Exploration of Oral History in Ethnomusicological Research

Oral history,which collects historical materials by means of oral interviews,is an important auxiliary means for ethnomusicological research.Marked by the First Symposium on Oral History of Music in 2014,the academic community has launched a series of discussions and elaborations on its concepts,methods,norms,meanings,and other dimensions,and a series of academic achievements have been born.In this paper,we will combine relevant theses to explain how music oral history as contemporary history can achieve“intertextuality”in ethnomusicological research,emphasize its humanistic attributes,and summarize our reflections on the basis of existing academic experiences.

The Taxonomic History and Original Literatures Arrangements of Living <i>Cephalotaxus</i>(Cephalotaxaceae)

Living Cephalotaxus (plum yews) occurs mainly in East Asia and North of Indo-China peninsula. The study of original taxonomic literatures found that, in early days, the plum yews had ever been described as palnts of Taxus (Taxaceae). Since after the genus name Cephalotaxus Sieb. & Zucc. was firstly cited (from inedited and unpublished Flora Japonica) by Endlicher in 1842, most taxonomist thought which is the earliest time of the genus Cephalotaxus Sieb. & Zucc. was set. However, the genus Cephalotaxus Sieb. & Zucc. was formally effective and valid published by Sieb. & Zucc. in Flora Japonica in 1870 so that there exists some confusions in chronological order. Originally as a genus, Cephalotaxus was included in family Taxaceae and Neger (1907) separated Cephalotaxus from Taxaceae and set family Cephalotaxaceae. Later, Fu (1984) divided Cephalotaxus up into two sections of Cephalotaxus Sieb. & Zucc. sect. Pectinatae L. K. Fu and Cephalotaxus Sieb. & Zucc. sect. Cephalotaxus L. K. Fu on the bases of C. oliveri Masters differ significantly from other taxa of Cephalotaxus in morphological characteristics. Although the plum yews was a little genus of conifers, up to now, about 77 taxa have still been published by taxonomist in different countries or regions. Among them, C. tardiva Sieb. ex Endl. (1847), C. umbraculifera Sieb. ex Endl. (1847), C. sumatrana Miq. (1856) and C. celebica Warb. (1900) have been combined to Taxus, and C. argotaenia (Hance) Pilger (1903) has been combined to Amentotaxus. And at the same time, those taxa existing in Cephalotaxus courently which were accepted by most taxonomist in different countries was also cited in acticle. Lastly, the paper thought presently there still exists many debates about binary classification of Cephalotaxus and the nomenclature of this genus still particularly confusing. Based on some controversial problems, we also point out some taxonomically researching directions at creating some order out of the chaos.

The Dialogue between Literature and History in Yeats’ Poetry — A Case Study of “Easter, 1916”

Yeats’ realistic poetry is often imprinted with the mark of its era. By means of the poetic language, Yeats expressed his profound reflection on the historic events of the time. In so doing, a dialogue has comes into existence between literature and history. This paper attempts to consider in detail how the dialogue between literature and history operates in Yeats’ realistic poem “Easter, 1916,” as a case study, under the scrutiny of the new historicist approach. Through the textual analysis of this poetic work, this paper discusses the dialogic relationship of the poem and history by elaborating on how this poetic work becomes historicized and how this historic event becomes textualized. Within this dialogue, the reciprocal relation of this poem and the contemporary society is brought under further examination. This paper argues that this poem harbors subversive force which can be articulated by the poetic text in this dialogue between literature and history. However, this subversive force will be eventually contained by the British power structure that has pervaded and dominated the Irish society. By the uprising and revolution of the Irish people, Ireland would attain to the goal of political de-Anglicization by becoming a sovereign state and with the advent of this political independence Irish literature could also achieve an independent status. However, this paper concludes that Yeats has realized the suppressed beauty of this independence because Irish literature would still have to be composed in the English language which, however, remains to be the product of the British power structure.

Ancient Myths and the Construction of Regional Literary History——The General History of Sichuan Literature

The literary study of ancient mythology is a rational and necessary prerequisite for the study of the general history of Sichuan literature in the Pre-Qin period, though it can go beyond the study of literature. Compared with other Chinese regional literatures such as Jing-Chu literature, the insufficiency of the literalization of the early Ba-Shu myth, to some extent, devalues the Ba-Shu literature in the Pre-Qin period and affects its consistence. When dealing with the influence of ancient mythology on the development of Chinese regional literature, including Sichuan literature, we need to analyze the inherent impact of regional mythology on the developing literature using a three-step process: restoring and summarizing the mythological pedigree, uncovering the “conceptual structure” of the mythology, and explaining the impact of the mythology on the developing literature. This paper uses this three-step process to construct the general history of Sichuan literature.

“Literature”in the 19th-Century Sinological Works:The History of a Concept

In the 19th century,the English term"literature"and its Chinese equivalent"文学"(wenxue)had their respective connotations and prehistories and did not belong to the same discursive genealogy,although the two concepts later mixed together and have since been inter-translated by scholars.This paper attempts to examine literature as an independent system of representation by analyzing historical materials of English sinology to identify their special meanings in the 19th-century English context.To ensure the wholeness of the examination,this paper divides the collected materials into three categories;annotations in English-Chinese dictionaries,denotations in works with the word"literature"in their titles,and explanations in articles and chapters(of works)with the word"literature"in their titles.Such an examination inevitably involves some key issues related to semantics,history of translation and cross-cultural studies.It is hoped that this study can help further a general understanding of the dissemination history of literature as a concept.

The History of Czech Literature in China

During a century-long time span,a remarkable array of Czech literary works had been introduced to China,marked by selections of different writers,genres,and themes.This study attempts to discuss what Czech literary works have been translated in China since its beginning in 1921.Besides the selection of texts for introduction,attention has also been given to the formats of their publication,the adoption of introduction approach,choice of intermediate languages,the numbers of different versions,and the frequency of their publication,as well as the textual and paratextual features of the end Chinese products.

Revisiting History Through Crime Fiction： Shiono Nanami＇s Scarlet Venice in The Renaissance Trilogy of Murder

The paper explores an ambiguous intersection between history and fiction in Scarlet Venice （Hi no Venezia, in original） （1988） by Japanese novelist and historiographer, Shiono Nanami （1937-）. As a prominent transnational writer who has worked on the Italian Renaissance and the Roman antiquity for about 40 years, Shiono fictionalizes the political culture of 16th century Venice in the context of the Eastern Mediterranean history. Based on her The Tales of the Sea Capital （1981）, historiography par excellence, the novel portrays the political maneuver of the Republic of Venice from viewpoints of diplomacy. With this thematic approach to history, the novel centers on the life and death of Alvise Gritti （1480-1534）, an illegitimate son of famed Venetian Doge, Andrea Gritti. In the metaphorical/metafictional structure of historical crime fiction, the novel unveils the austerity of Venetian polity, while contrasting it with the liberalism fostered in Sultan Suleiman＇s Ottoman court. In conclusion, the author interprets that Alvise Gritti is a victim of the political intricacy with which Venice was wrestling, implying that the republic is the metaphorical murderer. Whereas Alvise＇s death commemorates a drastic step taken by Venice for political negotiation, Shiono＇s recent writings suggest that Japan should model the rigid pragmatism in Venetian politics, along with its effective use of intelligence in diplomacy

First Forum on China Casting Quality Standards & Overview of Revision History of China's National/Industrial Standards for Foundry Operations

Both national and local governments have been paying great attention to the work of industrial standardization with the enormous increase in international trade after China joined WTO. According to the standards revising plan of Standardization Administration Committee of China (SAC),TC54 has already revised a series of national standards and industrial standards for foundry operations,and proposed some new ones. As a result,some old fashioned standards containing low-level techniques have been gradually discontinued or replaced with new versions.……

History of Dentistry from the Period of the Ottoman Empire to the Republican Period

The Ottoman-Turkish medicine and dentistry was born and developed in the lands of Anatolia. The most mature period of the Islamic medicine was in the Ottoman Empire on the lands of Anatolia. While inheriting the Turkish-Islamic science and culture structure and the ancient age and Old Greek science, it was integrated with the medicine philosophy here. In the 13th and 15th centuries, in Ottomans, the development of the dentistry was on the issues of the dental diseases and periodontology. In the 14th and 15th centuries, it was observed in the medicine books of the Turkish physician writers that they were also dealing with the child dentistry as issues. That the dental medicine took place in the works of art written between the 15th and 19th century shows the existence of the surgeons realizing the tooth extraction. With the opening of the first dentist school in the year of 1909, the training of dentistry started. In this study, the issue of the development and training of the dentistry in the Ottomans among the 13th-19th centuries were dealt with the outlines. Also, the first examples and fundamental works of art of the dentistry literature from the Ottoman Empire to the Republican period will be told shortly.

Discussion on Chinese Ancient Literature Translation Based on the English Translation of the Book of Songs

The Book of Songs is an important part of Chinese traditional culture and enjoys a high reputation at home and abroad.This article is based on Turi’s theory of translation norms,and takes the English translation of The Book of Songs·Jing Jing by Richard Jacob and Xu Yuanchong as the research object.Comparative studies are made on the historical nature of understanding,the normativeness of translation,and the application of the fusion of horizons in the two versions of the Book of Songs.Incorporating history into translation brings the translation closer to the roots of history.The comparative research method proposed in this article can be widely used in various ancient literature studies,and has important theoretical and application values.

On Chinese Image of American Literature in the 20^(th) Century

Due to the influence and control of many factors such as geographical location and historical conditions,many of the 20thCentury American literature works portray distorted Chinese image different from reality. In American literature,China doesn't exist as a real country with a geographical location,but it exists in a virtual space in the world composed of cultural imagination. Literature is the reflected thought that can accommodate numerous social fields,and American literature can mostly reflect the overall cognition of different fields for Chinese image. This paper analyzes the characterization and cognition of Chinese image in the20thCentury American literature works,understanding the history and features of Chinese image in the 20thCentury American literature works,in order to obtain the enlightenment of how to better establish Chinese image.

Revise and Statistical Analysis of the Alien Press Errors in History of Chinese Journalism by Ko Kung-chen

Since Ko Kung-chen published History of Chinese Journalism with Shanghai Commercial Press in 1927,this work had been published by different publishing houses and reprinted many times amounting to 18 editions.There are many historical narrative and fact errors of alien press in this work,and up to date these errors are not revised.This essay aims to revise the omitted errors of alien press in History of Chinese Journalism systematically besides those corrected by other works or essays,and carry on the statistical analysis of the errors to probe new approach for the study of alien periodicals and press in China.

Trickster or Colonizer： The Latent Effects of Colonialism in Efua Sutherland＇s Play The Marriage of Anansewa

The essay analyzes the play written by the late Efua Sutherland （from Ghana） and shows the effects of colonization among the Ghanaians. First, it explores the historical inroads made by the colonizer in West African countries, such as Ghana, causing the debilitation of the culture of such countries by erasing its history. One way in which such erasure occurred was in the destruction of sacred sites of the people. Further connections will also be made to West African cultural contexts with the history of colonization in Africa and its effects on popular culture, specifically drama in countries like Ghana. Next, the essay draws upon the role of the trickster figure of Ananse, the spider who features in many West African and Caribbean folkloric traditions. Sutherland＇s play revolves around the main character of the play, Ananse, and he is likened to the trickster figure, but the essay shows how this figure is also debilitated by the colonizer. Finally, in the play, one notes that despite the main character＇s ＂victory＂ in getting his daughter married to the ＂Chief-Who-ls-Chief＇, he does it for his survival and the survival of his daughter in a world in which the latent effects of colonization has hampered the memory and culture of its people.

On the Historical and Cultural Elements Implied in The Last of the Mohicans from the Perspective of Cross-Cultural Communication

The last of the Mohicans was written by American novelist James Fenimore Cooper in 1826,who is considered as the first long novelist of America.The work has no concentrate plots but the white people and the Indians'friendship,communication,and wars.The Last of the Mohicans was set in the mid-18th century when the French colonists and English colonists were fighting for Indian lands.English colonized America and were at loggerheads with France.It belongs to the frontier literature and creates a precedent for the American Frontier Fiction.The American western fiction has the most native feature.With the rise of multiculturalism trend at present,it is the best way for understanding the American local culture and history to study the American western fiction which is bred during the course of the frontier-running and Westward Movement.Cooper is a novelist who depicted the real and pure American life.Based on the frontier theme,he created Leatherstocking Tales,which is a series of five novels,are his masterpieces representing his style.Among them,The Last of the Mohicans prominently reflects the Indian culture.This thesis mainly explores the historical and cultural elements embodied in The Last of the Mohicans from the perspective of cross-cultural communication.

＂The Drama of the Tua Line＂, a Fictional Narrative and Literary Dialogue With the Contemporary Portuguese Railway Technology

This paper is a socio-literary approach to the book 《TUA》 COLECTANEA LITERARIA： Mem6rias do Vale e da Linha Ferrea, a collection of literary texts on the Tua centenarian railway, like the Swiss or French Alps railways, highlighting the analysis of the short story ＂The Tua Line drama＂ which builds a fictional dialogue between objects of a technological museum about the past and the future of the Tua railway, which is now disabled. It aims to focus on and discuss relations between technology and literature within its contemporary social context and to understand their complex and dynamic interrelations of interest regarding musealization. This paper will discuss the source base, methods and theory. The source base consists of literary publications appearing throughout the twentieth century. These texts, with originate from various authors, both classic and anonymous （novels, poetry, short stories, popular literature, news columns）, illustrate the action of/in the history of individuals and populations in relation to the Tua Valley, River, line and train, over the course of more than 100 years. Narratives, characters, events and episodes in various timeframes make up the set of literary fictions that provide an approximate and sensitive vision of the Tun Valley and realities around the construction, operation and closing of the railway line. Memories, identities, and historical contexts where norms, customs and social representations operate under various logics or social worlds which illustrate, by means of the fictional production of an imaginary realism, the socio-historical meaning of the Tua Valley and line. The methods employed are a longitudinal qualitative analysis of the occurrence of these themes during this period, and a socio-historical content analysis, drawing from literary studies, which aims to identify the main patterns of fictional narrative, in which sociotechnical knowledge regarding railways was packaged. The interdisciplinary analysis which is made is developed in the socio-historical framework （M. Block）, the ＂sociology of action＂ （Thevenot ＆ Boltanski）, the theory of social representations （Durkheim） and literature theory （Todorov） and aims to open other avenues of academic research on this topic.

Continuities of Historical Crises and Discourses of Europe From the “Neo-Latin Past” to the 21st Century

Europe and the EU have been facing many crises and challenges in recent years.From Brexit and rising nationalism to economic problems and unanimous refugee policies,most of them remain unsolved.Instead of moving forward with the European integration project,Europe seems to regress in many instances.Considering this turmoil,it seems all the more important to historicize the affirmative discourse of Europe and to expand the knowledge of the European unification process with novel insights into its history.Only if a broad understanding of its roots and developments prevails,the conflicts of the present can be better evaluated and addressed.Particularly one set of so far neglected sources from Europe’s past serves as guiding light in that respect:the early modern Europe literature written in the Latin language.Between 1400 and 1800,Latin enjoyed a similar status in promoting scientific discoveries,negotiating political affairs and generally communicating on an international level as modern-day English.By offering a brief glance at some historically influential Latin texts from the early modern discourse of Europe,this article will show that the early modern European crises strikingly resemble Europe’s current crises despite the difference in political,social,and economic circumstances.The discourse of Europe has from the beginning been a stable discourse,characterized by the same recurring questions for centuries.When used as reference point for the crises of the 21st century,the prospects for the European integration look better than presumed.

Analysis of Jane Eyre from the perspective of New Historicism

This paper analyses Jane Eyre from the perspective of new historicism. In the first part,by explaining the influence of social background to the creation of Jane Eyre and the influence of characters in Jane Eyre to the development of the society,it analyses the relationship between literature and history. The second part particularly elaborates the new historicism strategies used in the creation of Jane Eyre,such as to analyse history from personal perspective,subversion and oppression,self-fashioning and so on. The last part is a conclusion,which further expounds the significance of interpret Jane Eyre from the perspective of new historicism.

Chinese Tradition in the World Literature:Review of Zhang Longxi's A Historyof ChineseLiterature

This essay reviews Zhang Longxi's A History of Chinese Literature.The book covers Chinese literature from its very beginning to modern times.It emphasizes texts'literary and aesthetic qualities when evaluating and historicizing literature.The book demonstrates the importance of canons in literary history,using Chinese tradition as an example.Therefore,it also brings the Chinese tradition into the broader framework of world literature.Reading Zhang's concise historical overview of Chinese literature,we can better understand the interplay between literary tradition and the individual talent.Zhang Longxi has skillfully combined the writing of a history of literature with literary criticism in this book.Zhang's successful attempt informs literary scholars of possible paradigms of compiling literary history in a post-cultural-studies theoretical context.

跨学科视域与跨文类叙事:《哥伦比亚中国文学史》的敦煌文学书写

自19世纪末,海外汉学家开启了中国文学史的编纂工作,21世纪以来走向成熟和深化。梅维恒主编的《哥伦比亚中国文学史》2001年出版以来,引起了国内外学界的广泛讨论,该书有关敦煌文学书写的问题值得重视。通过阐述选取文献的缘由、撰写的思路以及向文学本位回归的特色,可以提炼出作者书写敦煌文学所采取的研究方法,即跨学科视域和跨文类叙事研究。考察该书的文学史观和文学史方法论,可以为国内的书写实践提供路径参考。中国文学史编纂应该立足中华文化核心价值,参与全球国际对话并构建科学的文学史理论,撰写真正内在于中国文学文化同时又融入世界潮流的文学史著述。

2023民间文学:本体研究与跨学科对话

2023年民间文学在承续之前研究的基础上,其表现出研究话题更为集中,特别是对民间文学口头性、集体性、人民性及体裁、语境的讨论,彰显出民间文学领域进行理论建设的自觉与学术愿景;而在对学科史、学术史的梳理中,我们所看到的是研究者立足当下面临问题时的思考及结合时代语境对过去学人研究的重新阐释。在民间文学社会价值研究中,我们能看到相关研究成果既有对学术传统的延续,也注重结合时代命题,多维度、立体化地进行理论拓展。当然,无论在哪个论域,我们都能看到2023年度民间文学研究有待提升之处及未来的新趋向。