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Exploration of the Expression of Color Emotion in Oil Painting Sketch Creation
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作者 Qianwen Jin 《Journal of Contemporary Educational Research》 2024年第10期214-219,共6页
This paper deeply analyzes the expression of color emotion in oil painting sketch creation.Starting with the three basic attributes of color theory(hue,lightness,and purity),this paper discusses its emotional symbolic... This paper deeply analyzes the expression of color emotion in oil painting sketch creation.Starting with the three basic attributes of color theory(hue,lightness,and purity),this paper discusses its emotional symbolic significance and the relationship between contrast and harmony.By interpreting the works of artists such as Van Gogh’s Sunflower,Monet’s Rouen Cathedral,and Cézanne’s Mont Sainte-Victoire,this paper shows the unique charm of different colors in conveying emotions,creating atmosphere,and expressing themes.At the same time,it is expounded that in the creation of an oil painting sketch,the effective expression of color emotion can be realized by observing nature,using subjective colors,and reasonable composition and layout of colors,so as to enhance the artistic value of the works. 展开更多
关键词 oil painting Writing and creation Emotional expression ART
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Color Expression and Mood Creation in Imagery Oil Painting
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作者 Yixuan Xu 《Journal of Contemporary Educational Research》 2024年第1期7-12,共6页
Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new developme... Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new development direction of oil painting,and thus imagery oil painting came into being.Color,as the most important element in imagery oil painting,mainly plays the role of mood creation and emotional expression.Many creators are good at injecting their thoughts and emotions into the paintings through color matching,so as to enhance the artistic expression of the paintings.This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects. 展开更多
关键词 Imagery oil painting Color expression Mood creation
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Peculiar Characteristics of (Vietnamese) Painting Language: Oil Painting and Contributions From Notable Painters Including Le Van Mien, Thang Tran Phenh and Nam Son
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作者 Nguyen Van Doan (Wentuan Ruan) 《Journal of Literature and Art Studies》 2017年第5期548-554,共7页
This paper summarizes the painting artistry from three painters: Le Van Mien, Nam Son, and Thang Tran Phenh with the following notable characteristics: realism, impressionism, and contemporary humanism. It is visibl... This paper summarizes the painting artistry from three painters: Le Van Mien, Nam Son, and Thang Tran Phenh with the following notable characteristics: realism, impressionism, and contemporary humanism. It is visible from their works that these three artists have managed to define their ways to create arts reflecting the Vietnamese people in the period of transition between 19th and 20th Century Vietnam. Contemporary humanism has always been a great aspiration to any painter in any time period. During the life and work of painters, it is the visible themes of human beings in their work that best reflect how the artists perceive life. While considered to be the pioneering figures in Vietnamese oil painting registry of art, the three painters Le Van Mien, Nam Son, and Thang Tran Phenh all happened to favor the humanism theme in their oil painting works. There were two most commonly accepted explanations for this choice. First of all, most artistic geometry lessons for beginners often choose the human figure to be the starting model for study and creative development. Secondly, during the tram-century period when Eastern and Western cultures collided in Vietnam during the late 19th early 20th Century, humans and most notably the Confucianists were the most vivid storytellers of the day and age. 展开更多
关键词 Le Van Mien Nam Son Thang Tran Phenh oil painting
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Analysis on the Developmental Trend and Characteristics of Modern Oil Painting from Perspectives of the Texture and Color
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作者 Xinghua Wang 《International Journal of Technology Management》 2016年第8期4-6,共3页
In this paper, we conduct research on the developmental trend and characteristics of the modern oil painting from perspectives ofthe texture and color. Image oil painting is not just a simple art genre and style, it i... In this paper, we conduct research on the developmental trend and characteristics of the modern oil painting from perspectives ofthe texture and color. Image oil painting is not just a simple art genre and style, it is a western oil painting the foreign art in the Chinese culturalenvironment to generate the types of oil painting is a kind of Chinese national culture characteristic of painting art for the purpose of art topresent true feelings and true feelings should be created by the artist’s technique, form, style, texture effects such as external factors. And manyof the current oil painting art works are showing the true feelings, because of the wrong style, texture and other external factors as the purpose ofart. Master of art means the long-term growth path is essentially in express their true feelings, and to form the style need to constantly supplementand perfect process. We provide the novel perspective on the corresponding issues that will be meaningful and important. 展开更多
关键词 Texture and Color Developmental Trend oil painting MODERN General Analysis.
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Chinese “Red” Oil Paintings Sold Well in Auction Market
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作者 Yang Yumou 《China & The World Cultural Exchange》 2009年第12期25-27,共3页
Chinese"red"art,which refer to artworks depicting revolutionary subjects,have seen excellent performance in the auction market since the beginning of this year.In particular,the celebration of the60th annive... Chinese"red"art,which refer to artworks depicting revolutionary subjects,have seen excellent performance in the auction market since the beginning of this year.In particular,the celebration of the60th anniversary of the People’s Republic of China gave a new push to its price rise. 展开更多
关键词 CHINESE oil paintings Sold Well in Auction Market RED
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Reconstruction of Images-- Realistic Oil Paintings
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作者 Hongwu Gao 《International English Education Research》 2014年第7期16-17,共2页
Realistic oil painting and abstract oil painting is easel plastic arts. And it is realism of style and presentation. The current Chinese realistic oil painting is the product of local culture. The construction of Chin... Realistic oil painting and abstract oil painting is easel plastic arts. And it is realism of style and presentation. The current Chinese realistic oil painting is the product of local culture. The construction of Chinese oil paintings doesn't follow modem art, and it has its own soil and space of survival and development. It becomes the mainstream in the art pattern. In practical construction, it presents the characteristics that technical level develops towards simplification and reinforcement, the function of lyric ideogram of paintings and graphic description becomes weak, the real transformation of three-dimensional space is transferred to reconstruction of two degree and a half space and the pursuit for language form constitution relation of paintings. And it presents strong symbolization feature. 展开更多
关键词 realistic oil paintings two degree and a half space symbolization.
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Nature and Love——A Reflection on the Exhibitions of Li Zijian's Oil Paintings
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作者 Jiu Erh 《China & The World Cultural Exchange》 2001年第3期16-17,共2页
关键词 LI Nature and Love A Reflection on the Exhibitions of Li Zijian’s oil paintings
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New Trend in Chinese Oil Painting
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《China Today》 1997年第6期22-22,共1页
关键词 New Trend in Chinese oil painting
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The 20th Century Chinese Oil Painting Exhibition
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《China & The World Cultural Exchange》 2001年第1期42-43,共2页
关键词 The 20th Century Chinese oil painting Exhibition
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Ways to Cultivate Students'Innovative Thinking in the Teaching of Oil Painting in Colleges
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作者 Yenan Gao 《Journal of Contemporary Educational Research》 2021年第10期47-52,共6页
With the rapid development of information technology,oil painting,as an important part of art culture,plays an important role in foreign exchanges and the promotion of multicultural development.College education bears... With the rapid development of information technology,oil painting,as an important part of art culture,plays an important role in foreign exchanges and the promotion of multicultural development.College education bears the responsibility of providing a steady stream of high-quality talents for the development of social culture and art in addition to bringing new vitality for the dissemination and development of art and cultural theories.Giving full play to the role of oil painting teaching in colleges to cultivate oil painting talents has become one of the top priorities.Therefore,colleges and universities should continue to promote the development and reform of oil painting teaching as well as better improve the overall quality and oil painting skills among college students.In the new era,innovative thinking is an indispensable core quality in students'learning and life.In contemporary oil painting teaching in colleges and universities,it is very important to cultivate students'innovative thinking ability.This article begins by discussing the development of oil painting in China and the characteristics of students 125 innovative thinking,analyzes the importance of cultivating students'innovative thinking,as well as explores effective ways to cultivate their innovative thinking in regard to oil painting. 展开更多
关键词 oil painting teaching in colleges and universities Talent training Innovative thinking Effective ways
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Centennial Development of Chinese Oil Painting
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《China Today》 2000年第10期16-20,共5页
关键词 Centennial Development of Chinese oil painting
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Advancing Arts One village’s oil paintings lead the development of south China’s cultural industries
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作者 Zheng Yang 《ChinAfrica》 2013年第8期52-53,共2页
The Dafen art museum, the largest such museum in Shenzhen, was built int he village in 2007 to he a platform for art exhibitions and exchange,
关键词 Advancing Arts One village’s oil paintings lead the development of south China’s cultural industries
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Winds From the Three Gorges——2007 Chen Kezhi’s Solo Oil Painting Exhibition
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《Beijing Review》 2007年第34期45-45,共1页
Venue: National Art Museum of China Dates: August 28-September 4 Sponsors: National Museum of China, Arts Service Center of the Ministry of
关键词 Chen Kezhi Winds From the Three Gorges s Solo oil painting Exhibition
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Path to the Development in Oil-Painting in Vietnam
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作者 Nguyen Van Doan 《Journal of Literature and Art Studies》 2017年第3期313-318,共6页
From the ancient time, when knowing how to draw, humans deliberately sought for good materials for drawings and wish their colors to be durable. Also from the ancient age, we, humans, knew to mix colors with oil to dr... From the ancient time, when knowing how to draw, humans deliberately sought for good materials for drawings and wish their colors to be durable. Also from the ancient age, we, humans, knew to mix colors with oil to draw. Materials at the time, however, were very gross with many shortcomings and limitations. Over the time, many generations of painters have taken great pains to search for materials and craped for paint. Nevertheless, only until the age of Van Eyck brothers (around 1390-1441) they gained great success in accomplishing and developing oil-painting techniques. Oil-painting colors until this age got purer, brighter, shinier, waterproof, sustainable, and endurable with time. Since then, oil-paint has been widely used in almost countries worldwide. It can be said that the accomplishment of oil-paint is a great technical revolution that changes and enhances the picture painting art. The painting ofoil in English means oil painting. It is the kind of the most popular and favorite pictures. It is called as the name of painting material. That is the oil paint that can be drawn on wooden, metal, and canvas surfaces, etc., Oil kinds with different materials will bring about kinds of oil paints with differentiated attributes. Oil paintings by Indian painters firstly appeared in those on Buddhism and they came to China from the 5th to 10th centuries but only until the 15th century, oil paintings got popular and developed. Oil paint finally became the key tool for painters to transfer into artistic works. 展开更多
关键词 Vietnam oil paintings the formation of roads
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Let Shuang’s Flower Paintings(Oil painting)
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《Women of China》 1999年第5期2-3,共2页
A modern fermale artist,Lei Shuang borrows her useof color and composition from modernist painters thenturns them into something of her own-a simple yetsensitive style.Her flowers. paying homage to the "onceof pa... A modern fermale artist,Lei Shuang borrows her useof color and composition from modernist painters thenturns them into something of her own-a simple yetsensitive style.Her flowers. paying homage to the "onceof past life.are an artistic marvel. 展开更多
关键词 s Flower paintings oil painting Let Shuang
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Sisters (oil painting)
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作者 LUO XIAOHANG 《Women of China》 1996年第12期30-30,共1页
This painting reflects the lives of Yi women living in the Xiaoliangshan Mountain area in Sichuan Province mong the many artistic schools, Luos paintings reveal the beauty of simplicity There are no strange expression... This painting reflects the lives of Yi women living in the Xiaoliangshan Mountain area in Sichuan Province mong the many artistic schools, Luos paintings reveal the beauty of simplicity There are no strange expressions in uos paintings—usually still paintings depicting a tranquil environment His paintings are intended to reveal his true feelings about life Luo tries to reveal truth, kindness and love among people in life with a touch of 展开更多
关键词 SISTERS oil painting
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Misty Spring (Oil Painting)
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《Women of China》 1995年第3期30-30,共1页
The painter captures the image and mood of a young woman of the Yi nationality herding sheep in the early spring To protectterself aganinst the cold and mist she wears a felt cloak draped over her shoulders She dtands... The painter captures the image and mood of a young woman of the Yi nationality herding sheep in the early spring To protectterself aganinst the cold and mist she wears a felt cloak draped over her shoulders She dtands on a lonely hill.tending her sheep Her eyes are full of 展开更多
关键词 Misty Spring oil painting
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The Swimming Pool (oil painting)
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《Women of China》 1998年第7期30-30,共1页
Chen Xi was born in 1968 in Chongqing City, Sichuan Province. In 1991, she graduated with a Bachelor’s degree from the Oil Painting Department of the Central Academy of Fine Arts. Her paintings are soaked through wit... Chen Xi was born in 1968 in Chongqing City, Sichuan Province. In 1991, she graduated with a Bachelor’s degree from the Oil Painting Department of the Central Academy of Fine Arts. Her paintings are soaked through with her mixed emotions towards urban life. The city, the concentrated mirror of human civilization, drives the human race further and further away from mother nature Molded ever more strictly by the socialization process, human beings live more and more like commodities. The ever-shrink- 展开更多
关键词 The Swimming Pool oil painting
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Moonlight in a Snow Forest (oil painting)
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作者 LI YAN LIU DERUN 《Women of China》 1997年第2期30-30,共1页
Moonlight in a Snow Forest Along the stream in a snow covered forest comes a small boot. A little girl is sitting in it, as her boat flows foward the river of hope The scene features obscurity, revealing the integrati... Moonlight in a Snow Forest Along the stream in a snow covered forest comes a small boot. A little girl is sitting in it, as her boat flows foward the river of hope The scene features obscurity, revealing the integration of moonlight, stream. boat and frees. The little girl looks at us with pure, bright eyes, as if suggesting something to those of us who live a crowded and noisy 展开更多
关键词 Moonlight in a Snow Forest oil painting
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Melody of Autumn (oil painting)
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作者 XU MIN 《Women of China》 1997年第8期30-30,共1页
Perhaps because of the nature of a woman, I take great interest in painting flowers and plants. But the difference is I prefer instead of the blooming flowers the dry flowers surviving the blossom. The dry cockscomb, ... Perhaps because of the nature of a woman, I take great interest in painting flowers and plants. But the difference is I prefer instead of the blooming flowers the dry flowers surviving the blossom. The dry cockscomb, sunflower, lotus and the wild flowers whose names I don’t know can always remind me of past stories. In recent years, my dried flawers have been displayed at exhibitions both at home and abroad and won appraisal and the top prize at the 1995 Eighth National Arts Exhibition. Some works have been collected by the China Art Gallery and private collectors from Hang Kong, Singapore, Taiwan and Europe. 展开更多
关键词 oil painting
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