The author tries to prove Alexander’s view:"Sound must seem an echo to sense."with the theory of G.N. Leech and prosodic theory of Paul Rueesll.Sound symbolizes sense;rhyme relates to reason,and meter drama...The author tries to prove Alexander’s view:"Sound must seem an echo to sense."with the theory of G.N. Leech and prosodic theory of Paul Rueesll.Sound symbolizes sense;rhyme relates to reason,and meter dramatizes meaning.展开更多
语音的组合、格律的安排不仅仅是构成诗歌音乐性的要素,同时也是诗歌表情达意的重要手段。根据G. N. Leech的拟声理论,Paul Fussell的韵律学理论,拟声是音义连接的桥梁,节奏是思想跳动的音符。诗人通常借助声音这一外在形式达到语音象...语音的组合、格律的安排不仅仅是构成诗歌音乐性的要素,同时也是诗歌表情达意的重要手段。根据G. N. Leech的拟声理论,Paul Fussell的韵律学理论,拟声是音义连接的桥梁,节奏是思想跳动的音符。诗人通常借助声音这一外在形式达到语音象征的效果以及声音增补意义。展开更多
文摘The author tries to prove Alexander’s view:"Sound must seem an echo to sense."with the theory of G.N. Leech and prosodic theory of Paul Rueesll.Sound symbolizes sense;rhyme relates to reason,and meter dramatizes meaning.
