With the social change,the role behavior of Qin culture’s producers and inheritors have changed from traditional to modern,among which the significant symbol is the differentiation of cultural identity and social rol...With the social change,the role behavior of Qin culture’s producers and inheritors have changed from traditional to modern,among which the significant symbol is the differentiation of cultural identity and social role.Starting with the historical perspective,social-cultural perspective,etc.,and analyzing the role differentiation phenomenon of Qin musicians,this thesis considers that the changes in the role of the Qin musician are influenced by various external strong discourses in different periods.How to maintain the cultural creation and role responsibility of the Qin musicians’self-consciousness under the interaction of various external forces becomes the key to the successful protection and inheritance of the Qin cultural heritage.展开更多
To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： ...To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： the socio-political paradigm that viewed traditional literature in terms of ＂quintessence-dross＂ under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the ＂spiritual awakening＂ paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as ＂the source of new literature＂; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting ＂problem consciousness＂ in ＂interaction＂ and ＂original creation＂ and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature.展开更多
In the process of criticizing complete westernization,the traditional culture and national culture have gained theirdeserved positions.However.it is still under discussion whether or not all the traditional culture sh...In the process of criticizing complete westernization,the traditional culture and national culture have gained theirdeserved positions.However.it is still under discussion whether or not all the traditional culture should be encouragedand whether the enhancement of national culture means the advocation of traditional culture or not.It is generally heldthat feudalism dominates the former while the latter is dominated by socialism.In the course of strengthening spiritualcivilization the encouragement of the national culture will not be simply achieved by restoring fragments of ancientways,let alone the issues of rejecting the dross and assimilating the weeding through the old to bring forth the new inthe field of carrying forward the traditional culture.The author points out,through profound study in planning,modernization is not westernization,historical context is not simply the reappearance of the past and continuation isnot carrying on as before.展开更多
文摘With the social change,the role behavior of Qin culture’s producers and inheritors have changed from traditional to modern,among which the significant symbol is the differentiation of cultural identity and social role.Starting with the historical perspective,social-cultural perspective,etc.,and analyzing the role differentiation phenomenon of Qin musicians,this thesis considers that the changes in the role of the Qin musician are influenced by various external strong discourses in different periods.How to maintain the cultural creation and role responsibility of the Qin musicians’self-consciousness under the interaction of various external forces becomes the key to the successful protection and inheritance of the Qin cultural heritage.
文摘To enter into and utilize the resources of ancient literature is a necessity for literary modernity. In the twentieth century, modern Chinese literature generally adopted four paradigms in pursuit of this objective： the socio-political paradigm that viewed traditional literature in terms of ＂quintessence-dross＂ under the guidance of the Marxist doctrine of the critical inheritance of cultural heritage; the ＂spiritual awakening＂ paradigm that, being inspired by Western schools of thought such as hermeneutics, viewed traditional literature as ＂the source of new literature＂; the scientific-aesthetic paradigm that viewed traditional literature as combining scientific interpretation and modern aesthetics and focused on interpretation, transformation, innovation and creation from within; and the folk paradigm that viewed literary tradition as a narrative of daily life demonstrating the way in which ancient and modern literature were connected in a cultural whole. What is important in the complementary and competitive development of these coexisting paradigms is highlighting ＂problem consciousness＂ in ＂interaction＂ and ＂original creation＂ and the reconstruction of the value of real human life through entering into and reactivating the resources of ancient literature.
文摘In the process of criticizing complete westernization,the traditional culture and national culture have gained theirdeserved positions.However.it is still under discussion whether or not all the traditional culture should be encouragedand whether the enhancement of national culture means the advocation of traditional culture or not.It is generally heldthat feudalism dominates the former while the latter is dominated by socialism.In the course of strengthening spiritualcivilization the encouragement of the national culture will not be simply achieved by restoring fragments of ancientways,let alone the issues of rejecting the dross and assimilating the weeding through the old to bring forth the new inthe field of carrying forward the traditional culture.The author points out,through profound study in planning,modernization is not westernization,historical context is not simply the reappearance of the past and continuation isnot carrying on as before.
