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The Dimensions and Perceptual Meaning of Chinese New Year Painting as a Form of Visual Encirclement
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作者 Xiang Yunju Wu Lingwei 《Contemporary Social Sciences》 2017年第2期30-39,共10页
As mankind was one kind of aesthetic species,the visual study of Marxist philosophy has profound enlightenment in understanding the New Year paintings' visual meaning,form,development,cultivation,and features etc.... As mankind was one kind of aesthetic species,the visual study of Marxist philosophy has profound enlightenment in understanding the New Year paintings' visual meaning,form,development,cultivation,and features etc.In essence,Chinese folk New Year paintings is a visual expression,its nature of being pasted at home makes it a visual encirclement for the Chinese people,this vision encirclement in the home space gradually expands,constitutes a spiritual home with different cultural space,living environment,image schema,and secular and religious faith scope,in this visual encirclement,people's home life achieves the satisfaction,peace and self–comfort in diversity.The"childrenization"of New Year paintings reveals a close relationship between the immature of folk art and the original art as human childhood,and from the both aspects of form and content reflects the visual encirclement is actually a kind of siege with cultural significance,this siege has multiple levels in value ideas,historical tradition,ethical order and life knowledge,aesthetic taste and so on,makes us have a new aesthetic anthropology on the New Year paintings. 展开更多
关键词 New Year paintings visual encirclement perceptual meaning
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