Seismic effectiveness evaluation and optimized design of tie up method for securing museum collections

To quantify the seismic effectiveness of the most commonly used fishing line tie up method for securing museum collections and optimize fixed strategies for exhibitions,shaking table tests of the seismic systems used for typical museum collection replicas have been carried out.The influence of body shape and fixed measure parameters on the seismic responses of replicas and the interaction behavior between replicas and fixed measures have been explored.Based on the results,seismic effectiveness evaluation indexes of the tie up method are proposed.Reasonable suggestions for fixed strategies are given,which provide a basis for the exhibition of delicate museum collections considering the principle of minimizing seismic responses and intervention.The analysis results show that a larger ratio of height of mass center to bottom diameter led to more intense rocking responses.Increasing the initial pretension of fishing lines was conducive to reducing the seismic responses and stress variation of the lines.Through comprehensive consideration of the interaction forces and effective securement,it is recommended to apply 20%of breaking stress as the initial pretension.For specific museum collections that cannot be effectively protected by the independent tie up method,an optimized strategy of a combination of fishing lines and fasteners is recommended.

A Study on Chengdu Museum’s Endeavor to Expand Its International Influence

Expanding a city’s cultural influence through museums is a growing trend in local efforts to promote cultural advancement and communication in China in the context of international engagement in the new era.Chengdu Museum,which opened its new venue to the public in 2016,has emphasized the importance of engagement with foreign visitors as a key focus of its recent development.This aligns with Chengdu’s goal of establishing itself as a world-renowned cultural and creative city during the 14th Five-Year Plan period(2021–2025).This paper summarizes the approaches of renowned Chinese and foreign museums to expanding their international influence,citing examples such as the British Museum,the Louvre Museum,and the National Museum of China.Based on a case study of Chengdu Museum’s efforts to enhance its international communication capacity since 2016,several suggestions are put forward for urban museums regarding how to increase research capability,create a media matrix,and develop cloud exhibition platforms.This study aims to provide some insights for museums to effectively integrate resources to preserve urban culture urban culture and enhance the global influence of Chinese culture.

The Educational Adaptive-optics Solar Telescope at the Shanghai Astronomy Museum

The Educational Adaptive-optics Solar Telescope(EAST)at the Shanghai Astronomy Museum has been running routine astronomical observations since 2021.It is a 65-cm-aperture Gregorian solar telescope for scientific education,outreach,and research.The telescope system is designed in an“open”format so that the solar tower architecture can be integrated with it,and visitors can watch the observations live from inside the tower.Equipped with adaptive optics,a high-resolution imaging system,and an integral field unit spectro-imaging system,this telescope can obtain high-resolution solar images in the TiO and Hαbands,and perform spectral image reconstruction using 400 optical fibers at selected wavelengths.It can be used not only in public education and scientific outreach but also in solar physics research.

Research on Improving Artistry of Exhibitions in History Museums in China

Chinese civilization,with its long and continuous history and rich cultural heritage,plays a central role in China’s dialogue with other civilizations.Therefore,it is necessary to collect and refine the defining symbols and best elements of Chinese culture and showcase them to the world;develop discourse and narrative systems with Chinese characteristics,better tell China’s stories,and make China’s voice heard.This effort can help Chinese civilization shine globally,interact with other civilizations,and promote its communication and influence worldwide.In China,history museums,as physical carriers of Chinese civilization,are an important component in developing Chinese discourse and narrative systems and an important channel to better tell China’s stories and make China’s voice heard.Improving the artistry of museum exhibitions caters to the public’s growing demand for a more enriching cultural experience and substantially promotes Chinese culture on a global scale.With the communication of Chinese civilization as the main focal point,this study investigated the current issues related to the artistry of history museum exhibitions in China and defined the artistry of history museum exhibitions and their connotations.Based on an in-depth analysis of the artistry of historical museum exhibitions within China,this paper enumerated the areas where improvements could be made to enhance exhibition artistry,intending to promote the communication of Chinese civilization.

Analysis on the Development Model of Relic and Museum Tourism Products Based on ERP Analysis:A Case Study on Shandong Province

In recent years, the trend of people choosing relic and museum tourism during their vacationand leisure time is growing day by day, mainly because it touches people's feelings about historical relicsand cultural heritage. The development of relic and museum tourism products is not only the inheritanceof culture and the protection of cultural relics, but also the promotion of tourism consumption under thebackground of cultural tourism integration, which has promoted the development of regional economy.With the relic and museum tourism resources in Shandong Province as the research object, through theanalysis of its resources, market and products, this paper put forward three applicable modes of relic andmuseum tourism product development, including independent development, joint development, and artauthorization, and proposed specific suggestions around the three modes.

“Luminous Conflicts:Navigating Architecture,Light,and Visitor Experience in Museums”:The Case of Yale Center for British Art

The architectural design of the YCBA(Yale Center for British Art)exemplifies Kahn’s exploration of light as a transformative element.However,preserving sensitive materials within the museum challenges the building’s original intent.The potential harm caused by light necessitates control measures,potentially compromising the intended luminous ambiance envisioned by Kahn.A comprehensive survey revealed a strong preference for natural light in the museum environment.Visitors appreciated the ethereal qualities and heightened engagement with exhibits facilitated by natural light.This research critically examines the balance between architectural vision,preservation imperatives,and visitor expectations,highlighting the museum space as a dynamic field of action.The architectural elements,interior configuration,lighting,and movement are in constant harmony and conflict.This investigation contributes to a deeper understanding of the relationship between architecture,light,the museum experience,and knowledge.It underscores the importance of considering preservation,design,and visitor preferences when balancing these elements in museums.

Integration of Environmental and Social Values in Cultural Spaces:Sustainable and Inclusive Wayfinding Materials for Museums

In the context of use of large museum centers,numerous national and international methodological experiments show that the wayfinding project must consider the needs of both habitual users(user-centered design)and local communities(design for communities)and the importance of environmental protection(eco-design)as a priority interest of the community.This“double target”,“user-centered”and“environment-centered”can be applied during the selection process of materials to be used in the project.With respect to these possibilities,this contribution intends to present the results of research focused on material characterization of the reception and distribution spaces of large museum centers.This characterization is based on use of sensory materials and aims to evaluate their impact on the usability and sustainability of wayfinding systems.The paper directed towards a proposal for organization of integrated information on new generation so-called smart materials;within the design of a wayfinding system,these can balance the aesthetic-perceptual and performance and environmental impact,in order to allow designers to make informed decisions oriented towards inclusion and sustainability.The study was addressed by conducting two phases of systematic literature and library review of materials.The investigations conducted led to achievement of a first research result which consists in the identification of a“standard sheet”for the mapping and cataloging of the materials used for wayfinding.The“standard sheet”allows organizing the information on smart,sensorial,and eco-friendly materials,balancing the aesthetic-perceptive component with the performance on the environmental impact along the entire life cycle in a circular perspective.This tool could guide designers towards an environmental communication project oriented towards sustainability and is effective for usability and wayfinding.

MAGAZINE REVIEW

Cultural Relics World Issue 8,2024 The 70th Anniversary of the Establishment of Shandong Museum Museum is an institution that collects"history",and the museum itself is also a part of history.The issuelaunches the special feature of Shandong Museum,presenting a brief history of the growth 194-3024 of Shandong Museum,which is also a microcosm of the development of the Chinese cultural museums.

An Ancient Culture Fad Is Rising

In recent years,a new trend has emerged where an interest in museums and archaeology has hooked young people,allowing them to appreciate China’s rich history and be culturally enlightened,while simultaneously contributing to the spread of Chinese culture.

Magazine Review

The Evolutionof Ritesin the East:Ancient Relics of Shandong Reflecting the Brilliant Civilizationof China,In recent years,with the development of China's social economy,people choose more and more modes of leisure during the Chinese New Year holiday.Among them,visiting museums and art galleries has become an important choice for people to pursue spiritual and cultural life and improve their own quality,which has even formed a fashion of"enjoying the happy Chinese New Year at museums and art galleries".During the Chinese New Year,museums and artgalleries across the country launch colorful New Yearexhibitions.

Beauty in the Gathering:Exhibition of Precious Collection from Art Museums Around China

"Beauty in the Gathering:Exhibition of Precious Collection from Art Museums around China"opens at the National Art Museum of China(NAMOC)on February 1 and lasts until April 1.The exhibition provides a glimpse of the great variety of art collected by 15 museums,and distinctive features that vary from region to region,which has witnessed the further prosperity and development of the art museum industry since the new era.The exhibition showcases over 500 pieces of traditional Chinese painting,oil painting,printmaking,watercolor painting,lacquer painting,sculpture,folk art,mixed media art,calligraphy and other collections provided by these museums.

A Discussion on the Structure and Spatial Composition of Long Museum West Bund

The Long Museum,with its distinctive T-shaped“umbrella-vault”structure,offers a rich array of spatial experiences.This article delves into space from both structural and compositional perspectives.As the construction mediator,the umbrella vault embodies the consistency of construction and implies the causality of the surface.Presented as an element,the space flows freely,showing diverse fields and order.In terms of the liberation of its meaning,the space offers static perception and dynamic experience,creating a rich exhibition atmosphere.As a distinct entity,the umbrella-vault presents the physical nature,and the dialogue between the Long Museum and the city makes it a museum of art for the people.

What Is the Curse of Oak Island?

What would you do with a treasure chest?Would you turn the gold into beautiful jewelry?Show off the gems to your friends and family?Sell it to a museum for a fortune?Most people would love to come across a hidden treasure.But only a few people actually go in search of it.Treasure hunting can be a long,difficult journey.It calls for hard work,determination,and willingnesst to take risks.

Development Strategy of Sichuan Sports Museum under the Background of Cultural and Tourism Integration

Through conducting a SWOT analysis of the Chengdu Sports Institute Museum,and utilizing the 4M management,5W display,and 4P marketing theoretical models,this study explores effective strategies suitable for Sichuan sports museums in terms of functionality,display,and marketing.

博物馆手册类文本汉译策略——以Guidelines for Disaster Preparedness in Museums为例

博物馆安全是博物馆工作的重中之重,博物馆的安全为保障博物馆正常运转发挥重要作用。自2019年新冠肺炎疫情暴发以来,博物馆面临的安全形势十分严峻,主要表现为应急措施匮乏、灾害防范不到位以及管理体制不完善等问题。这给全球博物馆的发展带来了新的安全挑战,为博物馆安全提出了更高的要求,如何预防与应对博物馆突发事件成为博物馆安全的重要任务。该文选取了一篇国际博物馆协会官方发布的国际通用手册Guidelines for Disaster Preparedness in Museums为研究对象,从词汇、句法及篇章三个方面分析博物馆手册类文本的特点,归纳三种翻译策略,以期促进我国博物馆健康发展,为博物馆手册文本的翻译研究贡献绵薄之力。

An analysis of Great Salt Lake Winogradsky columns

Sergei Winogradsky illuminated revolutionary concepts and produced a tool to visualize complex microbial communities and their metabolisms over time:columns displaying aquatic consortia with variety of niches.We worked with museums in Utah to create Winogradsky columns that would highlight aesthetic properties of the Great Salt Lake(GSL)ecosystem,which has a salinity gradient from the freshwater wetlands to salt saturation.One column,constructed using haloarchaea-rich hypersaline brine and oolitic sand of the lake’s north arm,was enriched with nutrients,and resulted in the desired pink hue over time.After a seven-year maturation period,we examined the microbial taxa present in the water through 16 S/18 S rRNA and Internal Transcribed Spacer(ITS)gene sequencing.A pigment analysis revealed an abundance of bacteriochlorophyll a.The presence of this pigment coupled with the DNA sequencing results,suggest that the haloarchaea that dominate the GSL brine,were not responsible for the pink coloration,but instead Gammaproteobacteria,especially Halorhodospira species.Among the eukaryotes,the lack of phytoplankton and the abundance of fungi were noteworthy observations.These data likely relate to the reduction of oxygen in a non-aerated sealed system over time.Our second exhibit had the goal of educating museum goers about the varying salinities of Great Salt Lake.Here we employed three distinct columns of water and sediment from this salinity gradient.Observations of these columns overtime gave us information about invertebrate communities in addition to the microbial consortia.Both installations taught us about comparing an artificial environment in a museum setting to the natural ecosystem.Taken together,we present the data collected and lessons learned from using Winogradsky columns in public spaces for teaching about an important saline lake.

Techniques of Wallpaper(Biao Hu)in the Palace Museum:A Case Study of the Lodge of Bamboo Fragrance(Zhuxiang Guan)

Biao Hu was one of the eight famous traditional crafts in the late Qing dynasty.This skill involved decorating the interiors of ancient buildings such as ceilings,walls,and windows and creating burial objects.It was primarily used for wooden buildings in northern China during the early Qing dynasty.For example,there is white-patterned wallpaper in the Forbidden City utilizing both traditional and nontraditional patterns.Moreover,there was wallpaper with a special pattern in the Lodge of the Bamboo Fragrance(Zhuxiang Guan).Its structure and composition were studied via morphological observations and spectral analyses,the pigments and dyes were analyzed by Raman spectroscopy and ultra-high performance liquid chromatography-mass spectrum(UPLC-MS).Traditional technology and exchanges between China and the West were discussed by the study of patterned wallpapers in other buildings of the Forbidden City.

NCHA:More Than 90%Museums Accessible to the Public Nationwide for Free

Recently,Li Qun,Vice Minister of the Ministry of Culture and Tourism and Director of National Cultural Heritage Administration(NCHA),said that China has a total of 6,565 museums with more than 90%museums accessible to the public for free.

Digital Technologies Inject Renewed Vitality into Cultural Heritage

Digital technologies have provided new opportunities to preserve cultural heritage,which not only bring cultural heritage back to life,but also make it become increasingly popular.The gradual application of digital technology throughout the entire process of collection and storage,restoration and display,content exploration,intelligent management,and revitalizing utilization of cultural objects stimulate the new vitality of museums.

Picturing the Times

Visitors experience the future Internet of Things at the World Internet Science and Technology Museum,the world’s first Internetthemed large-scale science and technology museum,on November 9 during the 2023 World Internet Conference Wuzhen Summit in Wuzhen,Zhejiang Province.