Missionaries were a major force of western peregrination to China in modern times.Confucianism,Taoism,Buddhism and various folk deities,as the main competitors of Christianity,were the two perspectives from which west...Missionaries were a major force of western peregrination to China in modern times.Confucianism,Taoism,Buddhism and various folk deities,as the main competitors of Christianity,were the two perspectives from which western peregrinators(especially missionaries)observed the religious image of China,and the two dimensions from which peregrinators described the religious image of China.Missionaries in China paid more attention to“idolatry”in Chinese Confucianism,Buddhism and Taoism,while peregrinators noticed more popular phenomena of folk deities and various superstitions.The heretical religion of“idolatry”and feudal superstition were the two main cognitive sources for peregrinators to construct the religious image of modern China,and jointly shaped the religious image of modern China.展开更多
In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions...In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions of the Mulian story in these countries, and comparison shows close proximity of several such works. All of them are related to the narrative texts that represent elaboration of the originally scriptural story （it originated in the apocryphal Buddhist scripture that circulated in China） in vernacular languages. Images of the Mulian story in the countries of East Asia had diverse nature： they could appear as separate scenes in devotional religious paintings, multi-scene handscrolls, and illustrations in the manuscripts and editions. I argue that the subject of Mulian rescuing his mother was of primary importance in the popularization of Buddhist ideas among different layers of society. The related images were used for both storytelling and reading practices and helped different audiences to comprehend the Mulian story.展开更多
基金Sponsored by“Twelfth Five-year Plan”Program of Guangdong Provincial Philosophy and Social Sciences(GD15XLS07)Science and Technology Innovation Research Team Program of Zhaoqing University(2021)Tourism Management Key Discipline Construction Program of Zhaoqing University(2022).
文摘Missionaries were a major force of western peregrination to China in modern times.Confucianism,Taoism,Buddhism and various folk deities,as the main competitors of Christianity,were the two perspectives from which western peregrinators(especially missionaries)observed the religious image of China,and the two dimensions from which peregrinators described the religious image of China.Missionaries in China paid more attention to“idolatry”in Chinese Confucianism,Buddhism and Taoism,while peregrinators noticed more popular phenomena of folk deities and various superstitions.The heretical religion of“idolatry”and feudal superstition were the two main cognitive sources for peregrinators to construct the religious image of modern China,and jointly shaped the religious image of modern China.
文摘In this paper, I analyze pictorial representations of the Buddhist story of Mulian rescuing his mother in China, Japan, and Korea in the pre-modern and early modern periods. I have collected several pictorial versions of the Mulian story in these countries, and comparison shows close proximity of several such works. All of them are related to the narrative texts that represent elaboration of the originally scriptural story （it originated in the apocryphal Buddhist scripture that circulated in China） in vernacular languages. Images of the Mulian story in the countries of East Asia had diverse nature： they could appear as separate scenes in devotional religious paintings, multi-scene handscrolls, and illustrations in the manuscripts and editions. I argue that the subject of Mulian rescuing his mother was of primary importance in the popularization of Buddhist ideas among different layers of society. The related images were used for both storytelling and reading practices and helped different audiences to comprehend the Mulian story.
