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"A Walk in Between"--On Hart Crane's Imagination of Representational Space and Representations of Space in The Bridge
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作者 Billy Bin Feng Huang 《Journal of Literature and Art Studies》 2016年第7期722-735,共14页
In this paper, Henri Lefebvre's theorizations about representational space and representations of space will be employed to examine Hart Crane's imagination of them in The Bridge. First, according to Lefebvre, repre... In this paper, Henri Lefebvre's theorizations about representational space and representations of space will be employed to examine Hart Crane's imagination of them in The Bridge. First, according to Lefebvre, representations of space are created with violence for the purpose of accumulating capital. On the other hand, representational space is directly lived or affectively felt, opened up by inhabitants' imagination. In addition, Lefebvre points out that in abstract space, representational space will be invaded by representations of space. In The Bridge, Crane's affective experience with the Brooklyn Bridge or the subway indicates that he treats New York as a representational space. Besides, Crane expresses his concern for how capitalism has encroached on it. It would seem that Crane has followed Lefebvre's line of thinking in The Bridge. However, it is actually a specious analysis because both the Brooklyn Bridge and the subway are representations of space. And in this long poem, Crane feels the urban space through history, which plays a key role in creating representations of space. Thus, we can conclude that Crane is actually taking "a walk in between" in The Bridge. With his imagination, Crane has combined representations of space and representational space into his own poetic vision. 展开更多
关键词 (Henri) Lefebvre representations of space representational space (Hart) Crane The Bridge
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Tracing the Holistic Voice in Ecological Space: Exploring Theodore Roszak's Ecopsychology in Henri Lefebvre's "Differential Space"
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作者 Su-chen Wu 《Journal of Philosophy Study》 2013年第9期843-856,共14页
The goal of ecopsychology is to awaken the inherent sense of environmental reciprocity that lies within the ecological unconsciousness. Proclaiming the spirit of ecopsychology, Theodore Roszak argues that psychotherap... The goal of ecopsychology is to awaken the inherent sense of environmental reciprocity that lies within the ecological unconsciousness. Proclaiming the spirit of ecopsychology, Theodore Roszak argues that psychotherapy is an urban movement, but human beings can never heal themselves until they reconnect with nature. Other therapies aim at healing the alienation between person and person, person and family, person and society; ecopsychology intends to heal the more primary alienation between the person and the natural environment. Henri Lefebvre's work has revitalized urban studies, geography and planning via concepts like the social production of space. Lefebvre claims that space is not an inert, neutral, and pre-existing given, but rather, an on-going production of spatial relations. According to Lefebvre, space is produced by three types of practice: spatial practices of physical transformation of the environment, practices of representation of space, and everyday practices of representational space. Lefebvre further presents a "differential space," named as such for its dialectical resistance to the forces of homogenization present in "abstract space." The aim of this paper is to trace the ecological voice from Roszak's The Voice of the Earth in Henri Lefebvre's "differential space." Roszak's ecopsychology has formed a differential space, acknowledging that the boundaries of dualism and separations such as mind and body, man and nature should be finally dissolved in terms of ecological sustainability. Within this space, a holistic approach and thinking are created and required to take into account perception of the inextricable relationship between all life and all phenomena. 展开更多
关键词 ecopsychology holistic worldview representations of space abstract space differential space ecological consciousness
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