Oates is one of the most prolific modern American writers,and Wonderland is regarded as one of her masterpieces.The author of the thesis tentatively analyzes men tragic characters and their questing in Wonderland,hopi...Oates is one of the most prolific modern American writers,and Wonderland is regarded as one of her masterpieces.The author of the thesis tentatively analyzes men tragic characters and their questing in Wonderland,hoping to contribute to the studies on tragedy and Oates' works.展开更多
Joyce Carol Oates is one of the most productive writers in American literary circles,reputed as a representative writer of"psychological realism".For nearly 50 years,her works are various genres with profoun...Joyce Carol Oates is one of the most productive writers in American literary circles,reputed as a representative writer of"psychological realism".For nearly 50 years,her works are various genres with profound theme,which get a lot of attention by Chinese and foreign academic circles.The author of the paper introduces Oates to readers and analyzes her literary career in detail expecting to attract more Chinese scholars’attention.展开更多
Oates is reputed as a representative writer of"psychological realism".Wonderland is one of her most representative novels of in the 1970 s.The author of the thesis tentatively analyzes Oates' tragic arti...Oates is reputed as a representative writer of"psychological realism".Wonderland is one of her most representative novels of in the 1970 s.The author of the thesis tentatively analyzes Oates' tragic artistic point of view,hoping to contribute to the studies on Oates' artistic point of view and her works.展开更多
This essay analyzes a crucial difference in the ways in which erotic feelings are articulated in the sentimental novel from eighteenth-century England and Feng Menglong＇s stories of qing from late Ming （1573-1644）....This essay analyzes a crucial difference in the ways in which erotic feelings are articulated in the sentimental novel from eighteenth-century England and Feng Menglong＇s stories of qing from late Ming （1573-1644）. It compares Feng＇s stories and Samuel Richardson＇s novels with a focus on how they chart the courses of love affairs. The essay argues that English sentimental novels accentuate psychological depth while their Chinese counterparts preclude depth with ritualized expressions of feelings. The contrast goes a long way to explaining the bifurcation of English and Chinese fiction in modern eras; one gives rise to several nuanced forms of psychological realism, modulating narrative perspectives as a way of mimicking the complex workings of layered consciousness. The Chinese stories of qing, on the other hand, suggest a different theory of love, one that downplays subjective control of feelings in favor of the effects of social or accidental circumstances. They evolve into a fictional tradition that aestheticizes and stylizes qing, reducing it to a surface of fixed patterns by virtue of inserting verse pieces into prose narratives.展开更多
文摘Oates is one of the most prolific modern American writers,and Wonderland is regarded as one of her masterpieces.The author of the thesis tentatively analyzes men tragic characters and their questing in Wonderland,hoping to contribute to the studies on tragedy and Oates' works.
文摘Joyce Carol Oates is one of the most productive writers in American literary circles,reputed as a representative writer of"psychological realism".For nearly 50 years,her works are various genres with profound theme,which get a lot of attention by Chinese and foreign academic circles.The author of the paper introduces Oates to readers and analyzes her literary career in detail expecting to attract more Chinese scholars’attention.
文摘Oates is reputed as a representative writer of"psychological realism".Wonderland is one of her most representative novels of in the 1970 s.The author of the thesis tentatively analyzes Oates' tragic artistic point of view,hoping to contribute to the studies on Oates' artistic point of view and her works.
文摘This essay analyzes a crucial difference in the ways in which erotic feelings are articulated in the sentimental novel from eighteenth-century England and Feng Menglong＇s stories of qing from late Ming （1573-1644）. It compares Feng＇s stories and Samuel Richardson＇s novels with a focus on how they chart the courses of love affairs. The essay argues that English sentimental novels accentuate psychological depth while their Chinese counterparts preclude depth with ritualized expressions of feelings. The contrast goes a long way to explaining the bifurcation of English and Chinese fiction in modern eras; one gives rise to several nuanced forms of psychological realism, modulating narrative perspectives as a way of mimicking the complex workings of layered consciousness. The Chinese stories of qing, on the other hand, suggest a different theory of love, one that downplays subjective control of feelings in favor of the effects of social or accidental circumstances. They evolve into a fictional tradition that aestheticizes and stylizes qing, reducing it to a surface of fixed patterns by virtue of inserting verse pieces into prose narratives.
