By taking the twelve scenic spots in Ancient Lotus Pond Garden as study objects, they have been introduced and their names have been classified in accordance with allege and symbol nomenclature, linguistic rhetoric no...By taking the twelve scenic spots in Ancient Lotus Pond Garden as study objects, they have been introduced and their names have been classified in accordance with allege and symbol nomenclature, linguistic rhetoric nomenclature, narration and description nomenclature, and emotion-endowing and ambition-expressing nomenclature adopted in related articles. Then, the cultural connotations of these scenic spots have been summarized, and Confucian thought and Taoist thought contained in "Surge Including Pavilion" and "High Principle Tower" have been analyzed. The research is aimed at enlightening modern garden workers through illustrating the connotation of the names of scenic spots, so that they can be inspired in the naming process.展开更多
Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the def...Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the definition,functions and classification of scenic window,further elaborated its formal and spiritual beauty from the perspectives of 'shape','pattern' and 'in-position and in-motion view',and analyzed the aesthetic beauty of scenic windows in classical gardens.展开更多
In this paper,the author sums up some essential knowledge from the practiceabout rebuilding traditional buildings and gardens in which the author has been engagedrecently.The view points are that one should discard th...In this paper,the author sums up some essential knowledge from the practiceabout rebuilding traditional buildings and gardens in which the author has been engagedrecently.The view points are that one should discard the dross and select the essential,re-tain the symbolic form,grasp the overall style,embody local characteristics and space outthe distance of time and space between the new and old buildings.Finally,the author con-siders that the traditional form of buildings should not be used indiscriminately at allplaces in modern times.展开更多
文摘By taking the twelve scenic spots in Ancient Lotus Pond Garden as study objects, they have been introduced and their names have been classified in accordance with allege and symbol nomenclature, linguistic rhetoric nomenclature, narration and description nomenclature, and emotion-endowing and ambition-expressing nomenclature adopted in related articles. Then, the cultural connotations of these scenic spots have been summarized, and Confucian thought and Taoist thought contained in "Surge Including Pavilion" and "High Principle Tower" have been analyzed. The research is aimed at enlightening modern garden workers through illustrating the connotation of the names of scenic spots, so that they can be inspired in the naming process.
文摘Taking the scenic windows in classical Suzhou gardens for example,such as the Master-of-Nets Garden (Wangshi Yuan),Pavilion of Surging Waves (Canglang Ting) and Lingering Garden (Liu Yuan),this study discussed the definition,functions and classification of scenic window,further elaborated its formal and spiritual beauty from the perspectives of 'shape','pattern' and 'in-position and in-motion view',and analyzed the aesthetic beauty of scenic windows in classical gardens.
文摘In this paper,the author sums up some essential knowledge from the practiceabout rebuilding traditional buildings and gardens in which the author has been engagedrecently.The view points are that one should discard the dross and select the essential,re-tain the symbolic form,grasp the overall style,embody local characteristics and space outthe distance of time and space between the new and old buildings.Finally,the author con-siders that the traditional form of buildings should not be used indiscriminately at allplaces in modern times.
