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Discussion on the Relation between Garden Landscape Constitution and Ancient Chinese Poetry and Paintings
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作者 王海侠 《Journal of Landscape Research》 2010年第5期25-26,99,共3页
From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment... From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment of Chinese literati.As a diverse and comprehensive aesthetic art,landscape expressed material and spiritual culture doubly,the spiritual connotation of which was inextricably linked within ancient Chinese poetry and paintings.In addition,ancient Chinese poetry and paintings can be directly used in landscape composition,such as the widely used in plaques,inscriptions,couplets,poems and inscriptions,carved beams and painted pillars,painting with words and so on.Chinese literati integrated the ethereal realm of poetry and paintings into garden art,making landscape endow with poetic charm.Therefore,the landscape revealed the traces of literature and arts in aesthetic idea and taste,pushing Chinese garden to a higher aesthetic realm.This study pointed the right way to the future of modern landscape which advocated ecological and harmonious development. 展开更多
关键词 POETRY and paintings Culture-based source landscape CONSTITUTION MOOD infiltration
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Reclusive Dwelling Schema of Chinese Landscape Painting:Narrative Medium,Visualization,and Implication
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作者 ZHANG Yimeng CUI Shuangyi 《Cultural and Religious Studies》 2023年第11期530-540,共11页
The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden... The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden works,resulting in artistic visualization with poetic implication.The article analyzed six Chinese landscape paintings of reclusive dwelling theme,in terms of narrative medium,visualization,and implication.The intention is to conclude the reclusive dwelling schema of Chinese landscape painting and study a visualizing methodology involved spiritual implication on dwelling,which could be beneficial to both contemporary art and architectural creations. 展开更多
关键词 reclusive dwelling schema Chinese landscape painting visualizing methodology art and architecture
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Exploring Taiwan’s China Landscape Painting Aesthetic Preferences Through Evaluation Grid Method and the Continuous Fuzzy Kano Model
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作者 Chin-Chin Kuo Jiann-Sheng Jiang Min-Min Lin 《Journal of Contemporary Educational Research》 2023年第12期268-276,共9页
The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan... The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products. 展开更多
关键词 Aesthetic literacy Taiwan’s landscape painting Miryoku engineering Evaluation grid method(EGM) Fuzzy Kano model Golden ratio scale semantics
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Discussion on the Inheritance and Development of Taoism's Simple Aesthetics Spirit in Contemporary Landscape Paintings
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作者 Jian ZHAO 《International Journal of Technology Management》 2013年第10期111-113,共3页
Nowadays, the landscape paintings dominated by Taoism' s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the easter... Nowadays, the landscape paintings dominated by Taoism' s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings' artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized. 展开更多
关键词 TAOISM landscape paintings Simplicity and Plain INHERITANCE the Contemporary Times
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Study on Decorative Patterns of Ceramic Landscape Paintings in Qing Dynasty
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作者 LI Ying 《Journal of Literature and Art Studies》 2021年第10期833-839,共7页
Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patter... Compared with the previous generation,the ceramic art of the Qing Dynasty made a great breakthrough in modeling and decoration,reaching the peak of Chinese ceramic production.At this time,the ceramic decorative patterns continued to innovate in inheritance and add new themes.Among them,the emergence of landscape painting decorative patterns reflected the unique artistic charm of ceramics in the Qing Dynasty,which not only found a new space for Chinese landscape painting,but also added new vitality to Chinese ceramic art.This paper makes a preliminary introduction to the development of ceramic landscape decoration in the Qing Dynasty. 展开更多
关键词 Qing Dynasty ceramics decorative patterns landscape painting theme artistic expression
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Black Ink in Silver World─—Yu Zhixue and His Snow and Ice Landscape Paintings
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《China & The World Cultural Exchange》 1997年第1期10-12,共3页
关键词 Black Ink in Silver World Yu Zhixue and His Snow and Ice landscape paintings
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A World of Ice and Snow Yu Zhixue and His Ice and Snow Landscape Paintings
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《China Today》 2001年第3期46-50,共5页
关键词 A World of Ice and Snow Yu Zhixue and His Ice and Snow landscape paintings World
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17-18世纪西方风景画发展对LANDSCAPE概念与实践的影响 被引量:1
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作者 王吉伟 朱建宁 《古建园林技术》 2023年第1期124-128,共5页
17-18世纪是现代风景园林学科核心研究对象LANDSCAPE的风景概念形成与实践的关键时期。本文首先从词源学角度阐释LANDSCAPE的本源含义;然后通过详细分析风景画独立背景、理论方法、特点与辅助工具等内容,阐释其发展引起风景发现的原因... 17-18世纪是现代风景园林学科核心研究对象LANDSCAPE的风景概念形成与实践的关键时期。本文首先从词源学角度阐释LANDSCAPE的本源含义;然后通过详细分析风景画独立背景、理论方法、特点与辅助工具等内容,阐释其发展引起风景发现的原因与机制,此社会现实反馈至语言方面的表现是,LANDSCAPE在本源含义的基础上引入荷兰风景及其绘画含义转变为完整的风景含义;最后阐释风景画对自然式风景造园的指导作用机制,并且提出风景画、风景与土地实践之间的桥梁是基于自然之数的理性美学。 展开更多
关键词 理论 landscape 风景画 风景 自然风景园 理性美学 透视学
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Application of Chinese Landscape Painting Ambience in Modern Residential Landscape
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作者 WANG Yichuan MA Lianjing LIU Yang 《Journal of Landscape Research》 2012年第10期14-17,共4页
Planning and design of modern residential landscapes in China has experienced rapid growth, but many residential areas have simulated western landscape designs and lost the ambience of traditional Chinese landscape pa... Planning and design of modern residential landscapes in China has experienced rapid growth, but many residential areas have simulated western landscape designs and lost the ambience of traditional Chinese landscape painting, and the designs have shown poor diversity, artistic quality or unification of landscapes and environmental effects. Hence, the paper proposed that modern residential landscape design should be integrated with Chinese landscape painting factors, and the concept of "human-nature oneness" should be demonstrated to create garden landscapes suitable for appreciating, sightseeing, living and enjoying, and also living spaces with picturesque scenery. Through analyzing landscape designs of "Century Sunshine Garden" in Hefei City, Anhui Province, the study explored the integration of modern residential landscapes and Chinese landscape painting ambience, so as to create green, ecological, healthy, practical landscapes for modern residential areas. 展开更多
关键词 CHINESE landscape paintING ambience MODERN RESIDENTIAL landscapes Human-nature oneness
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The Motif in Canadian Landscape Painting:From the Topographical to the Decorative
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作者 Lloyd James Bennett 《Journal of Literature and Art Studies》 2018年第7期1028-1038,共11页
In Early 20th century,Canadian landscape painting had its roots in European art,especially in impressionism and subsequent developments.When Claude Monet took to working in a series to capture changing light,he sought... In Early 20th century,Canadian landscape painting had its roots in European art,especially in impressionism and subsequent developments.When Claude Monet took to working in a series to capture changing light,he sought to simplify his subject;the painter would focus on a motif:a passage of river,a tree,or a building facade.This editing out of landscape information led to a more abstract work where one might focus on the color or brushwork in the painting.This method led to a release from the task of measuring for accuracy for the viewer.Painting became sensory and not imitative where one was free to enjoy pure painting that spoke directly to a sensation or a delight in an unsuspected arrangement.At the end of the 19th century,Art Nouveau designs were printed in international journals,like The Studio and were studied in commercial design shops,like Grip Ltd.,Toronto.The nucleus of Canada’s leading painting group―the Group of Seven,was formed out of commercial art and,to some extent,designs one could see reproduced in magazines.Tom Thomson took these motifs;these abstracted forms and envisioned them in the landscape of Ontario through his plein air sketches.Lawren Harris stylized trees and mountain forms into abstractions of pure delight and A.Y.Jackson set his hills in the landscapes of rural Quebec where repeating rhythms trumped topography accuracy.This paper will highlight these Canadian painters as they introduced the motif that moved landscape painting to decoration of the most satisfying kind. 展开更多
关键词 landscape paintING CANADA MOTIF plein air
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The Translation Strategies of “Winkle” in Chinese Landscape Painting
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作者 HUI Juan JIA Xiaoqing 《Sino-US English Teaching》 2019年第4期168-171,共4页
As one of China’s outstanding traditional cultures, Chinese landscape paintings are not only loved and admired by Chinese people, but also won favors abroad. In the face of China’s current international status, it i... As one of China’s outstanding traditional cultures, Chinese landscape paintings are not only loved and admired by Chinese people, but also won favors abroad. In the face of China’s current international status, it is essential to carry forward its excellent things and increase cultural self-confidence. However, it is inseparable from translation, and through the translation of various languages, the world’s excellent culture can be promoted and passed down. Based on his many years of practical experience, the author tries to explore the English translation method of the Chinese painting landscape “皴(cūn)” from the two translation strategies of domestication and foreignization in order to provide reference for the spread of traditional culture. 展开更多
关键词 皴(cūn) landscape paintING TRANSLATION
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Analysis of the formation ofNi Zan's landscape painting style --Taking "Map of a fishing village in an autumn sunny day after the rain" as an example
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作者 KONG Xiaofeng 《International English Education Research》 2016年第4期26-29,共4页
The paintings in the Yuan Dynasty, because oft.heir unique characteristics of the times, have made a deep and superexcellent track in the history of the Chinese painting, among which the literati landscape paintings r... The paintings in the Yuan Dynasty, because oft.heir unique characteristics of the times, have made a deep and superexcellent track in the history of the Chinese painting, among which the literati landscape paintings represented the subject of the paintings in the Yuan Dynasty. And in the literati paintings, Ni Zan's paintings are the most representative. The application of the pen and ink in his works is concise and thinly scattered, and the artistic conception is cold and desolate. In this paper, with "Map of a fishing village in an autumn sunny day after the rain" as an example, the author analyzes Ni Zan's painting style and the causes of its formation. 展开更多
关键词 Ni Zan landscape painting painting style causes of the painting style
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Research on the Landscape Painting in Ming and Qing Dynasties of the Art of Wu School
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作者 huang huanchen 《International Journal of Technology Management》 2016年第9期10-12,共3页
In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscap... In this paper, we conduct research on the landscape painting in Ming and Qing dynasties of the art of Wu School. The Wu School of art is full of creativity, they worship nature, between large vigorous refined landscape painting in the real world with fast red green courtyard, this spirit of the innovation to future generations of artists with great inspiration, Wu school opened up the artistic development for future generations, direct and profound infi uence after the landscape painting and flower and bird painting. Today, we are in the pursuit of the traditional Chinese painting of change, innovation, modernization, “Wu door school” this group of literati painter to do a historical retrospect that is a positive significance. Based on this historical time, we analyze the corresponding theories to provide the systematic research that will be meaningful. 展开更多
关键词 landscape painting Ming and Qing Dynasties of the Art Wu School.
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Contemporary Expansion of Chinese Landscape Painting
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作者 Jie Shi 《Journal of Contemporary Educational Research》 2020年第6期84-89,共6页
Since ancient times,Chinese literati have a special dependence and belief in landscape painting,Since ancient times,Chinese literati have a special dependence and belief in landscape painting,Confucius’theory puts fo... Since ancient times,Chinese literati have a special dependence and belief in landscape painting,Since ancient times,Chinese literati have a special dependence and belief in landscape painting,Confucius’theory puts forward that“benevolent people enjoy mountains,wise people enjoy water”.The artistic form of landscape theme is the world outlook and outlook on life condensed by Chinese literati in thousands of years of social changes,and the way to view the way of the universe.This paper discusses how to innovate and expand the form of Chinese landscape painting in the contemporary context,how to effectively convey the painter’s feelings and ideas in the performance,and how to accept and recognize Chinese landscape painting on the international stage.The inheritance and innovation of Chinese landscape painting needs painters to have a keen sense of people’s psychological deficiencies and spiritual demands in this era,to refine the social cognitive level in life,to separate from the surface form that interferes with vision,to go deep into the nature of the problem,to find a way out of the Predicament and to achieve transcendence,to achieve“two forgets of things and one forgetting of man and nature”,and to lead the audience with Chinese landscape painting Enter the pure spiritual world to resist the impetuosity and alienation caused by the rapid pace of life in the era of information technology. 展开更多
关键词 landscape painting Contemporaneity spirit
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Chen Peilun's Landscape Painting:Endure Your Appreciation and Trigger Your Imagination
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《China & The World Cultural Exchange》 2002年第2期17-17,共1页
关键词 Chen Peilun’s landscape painting:Endure Your Appreciation and Trigger Your Imagination
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Image Style of the Tianping Mountain Landscape in the Ming Dynasty
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作者 XIONG Jingwen CHEN Xiaogang 《Journal of Landscape Research》 2019年第3期123-126,共4页
Starting from the Tianping Mountain theme painting in Suzhou in the Ming Dynasty, we explore how did the painters and literati in this period shape the image of the Tianping Mountain through their works, thereby refle... Starting from the Tianping Mountain theme painting in Suzhou in the Ming Dynasty, we explore how did the painters and literati in this period shape the image of the Tianping Mountain through their works, thereby reflecting their understanding on many landscapes on the Tianping Mountain. By exploring a series of paintings and poems, we try to analyze the characteristics and cultural connotation of landscape paintings of the Tianping Mountain in the Ming Dynasty, which is conducive to improving position of the Tianping Mountain natural and humanistic landscape in Suzhou. 展开更多
关键词 The Ming DYNASTY The Tianping MOUNTAIN of SUZHOU landscape image Travel atlas LITERATI paintING
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Cognitive Translation of Paintings of Lijiang Painting School Under the Guidance of Rewriting Theory
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作者 QIN Kai LI Xutong 《Journal of Literature and Art Studies》 2020年第7期615-624,共10页
It is an important task to communicate Chinese culture with other countries in the more conflicting global world.Lijiang Painting School plays a very important part in Chinese art,and it greatly influences the painter... It is an important task to communicate Chinese culture with other countries in the more conflicting global world.Lijiang Painting School plays a very important part in Chinese art,and it greatly influences the painters of various periods in China.In this context,some representative paintings of Lijiang Painting School in different periods were collected in this paper as the research objects.The rewriting theory was applied in the study because Chinese readers and English readers have different cultural backgrounds and diverse thinking.Based on the rewriting theory,these representative paintings were translated and the explained in English.In the study,it is found that as an intersemiotic translation,the translation of the representative paintings of Lijiang Painting School should be focused on those target readers who can’t comprehend directly from the paintings.In addition,the artistic integrity should be considered first before details in paintings.Therefore,the overall perception of target readers gaining from the translations should be paid more attention to rather than metaphrase.The translation under the guidance of rewriting theory will be helpful for the target readers to understand the connotation of source culture with some cultural images of target readers. 展开更多
关键词 translation of paintings Lijiang painting School Chinese landscape painting rewriting theory
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Ancient Chinese Landscape Architecture
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《China & The World Cultural Exchange》 1993年第4期14-15,共2页
IN the past decade,the worldhas suddenly discovered thewonders of Chinese landscapegardening and garden architecture,and places like New York,Singaporeand London have all built Chinese-style gardens.The architectural ... IN the past decade,the worldhas suddenly discovered thewonders of Chinese landscapegardening and garden architecture,and places like New York,Singaporeand London have all built Chinese-style gardens.The architectural stylespecial to Chinese gardens has,infact,developed·a“school”of itsown.In China,the landscaped gardenhas long been a part of culture,andliterature,painting,philosophy,cal-ligraphy and folk customs have alldealt with it at one time or another.Two categories of garden architec-ture exist:the imperial garden andthe private garden.The former is,ofcourse,grand and palatial and occu-pies large tracts of land,while 展开更多
关键词 GARDEN architectural private paintING landscape suddenly CUSTOMS tracts ELEGANT PHILOSOPHY
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An Exploration of the Water Painting Method in Ancient China
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作者 WANG Kuo 《Journal of Literature and Art Studies》 2023年第6期457-461,共5页
In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods o... In traditional landscape painting in China,water has always occupied an important artistic position and space,and painters in different ages had different ways to express water.Systematically sorting out the methods of water painting in Chinese painting is of great significance for us to gain a comprehensive understanding of the artistic styles,cultures and artistic languages of different times.It is also of great reference value for those learning Chinese painting. 展开更多
关键词 Chinese painting landscape TECHNIQUES
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CG技术在外宣纪录片中的运用研究 被引量:1
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作者 朱英 《电视技术》 2024年第6期99-101,共3页
随着科技的进步,外宣纪录片的制作手段越来越多样化。计算机图形学(Computer Graphics,CG)技术的应用更加突出了外宣纪录片的真实感,营造出强烈的视觉艺术效果,为观众带来了沉浸式的视听体验。基于此,阐述CG技术在外宣纪录片制作中的真... 随着科技的进步,外宣纪录片的制作手段越来越多样化。计算机图形学(Computer Graphics,CG)技术的应用更加突出了外宣纪录片的真实感,营造出强烈的视觉艺术效果,为观众带来了沉浸式的视听体验。基于此,阐述CG技术在外宣纪录片制作中的真实性、适度性和艺术性三大运用原则,分析CG技术在外宣纪录片中的具体应用,包括三维建模、数字绘景和数字调色等,以期为外宣纪录片的艺术创作提供参考。 展开更多
关键词 计算机图形学(CG) 外宣纪录片 运用原则 三维建模 数字绘景 数字调色
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