Inspired by one of the maxims in a Chinese classics entitled The Roots of Wisdom,the present paper borrows the typical culturally-loaded Chinese discourses of Gu-qin — "stringed lute" and "non-stringed...Inspired by one of the maxims in a Chinese classics entitled The Roots of Wisdom,the present paper borrows the typical culturally-loaded Chinese discourses of Gu-qin — "stringed lute" and "non-stringed lute"—to add to the literary translation terminology and to enrich some Chinese literary translation theories.On the basis of analyzing some related theories in linguistics,pragmatics,aesthetics and communication which show different perspectives relevant with the study of translation,the present paper offers a new angle to illustrate how the Chinese discourses of Gu-qin,rich in cultural implications,can best describe translation and bring new vigor and vitality into the diversity and further expansion of the field of translation research.展开更多
Though it is not new, the topic of the modem transformation of classical Chinese literary theory still holds profound significance for China＇s current efforts in carrying forward the essence of classical literary the...Though it is not new, the topic of the modem transformation of classical Chinese literary theory still holds profound significance for China＇s current efforts in carrying forward the essence of classical literary theory and constructing a new literary theory that conforms to the spirit of our times. Today, Chinese scholars have to handle two traditions： one is the classical literary scholarship up to the 19th century, distant in time and space from today; the other is the modern tradition that started in the early 20th century. These two traditions involve not only rupture and heterogeneous change but also continuity and partial homogeneous preservation. Taking our stand on the modem and contemporary tradition, we should consciously pursue research on classical literary theory, using modem consciousness to scrutinize, reorder, discover, select, interpret, activate and absorb its finer elements, those that are still vital, so as to creatively promote its modem transformation and further integrate it as an organic component of the construction of modem Chinese literary theory. Over the past two or three decades, Chinese scholars have been advancing this great project in a systematic and solid way, achieving gratifying progress. We must strengthen our efforts and make further progress with this great undertaking.展开更多
A common symptom of the blanket coverage of Western literary theory was the way Chinese intellectuals ＂kept harping on Greece,＂ to the neglect of their own literature＇s distinctive features. Even worse were attempt...A common symptom of the blanket coverage of Western literary theory was the way Chinese intellectuals ＂kept harping on Greece,＂ to the neglect of their own literature＇s distinctive features. Even worse were attempts to force Chinese literature into the Procrustean bed of Western literary propositions. How can Chinese literary theory be used more effectively to interpret native literature and culture, or Chinese experience？ How can it throw off Western theoretical models and become a component of the Chinese nation＇s own narrative？ Reconstruction of the discourse system of Chinese literary theory must be a high priority. It is a complex project, one that necessarily entails stepping on to the discourse platform of modernity, accepting various kinds of open dialogue, and thence envisioning a new form of discourse system set amid multilayered overlapping perspectives and even the challenge of different ideas.展开更多
文摘Inspired by one of the maxims in a Chinese classics entitled The Roots of Wisdom,the present paper borrows the typical culturally-loaded Chinese discourses of Gu-qin — "stringed lute" and "non-stringed lute"—to add to the literary translation terminology and to enrich some Chinese literary translation theories.On the basis of analyzing some related theories in linguistics,pragmatics,aesthetics and communication which show different perspectives relevant with the study of translation,the present paper offers a new angle to illustrate how the Chinese discourses of Gu-qin,rich in cultural implications,can best describe translation and bring new vigor and vitality into the diversity and further expansion of the field of translation research.
文摘Though it is not new, the topic of the modem transformation of classical Chinese literary theory still holds profound significance for China＇s current efforts in carrying forward the essence of classical literary theory and constructing a new literary theory that conforms to the spirit of our times. Today, Chinese scholars have to handle two traditions： one is the classical literary scholarship up to the 19th century, distant in time and space from today; the other is the modern tradition that started in the early 20th century. These two traditions involve not only rupture and heterogeneous change but also continuity and partial homogeneous preservation. Taking our stand on the modem and contemporary tradition, we should consciously pursue research on classical literary theory, using modem consciousness to scrutinize, reorder, discover, select, interpret, activate and absorb its finer elements, those that are still vital, so as to creatively promote its modem transformation and further integrate it as an organic component of the construction of modem Chinese literary theory. Over the past two or three decades, Chinese scholars have been advancing this great project in a systematic and solid way, achieving gratifying progress. We must strengthen our efforts and make further progress with this great undertaking.
文摘A common symptom of the blanket coverage of Western literary theory was the way Chinese intellectuals ＂kept harping on Greece,＂ to the neglect of their own literature＇s distinctive features. Even worse were attempts to force Chinese literature into the Procrustean bed of Western literary propositions. How can Chinese literary theory be used more effectively to interpret native literature and culture, or Chinese experience？ How can it throw off Western theoretical models and become a component of the Chinese nation＇s own narrative？ Reconstruction of the discourse system of Chinese literary theory must be a high priority. It is a complex project, one that necessarily entails stepping on to the discourse platform of modernity, accepting various kinds of open dialogue, and thence envisioning a new form of discourse system set amid multilayered overlapping perspectives and even the challenge of different ideas.
