The Article follows the trail of Max Weber's comprehensive sociology and uses the hermeneutic and iconological analysis methods applied to significant contemporary plastic art works(painting and sculpture)which ar...The Article follows the trail of Max Weber's comprehensive sociology and uses the hermeneutic and iconological analysis methods applied to significant contemporary plastic art works(painting and sculpture)which are representative of modern and late modern art.Starting from these theoretical and methodological bases,it pursues three specific objectives:(a)to analyze the construction of Time in plastic art,(b)to verify how this theme has evolved in artistic practices from the first modernity to the second and(c)to verify the way in which the complementary visual language the conceptual of contemporary sociological theory.In this regard,our paper provides evidence that the selected works prioritize a kind of temporality determined by the logic of capitalist industrial modernity.It likewise becomes obvious that time—focused on an accelerated and instantaneous omnipresent—lacks both an origin and a telos\it has neither a past nor a future and,in parallel,a gap has opened between the time of natural life and the artificial one,as well as between space and time,which is only transiently bridged at the imaginary level of art.Finally,the experience of time has been emptied,in such a way that the latter has lost some of its solidity and让s sense of permanence,while the contingent,the fleeting and the ephemeral now occupy in its place.展开更多
The article follows Max Weber's Comprehensive Sociology and uses the hermeneutic and iconological analysis sociological methods applied to plastic works(painting and sculpture),significant and representative of mo...The article follows Max Weber's Comprehensive Sociology and uses the hermeneutic and iconological analysis sociological methods applied to plastic works(painting and sculpture),significant and representative of modern and late modern art.Starting from these theoretical and methodological bases,it pursues three specific objectives:to analyze the construction of space in plastic art,to verify how this theme has evolved in artistic practices from the first modernity to the second and to verify the way in which the complementary visual language the conceptual of contemporary sociological theory.In this regard,the analysis and interpretation of the eleven selected works reveals three important consequences of the modern influence on space,gradually emptied of meaning and replaced by non-places:its conversion into merchandise,its loss of solidity and stability and the confusion that occurs in it between reality and its representation.Consequently,the implicit content converges with the essential postulates of the sociologists who have approached the subject of space,although it goes further because the foray into the iconographic hermeneutics of these works puts an image to the conceptual theoretical discourses of the sociologists,inaway that visual language complements and enriches,with more emotional and sensitive nuances Therefore our discipline begins to overcome a traditional deficit,in that it moves from the essential rationality that structures its origin and turns towards a greater coupling of the emotional and sensitive social plane.展开更多
稳定性-可塑性两难问题的核心是系统如何在不削弱或忘记已学习模式的同时,自适应地学习新事物.目前公认自适应谐振理论(Adaptive resonance theory,ART)能够部分解决稳定性–可塑性两难问题,但依然存在学习受样本输入顺序影响大,且存在...稳定性-可塑性两难问题的核心是系统如何在不削弱或忘记已学习模式的同时,自适应地学习新事物.目前公认自适应谐振理论(Adaptive resonance theory,ART)能够部分解决稳定性–可塑性两难问题,但依然存在学习受样本输入顺序影响大,且存在学习中心渐变样本时,带来的所谓模式漂移的问题.受进化生物学关于人类学习的幼态延续特征的启发,本文为每个F2层节点配备活跃度指示器λ,并将其反馈回F1层参与STM(Short term memory)向量的计算,使这种新型ART2网络在行为特征上具备幼态延续的显著特征,本文称之为ART2wNF(Adaptive resonance theory with neoteny feature).论文从理论上证明算法的可行性,并通过分析对随机生成样本集合的学习过程,对比了ART2wNF算法与常规ART2网络在可塑性、稳定性方面的差异以及ART2wNF在克服样本输入顺序影响等方面的优势.展开更多
文摘The Article follows the trail of Max Weber's comprehensive sociology and uses the hermeneutic and iconological analysis methods applied to significant contemporary plastic art works(painting and sculpture)which are representative of modern and late modern art.Starting from these theoretical and methodological bases,it pursues three specific objectives:(a)to analyze the construction of Time in plastic art,(b)to verify how this theme has evolved in artistic practices from the first modernity to the second and(c)to verify the way in which the complementary visual language the conceptual of contemporary sociological theory.In this regard,our paper provides evidence that the selected works prioritize a kind of temporality determined by the logic of capitalist industrial modernity.It likewise becomes obvious that time—focused on an accelerated and instantaneous omnipresent—lacks both an origin and a telos\it has neither a past nor a future and,in parallel,a gap has opened between the time of natural life and the artificial one,as well as between space and time,which is only transiently bridged at the imaginary level of art.Finally,the experience of time has been emptied,in such a way that the latter has lost some of its solidity and让s sense of permanence,while the contingent,the fleeting and the ephemeral now occupy in its place.
文摘The article follows Max Weber's Comprehensive Sociology and uses the hermeneutic and iconological analysis sociological methods applied to plastic works(painting and sculpture),significant and representative of modern and late modern art.Starting from these theoretical and methodological bases,it pursues three specific objectives:to analyze the construction of space in plastic art,to verify how this theme has evolved in artistic practices from the first modernity to the second and to verify the way in which the complementary visual language the conceptual of contemporary sociological theory.In this regard,the analysis and interpretation of the eleven selected works reveals three important consequences of the modern influence on space,gradually emptied of meaning and replaced by non-places:its conversion into merchandise,its loss of solidity and stability and the confusion that occurs in it between reality and its representation.Consequently,the implicit content converges with the essential postulates of the sociologists who have approached the subject of space,although it goes further because the foray into the iconographic hermeneutics of these works puts an image to the conceptual theoretical discourses of the sociologists,inaway that visual language complements and enriches,with more emotional and sensitive nuances Therefore our discipline begins to overcome a traditional deficit,in that it moves from the essential rationality that structures its origin and turns towards a greater coupling of the emotional and sensitive social plane.
文摘稳定性-可塑性两难问题的核心是系统如何在不削弱或忘记已学习模式的同时,自适应地学习新事物.目前公认自适应谐振理论(Adaptive resonance theory,ART)能够部分解决稳定性–可塑性两难问题,但依然存在学习受样本输入顺序影响大,且存在学习中心渐变样本时,带来的所谓模式漂移的问题.受进化生物学关于人类学习的幼态延续特征的启发,本文为每个F2层节点配备活跃度指示器λ,并将其反馈回F1层参与STM(Short term memory)向量的计算,使这种新型ART2网络在行为特征上具备幼态延续的显著特征,本文称之为ART2wNF(Adaptive resonance theory with neoteny feature).论文从理论上证明算法的可行性,并通过分析对随机生成样本集合的学习过程,对比了ART2wNF算法与常规ART2网络在可塑性、稳定性方面的差异以及ART2wNF在克服样本输入顺序影响等方面的优势.
