Based on interpretation of post-modernism, basic design techniques of landscape architecture in China under the influence of post-modernism were summarized through analyzing its influence and comparing domestic and ov...Based on interpretation of post-modernism, basic design techniques of landscape architecture in China under the influence of post-modernism were summarized through analyzing its influence and comparing domestic and overseas scholars' understanding of post-modern landscape architecture. The study aims at providing scientific references for the future theoretical and practical researches on the design of post-modern landscape architecture in China.展开更多
Although different from modernity or post- modernity,post- modernism,as the discourse strategy of the intellectuals is inevitably related to power discourse in the respect of self- consciousness and the artistic and c...Although different from modernity or post- modernity,post- modernism,as the discourse strategy of the intellectuals is inevitably related to power discourse in the respect of self- consciousness and the artistic and cultural self-construction. Due to its historical consciousness,it is inseparable from ideology,and as discourse construction,post-modernism belongs to the field of ideology. Foucault puts forward that discourse analysis should connect to social,political and cultural factors and that discourse derives from the operation of the power mechanism. T he deconstruction of the post- modernist art brings about the inevitable political context of its discourse. Post-modernism deviates from the discourse system of the dom inant power and is marginalized at the same time.展开更多
With the unprecedented expansion of human knowledge, the wide application of computer and database and the rapid development of science and technology, post modernism ideology has swept the world with hitherto unknown...With the unprecedented expansion of human knowledge, the wide application of computer and database and the rapid development of science and technology, post modernism ideology has swept the world with hitherto unknown speed, which has a profound influence on the arts and design field in China. With the expansion of post modern design "humanization" design idea in various design fields, whether in architectural design, industrial design, graphic design or costume design, designers pay a hitherto unknown attention to the emotional understanding and humanized expression of the design content. When the Chinese designers and consumers almost have no clear concept of " post modernism ideology" , the rookies in the design competition have already used the post modem design techniques very skillfully, and ordinary people have already worn the costumes of post modernism style to swagger through the streets.展开更多
The article is a comparative study of Knut Hamsun’s novel Hunger (1890) and Jan Kjrstad’s novel The Brink (1990), focusing on similar motives, topics and references from the point of view of early modernism and po...The article is a comparative study of Knut Hamsun’s novel Hunger (1890) and Jan Kjrstad’s novel The Brink (1990), focusing on similar motives, topics and references from the point of view of early modernism and post-postmodernism. It sheds light on aesthetic problems concerning how to deal with existential and metaphysical questions viewed against the background of changing historical and philosophical experiences and new ways of poetic expression. The article points out the resemblances and differences between the novels and shows how two of the front figures of modern Scandinavian literature meet the challenges of renewing the traditional forms of writing.展开更多
文摘Based on interpretation of post-modernism, basic design techniques of landscape architecture in China under the influence of post-modernism were summarized through analyzing its influence and comparing domestic and overseas scholars' understanding of post-modern landscape architecture. The study aims at providing scientific references for the future theoretical and practical researches on the design of post-modern landscape architecture in China.
基金the staged achievement of the 2014 general project of humanities and social sciences of the Ministry of Education-The Political Nature of the Post-modernist Art and the Reconstruction of the Chineseness in the Contem porary Art(14YJC760038)
文摘Although different from modernity or post- modernity,post- modernism,as the discourse strategy of the intellectuals is inevitably related to power discourse in the respect of self- consciousness and the artistic and cultural self-construction. Due to its historical consciousness,it is inseparable from ideology,and as discourse construction,post-modernism belongs to the field of ideology. Foucault puts forward that discourse analysis should connect to social,political and cultural factors and that discourse derives from the operation of the power mechanism. T he deconstruction of the post- modernist art brings about the inevitable political context of its discourse. Post-modernism deviates from the discourse system of the dom inant power and is marginalized at the same time.
文摘With the unprecedented expansion of human knowledge, the wide application of computer and database and the rapid development of science and technology, post modernism ideology has swept the world with hitherto unknown speed, which has a profound influence on the arts and design field in China. With the expansion of post modern design "humanization" design idea in various design fields, whether in architectural design, industrial design, graphic design or costume design, designers pay a hitherto unknown attention to the emotional understanding and humanized expression of the design content. When the Chinese designers and consumers almost have no clear concept of " post modernism ideology" , the rookies in the design competition have already used the post modem design techniques very skillfully, and ordinary people have already worn the costumes of post modernism style to swagger through the streets.
文摘The article is a comparative study of Knut Hamsun’s novel Hunger (1890) and Jan Kjrstad’s novel The Brink (1990), focusing on similar motives, topics and references from the point of view of early modernism and post-postmodernism. It sheds light on aesthetic problems concerning how to deal with existential and metaphysical questions viewed against the background of changing historical and philosophical experiences and new ways of poetic expression. The article points out the resemblances and differences between the novels and shows how two of the front figures of modern Scandinavian literature meet the challenges of renewing the traditional forms of writing.