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A New Inquiry Into the Contents of the Late Qing Dynasty Pictorial News Publication-The Core of “Entertainment Life” in Dianshizhai Pictorial
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作者 HUANG Zhuya 《Cultural and Religious Studies》 2023年第1期33-43,共11页
After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk en... After the opening of ports in the late Qing Dynasty,Western culture was introduced into China.The local entertainment life presented the phenomenon of the coexistence of the East and the West.A large number of folk entertainment activities were recorded in the Dianshizhai Pictorial which have the function of cultural choice and value dissemination as well as current affairs.This research attempts to use literary analysis and case study to collate the entertainment life in the Dianshizhai Pictorial,combing the characteristics of the late Qing dynasty,and summarizing the value of entertainment in Dianshizhai Pictorial publishing. 展开更多
关键词 Dianshizhai Pictorial late qing dynasty ENTERTAINMENT Western style
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Contribution and Modern Public Debt:On the Nature of Patriotic Public Debt in the Late Qing Dynasty and the Early Republic of China
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作者 Chuanrong Huang 《Sociology Study》 2023年第6期309-314,共6页
There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency... There are different opinions about the first modern domestic debt in China.The theorists judge whether a certain public debt has modernity according to whether it has modern public debt form,ignoring the inconsistency between form and content,institutional provisions and actual implementation.The modern nature of public debt must have both the form and content of modern public debt.Based on the analysis of the issuing background,system design,collection and repayment of patriotic bonds in the late Qing Dynasty and the early Republic of China,it is considered that the part of patriotic bonds subscribed by the Qing royal family is still the nature of donation and return,while the part subscribed by ordinary businessmen and people in the early Republic of China has a modern nature.The dual nature of patriotic bonds is closely related to the social background when the bonds are issued. 展开更多
关键词 donation and return modern nature patriotic bonds late qing dynasty and early Republic of China
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Functional Features and Layouts of Yangzhou Residential Gardens in the Late Qing Dynasty and the Early Republic of China: A Case Study of Residential Gardens of Officials, Merchants and Literati
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作者 ZHANG Lihui ZHANG Yue 《Journal of Landscape Research》 2015年第4期39-43,共5页
On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials... On the basis of analyzing socio-economic structures, social classes and their relations in the late Qing Dynasty and the early Republic of China, this paper took residential gardens of three principal groups(officials, merchants and literati) for example, analyzed functional features and layouts of the gardens, explored artistic characteristics and cultural connotations of the local residential gardens, so as to provide references for the conservation and construction of historic and cultural cities, design and expression of modern urban livable spaces. 展开更多
关键词 late qing dynasty and early Republic of China Residential gardens in Yangzhou Functional features LAYOUTS
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Social Classes and Cultural Connotations of Yangzhou Home Gardens during the Late Qing Dynasty and the Republic of China
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作者 ZHANG Lihui 《Journal of Landscape Research》 2016年第6期102-106,共5页
During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and func... During the late Qing Dynasty and the early period of the Republic of China(1870-1930),the social classes in Yangzhou were basically dominated by officials,businessmen,and scholars.In the building number,scale,and functional evolution of their home gardens,these three classes were different,reflecting abundant connotation of characteristic of the time and regional culture,revealing the inheritance path of Yangzhou culture,as well as the richness and diversity of home gardens in Yangzhou during the late Qing Dynasty and the early period of the Republic of China. 展开更多
关键词 Social classes the late qing dynasty and the early period of the Republic of China Yangzhou home gardens Type characteristics Cultural connotation
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Inventing the Barbarians:The Changing Contexts of Yi in the Late Qing Dynasty
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作者 ZHENG Linyi HU Xinying 《Psychology Research》 2022年第4期183-190,共8页
This study analyzes how the meaning of yi(夷,barbarian)was constructed in different historical contexts at the end of the Qing dynasty,which is important for us to reconsider xenophobia and Sino-centrism both in the p... This study analyzes how the meaning of yi(夷,barbarian)was constructed in different historical contexts at the end of the Qing dynasty,which is important for us to reconsider xenophobia and Sino-centrism both in the past and present.Our study combines contextual with intertextual reading methods.It places different materials,including missionaries’works,newspapers,and official documents,in their specific historical contexts and links them to obtain a full picture of this transformation.We argue that yi was invented.Various agents and actors created the connotation of yi to suit their interests.It was transformed by the Qing court from“barbarians”to those who follow Confucianism to justify their rule.Then it was first translated as“foreigners”and later as“barbarians”when Europeans came to China.Our study situates the meaning of yi to help us rethink some of the labels and misconceptions attached to yi and the early missionaries in China. 展开更多
关键词 hua-yi distinction CONTEXTS the late qing dynasty barbarian foreigner MISSIONARY
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On Artistic Dissemination of Image Text in Urban Media of Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object
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作者 ZHANG Pei 《Cultural and Religious Studies》 2020年第3期139-148,共10页
The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly ... The Dian-shi Zhai Pictorial was founded under the conflict of new and old culture in the late Qing Dynasty.Based on China,it innovates and adjusts the characters and pictures in the pictorial.This pictorial perfectly integrates news and art in the form of artistic dissemination of pictures and texts,and adapts to the needs of the society for news and new knowledge at that time.At the same time,Wu Youru,the editor in chief and main painter of pictorial,reflected some problems in the artistic dissemination of pictures and texts. 展开更多
关键词 Dian-shi Zhai pictorial late qing dynasty artistic dissemination Wu Youru
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Literary Construction of Liang Qichao's China Dream in Late Qing Dynasty--Based on the Perspective of Liang Qichao's Political Novels
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作者 Xiao Aiyun 《学术界》 CSSCI 北大核心 2016年第6期279-284,共6页
Liang Qichao actually influenced Chinese society of late Qing dynasty in a great and profound way.H e founded several political newspapers,pioneered a literary style called political commentary and wrote many politica... Liang Qichao actually influenced Chinese society of late Qing dynasty in a great and profound way.H e founded several political newspapers,pioneered a literary style called political commentary and wrote many political fictions,which fully embody his deep thinking over China’s destiny at that time under impacts of western politics as well as his practical activities.H is political fiction does not only pioneer new forms and contents of modern fiction,but also play a crucial role in leading numerous writers to construct a"Chinese Dream"literature by granting politics as theme of fiction and shaping of political heroes.W hat’s more,his political fiction also becomes a basis of integration between literature and politics. 展开更多
关键词 政治影响 梁启超 小说 文学 中国 晚清
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An Overview of the Achievements of Modern Research on the Flying Shadow Pavilion Pictorial
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作者 CHEN Honghui 《Cultural and Religious Studies》 2024年第2期118-122,共5页
The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Z... The current academic research on the Dian Shi Zhai Pictorial founded in 1884 has been perfected,but there is very little research on the Flying Shadow Pavilion Pictorial,which can be said to be derived from Dian Shi Zhai Pictorial terms of both content and form,and which was founded by the Haiist painter Wu Youru in 1890 in order to reward the increasing number of admirers,but it is still in the initial stage.Flying Shadow Pavilion Pictorial consisted of four parts:pictures of ladies in Shanghai costumes,news about current affairs,pictures of animals,and compilations of women,each of which was accompanied by the then popular notebooks,which were popular at the time among the then readers because of the matching of pictures with text and the mixing of narratives and discussions.This paper takes Flying Shadow Pavilion Pictorial as the main object,summarizes the existing literature about Flying Shadow Pavilion Pictorial,points out the deficiencies of the current research on this basis,and points out the development trend of Flying Shadow Pavilion Pictorial in the future research. 展开更多
关键词 Flying Shadow Pavilion Pictorial Dian Shi Zhai Pictorial late qing dynasty’s pictorial
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SHANGHAI'S FASHION DURING THE LATE QING DYNASTY PERIOD
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作者 卞向阳 《Journal of China Textile University(English Edition)》 EI CAS 1997年第1期54-61,共8页
The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development... The goal of this research is to describe and analyse Shanghai’s fashion in Late Qing Dynasty (the 1840’s-1911), with an emphasis on the fashionable clothing worn by adult. Three aspects is discussed: the development of as a fashion center, the men’s fashion in Shanghai and the women’s fashion in Shanghai. In these parts, the style, textiles, colour, decoration and combination of clothing are described. Many costumes from museums and private collections as well as some historical writings, paintings and photographs are elucidated to give a description about Shanghai’s fashion looks during that period.Here are some tentative conclusions. Firstly, Shanghai has always been a fashion center in China since 1860’s. Shimao was the most important characteristic of clothing. Secondly, fashion of traditional clothing was described as highly stylized, gorgeous, exquisite, miscellaneous, detailed and multicolored. Thirdly, the influence of Western clothing was upwards. It was more obvious in Shanghai than in 展开更多
关键词 SHANGHAI FASHION CLOTHING late qing dynasty.
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On Characters in Cities in the Late Qing Dynasty: Taking Dian-shi Zhai Pictorial (1884-1898) as the Core Research Object
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作者 ZHAO Hong-fei ZHANG Pei 《Cultural and Religious Studies》 2021年第12期559-565,共7页
Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly ... Dian-shi Zhai Pictorial(1884-1898)is the earliest and most influential news pictorial in modern China,creating a new form with pictures and text.Taking Dian-shi Zhai Pictorial as the research object,this paper mainly studies how the pictorial uses words to shape the image of characters in cities,especially the image of women,and analyzes the shaping of urban characters’identity,personality,social status,and behavior in different news reports,so as to understand the image of urban characters and civil activities in the late Qing Dynasty.At the same time,the accurate use of words and the attitudes and values contained in pictorial have important reference significance for modern media. 展开更多
关键词 Dian-shi Zhai Pictorial characters in cities late qing dynasty the category of collected literary
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On Liang Qicha's Thought on Feminist Rights in the Late Qing Dynasty
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《五邑大学学报(社会科学版)》 2011年第3期93-95,共3页
关键词 英文摘要 内容介绍 编辑工作 期刊
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CHINESE LADY'S DAILY WEAR IN LATE QING DYNASTY AND EARLY REPUBLIC PERIOD
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作者 包铭新 《Journal of China Textile University(English Edition)》 EI CAS 1991年第3期9-21,共13页
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f... The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic. 展开更多
关键词 Chinese women’s garments DAILY wear late qing dynasty Early REPUBLIC PERIOD
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Research and Discussion on the Stereotyped Writing Criticism Genre during Late Ming and Early Qing Dynasties
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作者 Xiaolian Li 《International Journal of Technology Management》 2016年第5期10-12,共3页
In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve clas... In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpart essay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolution of the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy is so far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre that presents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores the literature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paper proposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more. 展开更多
关键词 Stereotyped WRITING CRITICISM GENRE late Ming and EARLY qing Dynasties
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Research and Discussion on the Stereotyped Writing Criticism Genre during Late Ming and Early Qing Dynasties
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作者 Xiaolian Li 《International Journal of Technology Management》 2016年第8期1-3,共3页
In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve class... In this paper, we conduct research on the stereotyped writing criticism genre during the late Ming and early Qing dynasties. Eightpartessay writing is a comprehensive strong style, its four topics from the fi ve classics, and its basic form is gradually formed in the evolutionof the core imperial examination in China. Review especially on origin, teachers not only with the righteousness that try post poems strategy isso far producing precious examination style also with basic prose. Although some scholars also mentioned as this period literature genre thatpresents regional features mainly by the local cultural history environment, family relations, economic basis and other factors, but ignores theliterature community in the form of the regional literature genre has played important role in the general process. Under this basis, this paperproposes the novel ideals on the corresponding issues that will help understand and analyzes the characteristics of stereotyped writing more. 展开更多
关键词 Stereotyped Writing Criticism Genre late Ming and Early qing Dynasties.
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The Rise and Fall of Overseas Chinese Problem in the Early Republic of China
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作者 Huang Haijuan 《学术界》 CSSCI 北大核心 2016年第3期287-292,共6页
In the late Qing Dynasty and the early R epublic of China,foreign invasion made China suffer from an unprecedented humiliation,and the W estern powers initiated a commercial intrusion by forcing China to sign unequal ... In the late Qing Dynasty and the early R epublic of China,foreign invasion made China suffer from an unprecedented humiliation,and the W estern powers initiated a commercial intrusion by forcing China to sign unequal treaties and open treaty ports. From this perspective,a deep exploration is made to study the corresponding influence and its function. The rule shows that the developing route of national politics,economy and culture can determine the trend of the development of overseas Chinese problem; in addition,it objectively reflects that the social nature is vital to overseas Chinese problem. 展开更多
关键词 海外华人 民国 早期 中华 发展趋势 中国 商业性 社会性
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变动社会中的晚清佛门实录——基于Walks in the city of Canton:with an itinerary一书的考察
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作者 杨宪钊 《地方文化研究》 2018年第2期92-98,共7页
晚清来华耶稣会士的论著是研究晚清社会宗教的重要文献资料。英国传教士约翰·亨利·格雷Walks in the City of Canton:with an Itinerary一书以观赏者的视角描述了晚清广州城的历史面貌,尤其是对广州城的佛寺有浓墨重彩的描述... 晚清来华耶稣会士的论著是研究晚清社会宗教的重要文献资料。英国传教士约翰·亨利·格雷Walks in the City of Canton:with an Itinerary一书以观赏者的视角描述了晚清广州城的历史面貌,尤其是对广州城的佛寺有浓墨重彩的描述。不仅如实记录了佛教道场的历史传承,且重点探析了变动社会中佛门的真实转向。从中可以窥探社会经济背景与宗教文化之间的动态互动关系,进而藉此加深对晚清社会的理解。 展开更多
关键词 晚清 广州 佛寺 WALKS in the CITY of Canton:with AN ITINERARY
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清末北京戏剧改良与义务戏 被引量:1
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作者 郭常英 宋谦 《中州学刊》 北大核心 2024年第4期146-153,共8页
清末北京义务戏深受戏剧改良运动影响,其演进过程呈现出多种新元素,不仅促进戏剧改良,而且在一定程度上推动社会风俗改变。一方面,戏剧改良运动促进艺人与报人合作开演义务戏,推动义务戏在传统表演形式中增添许多近代元素,如戏剧内容革... 清末北京义务戏深受戏剧改良运动影响,其演进过程呈现出多种新元素,不仅促进戏剧改良,而且在一定程度上推动社会风俗改变。一方面,戏剧改良运动促进艺人与报人合作开演义务戏,推动义务戏在传统表演形式中增添许多近代元素,如戏剧内容革新、舞台元素多样化和女性群体加入。另一方面,义务戏受到近代启蒙思想影响,热心助赈的新艺人成为义演主体,成为启蒙与宣教活动的实践者。同时,义务戏也促进社会风俗改良,艺人社会形象得以重塑,其社会地位也有所提高。清末北京义务戏体现出传统与现代的交织,也是本土文化与外来文化碰撞的结果。 展开更多
关键词 清末 北京地区 戏剧改良 义务戏
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清末体育图书出版特点及启示
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作者 王鑫 吴文峰 刘凯 《体育文化导刊》 北大核心 2024年第9期35-40,共6页
运用文献资料、逻辑分析、历史分析等方法,探究清末体育图书出版的总体情况、特点,并提出启示。特点:出版主题突出,体操类教材为主要;强调知识引入,译著方式为主体;出版机构多元,民营企业为主要载体;编译者能力强,有效保障出版质量。启... 运用文献资料、逻辑分析、历史分析等方法,探究清末体育图书出版的总体情况、特点,并提出启示。特点:出版主题突出,体操类教材为主要;强调知识引入,译著方式为主体;出版机构多元,民营企业为主要载体;编译者能力强,有效保障出版质量。启示:聚焦体育热点,强化主题出版;提升译介能力,深化中外互鉴;强化机构职能,培育发展新动能;强化编者队伍,贯通培养新路径。 展开更多
关键词 体育管理 体育图书 出版 清末
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晚清国人对机器制茶的认知与接受
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作者 曹英 刘苏华 《农业考古》 北大核心 2024年第2期91-99,共9页
晚清时期,国人对机器制茶的认知经历了由浅入深的过程,对机器制茶的接受程度也由低到高。19世纪80年代后期,华茶贸易危机初现,国人开始了对机器制茶的探讨,此时国人对这一新的生产方式认识尚浅,意见存在分歧。19世纪末,报刊媒体的介绍... 晚清时期,国人对机器制茶的认知经历了由浅入深的过程,对机器制茶的接受程度也由低到高。19世纪80年代后期,华茶贸易危机初现,国人开始了对机器制茶的探讨,此时国人对这一新的生产方式认识尚浅,意见存在分歧。19世纪末,报刊媒体的介绍使国人对机器制茶的认识有所深化,对机器制茶的倡导成为中国茶业改良思想的一个重要部分,政府和商人开始了机器制茶的尝试,但不少人仍对机器制茶存有疑虑。20世纪初的清朝新政时期,对国外的考察进一步增强了国人对机器制茶的认知,机器制茶被视为振兴茶业、挽回利权的必要手段。虽然出于种种原因,晚清机器制茶的实践十分有限,但国人对机器制茶的认知与接受过程反映了其对待新的外来科技积极开放与谨慎理性的双重态度,为中国茶业的近代化发展奠定了一定的基础。 展开更多
关键词 晚清 机器制茶 认知 接受
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近代诗歌对叙事传统的归化与创通
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作者 杨绪容 《苏州大学学报(哲学社会科学版)》 北大核心 2024年第3期151-162,共12页
陈衍、袁昶、钱仲联等开启了从叙事角度概述近代诗史的尝试,有待于在该领域的进一步展开。近代新旧诗坛在现代性思想的积淀、现代性人格的熔铸、现代艺术技巧的发育等方面具有很多共通性,展示出新旧中西文学传统发展的内在合力。而这些... 陈衍、袁昶、钱仲联等开启了从叙事角度概述近代诗史的尝试,有待于在该领域的进一步展开。近代新旧诗坛在现代性思想的积淀、现代性人格的熔铸、现代艺术技巧的发育等方面具有很多共通性,展示出新旧中西文学传统发展的内在合力。而这些特质用来概括近代诗歌的叙事传统和抒情传统都同样贴切。故在“中国诗歌叙事传统”这一大框架下对“近代诗歌叙事”的核心议题做出进一步的思考和总结,其落脚点则在于叙事伦理、叙事主体和叙事艺术诸方面。这在一定程度上也有重新认识和评价中国诗歌传统的意义。 展开更多
关键词 中国诗歌叙事传统 近代诗歌叙事 归化 创通
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