Research on the Problem of Art Production Theory Since the New Period

The issue of art production is an important topic discussed in China’s academia. The article first discusses thetheoretical issues of early art production in China, mainly taking Mr. Dong Xuewen’s views as an example. Second,scholars have their own views on the discussion of the unbalanced development of art production and materialproduction in the 1970s and 1980s. Third, this article uses the art production theory to construct the contemporaryliterary art form, and raises the art production theory to the essentialism to discuss the art production theory and thereflection theory. Fourth, the relationship between art production and art consumption is in large-scalecomprehensive systematic research.

Kubelka-Munk Revised Theory for High Solar Reflectance and High Long-wave Emissivity Coatings Designing

The Kubelka-Munk revised theory was adopted to derive the mix design theory of high solar reflectance and high emissivity coatings.When the concentration of each colorant is within 20%,and the width of the coating is more than 200 μm,each colorant has enough covering power in visible and near-infrared spectral range.It can be assumed that the addition of colorants in coatings can only change the solar spectral absorption ratio rather than solar spectral scattering coefficient.The spectral scattering coefficient of coatings tends to a constant.The spectral absorption-scattering property of each colorant can be characterized through one parameter.The spectral absorption-scattering coefficient of coatings can be calculated with the multivariate linear relationship of each pigment.Moreover,the results can be expanded for high solar reflectivity and high long-wave emissivity coating preparation.The accuracy of Kubelka-Munk revised theory has been tested and verified through comparison between the calculated value and tested value of coating reflectance.

SPECIAL ISSUE： IMPORTANT ISSUES IN MARXIST PHILOSOPHICAL STUDIES IN CONTEMPORARY CHINA：The theory of question-oriented reflection and its contemporary significance

The critique of a premise and reflection on a question represent two different philosophical positions, and at the same time constitute two distinct routes by which contemporary philosophy has appeared on the scene. The critique of a premise, a discourse exercise aimed at the reconstruction of forms, is premised on a position of morphology. It obfuscates the real foundation of philosophy： all authentic philosophy originates from questions, and only the process of critical reflection on questions can provide an authentic context allowing philosophy＇s joumey into the depths. While philosophical discourse systems have always been distinguished by morphological construction, they have nontheless remained attempts at providing philosophical answers to questions posed by practice. Questions, as opposed to morphology, cannot but take precedence and be of a more fundamental nature. The theory of question-oriented reflection, as put forward by the Marxist revolution in philosophy, refers to the basic positions of the ＂theory of practice＂ and the ＂theory of the question.＂ It stongly holds that philosophy in essence is about the logic of questions and answers and its real point is ＂to change the world;＂ sound premises for philosophical forms can be arrived at only through critical rethinking of the philosophy arising from questions and the questions posed by philosophy, and only on such premises can philosophical forms be properly constructed.