模式。作者擅长使用现代社会科学理论,建构起完整的现代中国出版编辑史的框架结构。然而,该书占有材料略显不足,选取史料稍欠严谨,使得某些论述没有得到充分的展示和发挥。作者的类型学划分难以贯通全书,为了重构理论甚至不避曲解史料之嫌。尽管如此,该书对中国现代出版史依然做出了独具特色的结构性阐释。
基金Sponsored by “Twelfth Five-year Plan” Program of Guangdong Provincial Philosophy and Social Sciences(GD15XLS07)
文摘China’s understanding of the national image has gone through three stages. Chinese experts and scholars are generally aware of the importance of the national image, but their research results are mostly passive stress responses to the reality of the “demonization” of China’s image. Research on Western images of China features the change from individual research to group research, from overall analysis to delicate classification, and from a specific historical period (shorter historical period) to a longer historical period. There are many studies on the image of China from the perspective of famous Western thinkers, politicians and writers. The research results can be basically classified into two categories: Western-centralism and China-centralism. On this basis, the research on Western images of China is both realistic and illusory, and conclusions drawn are both objective and stereotyped.
