In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal...In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal entry of 22 January 1916 shows that Mansfield plans to experiment with a kind of poetic prose, or in her own words--＂special prose＂. The profound affinity between the ＂special prose＂ and the notion of elegy, ＂a mournful poem for the dead＂ （OED, ＂elegy＂, n. sense 1）, calls attention to her work＇s decisive but still insufficiently examined relationship to poetry and her preoccupation with mortality. Second, the words ＂scraps＂, ＂bits＂, and ＂nothing real finished＂ in her journal entry of 19 February 1918 indicate that the mortal fragility she writes about in her ＂special prose＂ is closely bound up with verbal fragility, as embodied, for example, in the form of an ellipsis mark that she uses extensively elsewhere in her short stories. Her connection to poetry and her use of ellipsis marks will be discussed by looking at the impact of John Keats＇s poems on her own work and ＂The Canary＂ （1922）, the last story she completed before her death.展开更多
Though he is unmistakably a serious writer dealing with the most serious moral issues, William Golding has no dread of rhetoric. He is drown to rather than deterred by poetry and his fiction always has a dense and oft...Though he is unmistakably a serious writer dealing with the most serious moral issues, William Golding has no dread of rhetoric. He is drown to rather than deterred by poetry and his fiction always has a dense and often poetic verbal texture, in which metaphor and image work as they do in poetry, and enrich and modify the bare significance of the moral form. As a poetic novelist, in addition to reviving a moribund novel with a new and exciting subject, he has also reinvigorated the language with a new and more eloquent mode of discourse.展开更多
During COVID-19,the entire human race is facing a major change that is rare in this century.The intricate competition between countries and the ever-changing situation at home and abroad have put forward new propositi...During COVID-19,the entire human race is facing a major change that is rare in this century.The intricate competition between countries and the ever-changing situation at home and abroad have put forward new propositions for education in schools.As the collection of human wisdom for thousands of years,the classics of poetry and prose carry the endless spiritual strength of the Chinese nation,the spiritual support for the healthy growth of young people,and the cultural essence of morals and values education.Using ancient poems and classics as the breakthrough point,excavating cultural essence,reciting texts,interpreting meanings,and practicing them enhance students?humanistic quality and cultural selfconfidence in addition to cultivating future talents with deep Chinese roots and broad modem vision.展开更多
文摘In this essay, the author proposes to explore Mansfield＇s ＂special prose＂ by examining the two issues raised in her journal entries： First, the phrase ＂perhaps not in poetry. No, perhaps in Prose＂ in her journal entry of 22 January 1916 shows that Mansfield plans to experiment with a kind of poetic prose, or in her own words--＂special prose＂. The profound affinity between the ＂special prose＂ and the notion of elegy, ＂a mournful poem for the dead＂ （OED, ＂elegy＂, n. sense 1）, calls attention to her work＇s decisive but still insufficiently examined relationship to poetry and her preoccupation with mortality. Second, the words ＂scraps＂, ＂bits＂, and ＂nothing real finished＂ in her journal entry of 19 February 1918 indicate that the mortal fragility she writes about in her ＂special prose＂ is closely bound up with verbal fragility, as embodied, for example, in the form of an ellipsis mark that she uses extensively elsewhere in her short stories. Her connection to poetry and her use of ellipsis marks will be discussed by looking at the impact of John Keats＇s poems on her own work and ＂The Canary＂ （1922）, the last story she completed before her death.
文摘Though he is unmistakably a serious writer dealing with the most serious moral issues, William Golding has no dread of rhetoric. He is drown to rather than deterred by poetry and his fiction always has a dense and often poetic verbal texture, in which metaphor and image work as they do in poetry, and enrich and modify the bare significance of the moral form. As a poetic novelist, in addition to reviving a moribund novel with a new and exciting subject, he has also reinvigorated the language with a new and more eloquent mode of discourse.
文摘During COVID-19,the entire human race is facing a major change that is rare in this century.The intricate competition between countries and the ever-changing situation at home and abroad have put forward new propositions for education in schools.As the collection of human wisdom for thousands of years,the classics of poetry and prose carry the endless spiritual strength of the Chinese nation,the spiritual support for the healthy growth of young people,and the cultural essence of morals and values education.Using ancient poems and classics as the breakthrough point,excavating cultural essence,reciting texts,interpreting meanings,and practicing them enhance students?humanistic quality and cultural selfconfidence in addition to cultivating future talents with deep Chinese roots and broad modem vision.
