The sound and complete rules for data reification in the algebraic framework are discussed. Based on these rules, the retrieve function approach in VDM is extended and the biased model and non-determinacy can be treat...The sound and complete rules for data reification in the algebraic framework are discussed. Based on these rules, the retrieve function approach in VDM is extended and the biased model and non-determinacy can be treated in some sense展开更多
Setting out from the categories of totality and histori（ci）sm in Kosik＇s Dialectics of the Concrete, we look at the relationship between theory and praxis： empty, abstract totality versus concrete, reified and ali...Setting out from the categories of totality and histori（ci）sm in Kosik＇s Dialectics of the Concrete, we look at the relationship between theory and praxis： empty, abstract totality versus concrete, reified and alienated practice （Lukacs, Habermas, Honneth）; a bad totality, in which the real polydimensional subject is replaced by the one-dimensional, mythologized, fetishized, and economistically reduced ＂subject＂ of consummation （Marcuse, Baudrillard）. The dialectics of concrete totality implies a marxistic critique of the ethical and juristic universalism, in the context of the ＂positive＂ side of globalization and political unilateralism, as a concrete, militant, hegemonistic, post-colonial, and neo-imperial practice （Apel, Habermas, Chomsky, Zinoviev）; globalization as totali（tari）zation, the ＂last man,＂ the ＂end of history,＂ and the ＂end＂ of dialectics in its neo-liberal, eschatological, empty ideological ＂realization＂ （Hegel, Marx, Fukuyama, Arendt）; the totality of the （invariable） being as a pseudo-concrete and pseudo-dialectical ontologistic speculation （Heidegger）： A ＂return＂ to a concrete history and a return of the ＂positive＂ dialectics as a critical awareness, mind, and method in the discourse ＂game＂ of human＇s cognitive, creative, and practical powers. The assumption of Kosik＇s humanism is a synchrony of nature and history in the ＂absolute＂ totality of human＇s concrete existence （Lukacs, Goldmann, Adorno, Sartre, Kosik）.展开更多
Michel Houellebecq is perhaps the most successful, the most famous and controversial of all current novelists writing in French. He has become a global publishing phenomenon： His books have been translated worldwide,...Michel Houellebecq is perhaps the most successful, the most famous and controversial of all current novelists writing in French. He has become a global publishing phenomenon： His books have been translated worldwide, film adaptations of his novels have been produced, and the author is the subject of a million-euro publishing deals and successive media scandals in France. The novels depict surprising forms of imaginary resources, a radiating end of the world, a post-nuclear anxiety, and depressive characters. Houellebecq shocks us leaving us in a world where the feelings of love, tenderness and goodwill have disappeared. The purpose of Houellebecq＇s novels is to alert about the real problems of the human society in the twenty-first century. Indeed, in the books we can easily recognize the essential features of contemporary society and the fact that the individual assumes a dehumanization process in which one has to cope with his solitude in a world of emptiness. This socio-cultural dimension is indeed the background of Houellebecq＇s novels, novels in which the protagonists seem to be wedged in a mechanism from which it is difficult to escape： reification and dehumanization on the one hand, ＂robotization＂ of love on the other. This article focuses on the analysis of the texts revealing the poignant characteristics of＂L＇Ere du vide＂ （＂The Era of Emptiness＂） as described by Gilles Lipovetsky： Loneliness, the lack of love and its replacement by sexual relations.展开更多
The aim of this article is to reflect on the dialectic of the individual＇s life and death in terms of Adorno＇s moral philosophy, specifically through a thorough reading of his Negative Dialectics and other key works...The aim of this article is to reflect on the dialectic of the individual＇s life and death in terms of Adorno＇s moral philosophy, specifically through a thorough reading of his Negative Dialectics and other key works on the subject. I hold that there are two aspects of the dialectic of life within the context of Adorno＇s nonidentityOne involves exploring the false identification, due to the reification of modem society, of the individual＇s life experience with her or his death experience, while the other involves preserving the dialectical and irreducible tension between the theoretical contemplation of life and of historical conditions, as well as specific social systems. Heidegger＇s ontological philosophy concerning Dasein and Kant＇s categorical imperative will also be discussed in order to fully understand Adorno＇s moral philosophy and his idea of nonidentity. From my point of view, Adomo＇s moral philosophy is the prime motivator of his unique concept of nonidentity, and has influenced contemporary political philosophical concepts such as biopolitics （cf. G. Agamben）.展开更多
基金Project supported by the National Science Foundation for Excellent Young Scientists, Trans-Century Training Programme Foundation for the Talents and the National Climbing Program.
文摘The sound and complete rules for data reification in the algebraic framework are discussed. Based on these rules, the retrieve function approach in VDM is extended and the biased model and non-determinacy can be treated in some sense
文摘Setting out from the categories of totality and histori（ci）sm in Kosik＇s Dialectics of the Concrete, we look at the relationship between theory and praxis： empty, abstract totality versus concrete, reified and alienated practice （Lukacs, Habermas, Honneth）; a bad totality, in which the real polydimensional subject is replaced by the one-dimensional, mythologized, fetishized, and economistically reduced ＂subject＂ of consummation （Marcuse, Baudrillard）. The dialectics of concrete totality implies a marxistic critique of the ethical and juristic universalism, in the context of the ＂positive＂ side of globalization and political unilateralism, as a concrete, militant, hegemonistic, post-colonial, and neo-imperial practice （Apel, Habermas, Chomsky, Zinoviev）; globalization as totali（tari）zation, the ＂last man,＂ the ＂end of history,＂ and the ＂end＂ of dialectics in its neo-liberal, eschatological, empty ideological ＂realization＂ （Hegel, Marx, Fukuyama, Arendt）; the totality of the （invariable） being as a pseudo-concrete and pseudo-dialectical ontologistic speculation （Heidegger）： A ＂return＂ to a concrete history and a return of the ＂positive＂ dialectics as a critical awareness, mind, and method in the discourse ＂game＂ of human＇s cognitive, creative, and practical powers. The assumption of Kosik＇s humanism is a synchrony of nature and history in the ＂absolute＂ totality of human＇s concrete existence （Lukacs, Goldmann, Adorno, Sartre, Kosik）.
文摘Michel Houellebecq is perhaps the most successful, the most famous and controversial of all current novelists writing in French. He has become a global publishing phenomenon： His books have been translated worldwide, film adaptations of his novels have been produced, and the author is the subject of a million-euro publishing deals and successive media scandals in France. The novels depict surprising forms of imaginary resources, a radiating end of the world, a post-nuclear anxiety, and depressive characters. Houellebecq shocks us leaving us in a world where the feelings of love, tenderness and goodwill have disappeared. The purpose of Houellebecq＇s novels is to alert about the real problems of the human society in the twenty-first century. Indeed, in the books we can easily recognize the essential features of contemporary society and the fact that the individual assumes a dehumanization process in which one has to cope with his solitude in a world of emptiness. This socio-cultural dimension is indeed the background of Houellebecq＇s novels, novels in which the protagonists seem to be wedged in a mechanism from which it is difficult to escape： reification and dehumanization on the one hand, ＂robotization＂ of love on the other. This article focuses on the analysis of the texts revealing the poignant characteristics of＂L＇Ere du vide＂ （＂The Era of Emptiness＂） as described by Gilles Lipovetsky： Loneliness, the lack of love and its replacement by sexual relations.
文摘The aim of this article is to reflect on the dialectic of the individual＇s life and death in terms of Adorno＇s moral philosophy, specifically through a thorough reading of his Negative Dialectics and other key works on the subject. I hold that there are two aspects of the dialectic of life within the context of Adorno＇s nonidentityOne involves exploring the false identification, due to the reification of modem society, of the individual＇s life experience with her or his death experience, while the other involves preserving the dialectical and irreducible tension between the theoretical contemplation of life and of historical conditions, as well as specific social systems. Heidegger＇s ontological philosophy concerning Dasein and Kant＇s categorical imperative will also be discussed in order to fully understand Adorno＇s moral philosophy and his idea of nonidentity. From my point of view, Adomo＇s moral philosophy is the prime motivator of his unique concept of nonidentity, and has influenced contemporary political philosophical concepts such as biopolitics （cf. G. Agamben）.
