Digital technology has penetrated all aspects of modern life and is pushing society forward by profoundly changing the way people live and think.It can not only eternalize cultural heritage,but also allow relevant kno...Digital technology has penetrated all aspects of modern life and is pushing society forward by profoundly changing the way people live and think.It can not only eternalize cultural heritage,but also allow relevant knowledge to be spread more quickly and effectively.China is home to a diverse array of historical and cultural towns and villages,which are an important cultural heritage.Digital preservation means leveraging technologies such as mapping,remote sensing,computers,3 D imaging,virtual reality,plus physical and chemical techniques to collect data to monitor,record,restore,and rebuild with the goal of preserving both their physical shapes and cultural legacies.展开更多
Global climate change and the accelerated melting of glaciers have raised concerns about the ability to manage ice-snow environments.Historically,human ancestors have mastered the ecological wisdom of working with ice...Global climate change and the accelerated melting of glaciers have raised concerns about the ability to manage ice-snow environments.Historically,human ancestors have mastered the ecological wisdom of working with ice-snow environments,but the phenomenon has not yet been articulated in cultural landscape methodologies that emphasize“nature-culture relevance”.The challenging living environment often compels indigenous people to form a strong bond with their surroundings,leading to the creation of long-term ecological wisdom through synergistic relationships with the environment.This ecological environment is conceptualized as a cognitive space in the form of the landscape,with which the aboriginal community norms and individual spirits continually interact.Such interactions generate numerous non-material cultural evidences,such as culture,art,religion,and other ideological aspects of the nation.These evidences symbolize the intellectual outcome of the relationship between humans and the landscape,and they create the“spiritual relevance”through personification and contextualization.The aim of the study is to explore the traditional ecological wisdom of the Inuit people who live in the harsh Arctic,and analyze the Inuit’s interaction with the landscape through the lens of“associative cultural landscape”,and decode the survival experience that the Inuit have accumulated through their long-term synergy with the Arctic environment.The findings focus on the synergy between the Inuit and the ice-snow landscape,examining the knowledge and ecological wisdom that the Inuit acquire from the ice-snow landscape.Our goal is to develop a perspective of the ecological environment from the viewpoint of aboriginal people and establish a methodology,model,and framework for“associative cultural landscape”that incorporates ethnic non-material cultural evidences.From the results,a total of nine models for interpreting traditional Inuit ecological wisdom are generated based on the“diamond model”of“associative cultural landscape”,covering the transition from the physical landscape to a spiritual one and demonstrating the associative role of the landscape in stimulating potential spiritual cognitive abilities in humans.展开更多
The application principles of the Mongol-Yuan culture in the landscape elements are found out,through the research on the meaning of Mongol-Yuan culture and the connectivity between culture and landscape elements.The ...The application principles of the Mongol-Yuan culture in the landscape elements are found out,through the research on the meaning of Mongol-Yuan culture and the connectivity between culture and landscape elements.The application of the Mongol-Yuan culture is specified by a typical design case analysis so as to offer some references for the modern landscape design.The Mongol-Yuan culture can be applied to the modern landscape elements,such as landform,architecture,sculpture,paving and so on.And the artistic conception of the Mongol-Yuan culture can be created by the application of the Mongolian totem culture,characteristic style,featured pattern,local customs and so on.展开更多
Abstract Dating back to at least the Han dynasty, calligraphy has been a powerful object of culture and a medium of elite education, document preparation, and character evaluation. Discourses surrounding rulers and ca...Abstract Dating back to at least the Han dynasty, calligraphy has been a powerful object of culture and a medium of elite education, document preparation, and character evaluation. Discourses surrounding rulers and calligraphy form an important sub-strand in materials on calligraphy, and these accounts often depict calligraphy as a vehicle capable of reflecting a ruler＇s moral character. This paper explores narratives that blame early Tang women power-holders, in particular, the Taiping and Anle Princesses, for borrowing and subsequently losing precious calligraphic items that were considered the authentic work of Wang Xizhi. The analysis focuses on the ways in which the different narratives describe the physical movement or location of the Wang Xizhi pieces in relation to contemporary rule and factional politics. The narratives interpret the calligraphic manuscripts as an example of the cultural inheritance, to which the ruler should properly relate in particular ways. In this way, the fate of the Wang Xizhi artifacts is understood in terms of the complex relationship between imperial power and the court＇s cultural legacy.展开更多
基金part of the results(presented in stages)of "Studies on the Theories,Methods and Practices of Digital Protection of Historical and Cultural Towns and Villages"(16ZDA159)a major program of the National Social Sciences Fund of China
文摘Digital technology has penetrated all aspects of modern life and is pushing society forward by profoundly changing the way people live and think.It can not only eternalize cultural heritage,but also allow relevant knowledge to be spread more quickly and effectively.China is home to a diverse array of historical and cultural towns and villages,which are an important cultural heritage.Digital preservation means leveraging technologies such as mapping,remote sensing,computers,3 D imaging,virtual reality,plus physical and chemical techniques to collect data to monitor,record,restore,and rebuild with the goal of preserving both their physical shapes and cultural legacies.
文摘Global climate change and the accelerated melting of glaciers have raised concerns about the ability to manage ice-snow environments.Historically,human ancestors have mastered the ecological wisdom of working with ice-snow environments,but the phenomenon has not yet been articulated in cultural landscape methodologies that emphasize“nature-culture relevance”.The challenging living environment often compels indigenous people to form a strong bond with their surroundings,leading to the creation of long-term ecological wisdom through synergistic relationships with the environment.This ecological environment is conceptualized as a cognitive space in the form of the landscape,with which the aboriginal community norms and individual spirits continually interact.Such interactions generate numerous non-material cultural evidences,such as culture,art,religion,and other ideological aspects of the nation.These evidences symbolize the intellectual outcome of the relationship between humans and the landscape,and they create the“spiritual relevance”through personification and contextualization.The aim of the study is to explore the traditional ecological wisdom of the Inuit people who live in the harsh Arctic,and analyze the Inuit’s interaction with the landscape through the lens of“associative cultural landscape”,and decode the survival experience that the Inuit have accumulated through their long-term synergy with the Arctic environment.The findings focus on the synergy between the Inuit and the ice-snow landscape,examining the knowledge and ecological wisdom that the Inuit acquire from the ice-snow landscape.Our goal is to develop a perspective of the ecological environment from the viewpoint of aboriginal people and establish a methodology,model,and framework for“associative cultural landscape”that incorporates ethnic non-material cultural evidences.From the results,a total of nine models for interpreting traditional Inuit ecological wisdom are generated based on the“diamond model”of“associative cultural landscape”,covering the transition from the physical landscape to a spiritual one and demonstrating the associative role of the landscape in stimulating potential spiritual cognitive abilities in humans.
文摘The application principles of the Mongol-Yuan culture in the landscape elements are found out,through the research on the meaning of Mongol-Yuan culture and the connectivity between culture and landscape elements.The application of the Mongol-Yuan culture is specified by a typical design case analysis so as to offer some references for the modern landscape design.The Mongol-Yuan culture can be applied to the modern landscape elements,such as landform,architecture,sculpture,paving and so on.And the artistic conception of the Mongol-Yuan culture can be created by the application of the Mongolian totem culture,characteristic style,featured pattern,local customs and so on.
文摘Abstract Dating back to at least the Han dynasty, calligraphy has been a powerful object of culture and a medium of elite education, document preparation, and character evaluation. Discourses surrounding rulers and calligraphy form an important sub-strand in materials on calligraphy, and these accounts often depict calligraphy as a vehicle capable of reflecting a ruler＇s moral character. This paper explores narratives that blame early Tang women power-holders, in particular, the Taiping and Anle Princesses, for borrowing and subsequently losing precious calligraphic items that were considered the authentic work of Wang Xizhi. The analysis focuses on the ways in which the different narratives describe the physical movement or location of the Wang Xizhi pieces in relation to contemporary rule and factional politics. The narratives interpret the calligraphic manuscripts as an example of the cultural inheritance, to which the ruler should properly relate in particular ways. In this way, the fate of the Wang Xizhi artifacts is understood in terms of the complex relationship between imperial power and the court＇s cultural legacy.
